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Publicado por Tate Publishing 01/07/1999, 1999
ISBN 10: 185437270XISBN 13: 9781854372703
Librería: AwesomeBooks, Wallingford, Reino Unido
Libro
Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Publicado por Tate Publishing 01/07/1999, 1999
ISBN 10: 185437270XISBN 13: 9781854372703
Librería: Bahamut Media, Reading, Reino Unido
Libro
Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Año de publicación: 2003
Librería: Antikvariat Röde Orm, Göteborg, Suecia
The London Institute, 2003. Soft covers. 160 pages. Illustrated. Nice copy in fine condition.
Publicado por Wimbledon Wimbledon School of Art, 2000
ISBN 10: 185437270XISBN 13: 9781854372703
Librería: Buchhandlung&Antiquariat Arnold Pascher, Neuss, Alemania
Libro
213 S., kart., Gr.-Okt., englisch, ungelesenes Exemplar,
Publicado por Wimbledon, Wimbeldon School of Art / Tate Publihshing, 2000
ISBN 10: 185437270XISBN 13: 9781854372703
Librería: Buchhandlung&Antiquariat Arnold Pascher, Neuss, Alemania
Libro
213 S., geb., Gr.-Okt., englisch, ungelesenes Exemplar, Beiträge aus Konferenzen von 1995 - 1998 zum Thema Kunst in der Erziehung,
Publicado por Institute of Contemporary Art, Pennsylvania, Philadelphia, 2003
Librería: Midway Book Store (ABAA), St. Paul, MN, Estados Unidos de America
Paperback. 27.5 x 20.5 cm. Quarto. 89pp. Wrappers in dust jacket. Near Fine in Near Fine dust jacket.
Publicado por Self published, 2009
Librería: Mr Pickwick's Fine Old Books, Katoomba, NSW, Australia
Original o primera edición
Softcover (Stiff Card). Condición: As New. Estado de la sobrecubierta: No Dust Jacket. First Edition. Includes DVD. Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; New Age & Alternative. All our pictures shown here are of the actual item, not stock photos. Inventory No: 24178. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.
Publicado por Philadelphia: Institute of Contemporary Art, 2003
ISBN 10: 0884541037ISBN 13: 9780884541035
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover with dustjacket, 88 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Publicado por Wimbledon school of Art in Association with Tate Publishing, London, 2000
ISBN 10: 185437270XISBN 13: 9781854372703
Librería: Theologia Books, La Charite sur Loire, Francia
Libro
Paper. Condición: Fine. Very fine paperback copy. 213pp.
Publicado por Institute of Contemporary Art University of Pennsylvania, Philadelphia, Pennsylvania, 2003
ISBN 10: 0884541037ISBN 13: 9780884541035
Libro
Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine.
Publicado por Univ Pennsylvania Inst of, 2003
ISBN 10: 0884541037ISBN 13: 9780884541035
Librería: Tornbooks, Austin, TX, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Soft cover. Condición: Near Fine. Dust Jacket Included. 1st Edition. Signed by the Artist. Softcover exhibition catalogue. Near Fine. Thin Quarto; pictorial stiff wraps with colorful dustjacket that folds out into a poster; 87 pp.; printed on white and pink paper; illustrated throughout in color; very slight edgewear to cover; price sticker on back, else crisp and clean. Uncommon. Signed by Author(s).
Publicado por Bloomsbury Publishing (UK) 2020-12-24, London, 2020
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: Blackwell's, London, Reino Unido
Libro
hardback. Condición: New. Language: ENG.
Publicado por Bloomsbury Visual Arts, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Libro
Condición: New.
Publicado por Bloomsbury Publishing (UK), 2020
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Publicado por Tauris Academic Studies, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. 364 pages. 10.00x7.75x1.25 inches. In Stock.
Publicado por Bloomsbury Visual Arts, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Libro
Condición: As New. Unread book in perfect condition.
Publicado por Bloomsbury Visual Arts, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: Majestic Books, Hounslow, Reino Unido
Libro
Condición: New.
Publicado por Bloomsbury Publishing PLC, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Libro
Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
Publicado por Bloomsbury Visual Arts, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Libro
Condición: New. In.
Publicado por Bloomsbury Visual Arts, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
Libro
Condición: New.
Publicado por Bloomsbury Publishing (UK), 2020
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
Libro
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Publicado por Bloomsbury Publishing PLC, London, 2020
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: Grand Eagle Retail, Wilmington, DE, Estados Unidos de America
Libro
Hardcover. Condición: new. Hardcover. Antarctica, that icy wasteland and extreme environment at the ends of the earth, was - at the beginning of the 20th century - the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive.Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank - and white - canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future. "An illustrated analysis of the visual, material and anthropological formation of environmental art and histories, in particular a visual history of the Antarctic"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Publicado por Bloomsbury Academic Jan 2021, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro
Buch. Condición: Neu. Neuware - Antarctica, that icy wasteland and extreme environment at the ends of the earth, was - at the beginning of the 20th century - the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive. Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank - and white - canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future.
Publicado por Bloomsbury Publishing PLC, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Libro
Condición: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.
Publicado por Institute of Contemporary Art (ICA, Philadelphia), Philadelphia, 2003
ISBN 10: 0884541037ISBN 13: 9780884541035
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Soft cover. Printed wrappers, with photographically illustrated dust jacket that unfolds into a poster. Installations by Polly Apfelbaum. Interview with the artist by Claudia Gould. Essays by Tim Griffin, Irving Sandler and Ingrid Schaffner. Includes a list of works, an illustrated chronology, selected bibliography and a list of illustrations. Designed by Omnivore, Alice Chung and Karen Hsu. 88 pp., with 83 four-color illustrations. 10-5/8 x 8-1/8 inches. Published on the occasion of an exhibition at the Institute of Contemporary Art, Philadelphia, and traveling to other venues. Fine in Fine dust jacket. From the publisher: "Polly Apfelbaum creates what she calls 'fallen paintings,' hybrid works of rare beauty that exist in a contentious, ambivalent space between painting, sculpture and installation. These works transform the colors of mass culture into wild oscillating spectra bordering on the organic. This volume accompanies the first large museum survey of her work, and features new and recent installations as well as a range of work from the past 15 years.".
Publicado por Bloomsbury Publishing PLC, London, 2020
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: CitiRetail, Stevenage, Reino Unido
Libro
Hardcover. Condición: new. Hardcover. Antarctica, that icy wasteland and extreme environment at the ends of the earth, was - at the beginning of the 20th century - the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive.Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank - and white - canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future. "An illustrated analysis of the visual, material and anthropological formation of environmental art and histories, in particular a visual history of the Antarctic"-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Publicado por Bloomsbury Visual Arts, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
Libro
Condición: As New. Unread book in perfect condition.
Publicado por I B TAURIS, 2021
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: moluna, Greven, Alemania
Libro
Gebunden. Condición: New. Über den AutorPolly GouldInhaltsverzeichnisList of IllustrationsAcknowledgementsNotes on AcronymsIntroductionList of IllustrationsAcknowledgementsNotes on AcronymsI.
Publicado por Bloomsbury Publishing PLC, 2020
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Libro
Condición: New. 2020. Hardcover. . . . . .
Publicado por Bloomsbury Publishing PLC, London, 2020
ISBN 10: 1788311698ISBN 13: 9781788311694
Librería: AussieBookSeller, Truganina, VIC, Australia
Libro
Hardcover. Condición: new. Hardcover. Antarctica, that icy wasteland and extreme environment at the ends of the earth, was - at the beginning of the 20th century - the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive.Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank - and white - canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future. "An illustrated analysis of the visual, material and anthropological formation of environmental art and histories, in particular a visual history of the Antarctic"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.