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Publicado por Laurence King Publishing, 2020
ISBN 10: 1786275236ISBN 13: 9781786275233
Librería: Bookoutlet1, Bridgeton, NJ, Estados Unidos de America
Libro
Condición: VeryGood. Ships Within 24 Hours M-F- Satisfaction Guaranteed! Has a publisher overstock mark. Item is in Good Condition. Clean Copy With Light Amount of Wear.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 15,79
Usado desde EUR 4,79
Encuentre también Tapa blanda Original o primera edición
Publicado por Litchfield Studios, Litchfield, CT, 1945
Librería: Willis Monie-Books, ABAA, Cooperstown, NY, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good.
Publicado por Esquire Inc., New York, 1949
Librería: Scene of the Crime, ABAC, IOBA, St. Catharines, ON, Canada
Revista / Publicación Original o primera edición
Soft cover. Condición: Fair. 1st Edition. First edition first appearance of this collection of stories and articles. The gatefold painting is missing. Collected the mystery Three Hour Caper by William Francis and the western Cold Water and Cherry Pie by Frank O'Rourke. The gatefold pinup Heartbreaker by Al Moore is intact. There is a moisture stain to a leading edge of the magazine. It effects the entire magazine to varying degrees starting at the front cover to nothing by the rear cover. In fair condition.
Publicado por Finch Publications Inc, 2017
ISBN 10: 0692948996ISBN 13: 9780692948996
Librería: Gulf Coast Books, Memphis, TN, Estados Unidos de America
Libro
paperback. Condición: Good.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 43,62
Usado desde EUR 20,30
Encuentre también Tapa blanda
Publicado por Museum of Contemporary Art, Chicago, 2003
ISBN 10: 0933856733ISBN 13: 9780933856738
Librería: Amazing Books Pittsburgh, Pittsburgh, PA, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. Sturdy. Glossy, unmarked pages. Scuffing and discoloration on DJ.
Publicado por Ludowici-Celadon Company, 1930
Librería: Gordon Kauffman, Bookseller, LLC, Chippewa Falls, WI, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. Volumes I - II. 1930. Hardcover book. Sturdy binding. Sharp corners. The text part of the book is clean and unmarked. Sealed in Shrink Wrap for protection in storage and shipping. Expertly packed. *PROFESSIONAL BOOKSELLER* Returns accepted. Refunds given.
Publicado por Editions du Grand Damier, Paris, 1957
Librería: Occulte Buchhandlung "Inveha", Birstein, Alemania
Editions du Grand Damier, Paris 1957. Mit 16 s/w Abbildungen auf Kunstdruck. 272 S. priv. HLwd. mit kl. Rückengoldprägung. Der OUmschlag auf Buchspiegel montiert. - Ein sehr gutes Exemplar. Sprache : fr.
Publicado por LUDOWICI CELADON CORP, CHICAGO, 1930
Librería: Billy Books, Philadelphia, PA, Estados Unidos de America
Libro Original o primera edición
WRAPS. Condición: Good. F. R. YERBURY HON. A.R.I.B.A., Ilustrador. 1st Edition. 6 Brochures, WHICH ARE ALL BROCHURES ISSUED FOR THE YEAR 1930, 8 1/2" x 11", filled with b&w photo gravures of English architecture by F. R. Yerbury, essays by Marian Greene Barney, Francis Bendall, W. Pope Barney, Howard Robertson, Frederick Ackerman on Georgian Architecture, 18th cty Bath, 4 Inns of Court, Domestic Arch in Surrey and Sussex, Rural Arch in Buckinghamshire, The Towers of Dorset. In very good condition, the 6 Brochures are the full set for 1930, vol II No. 1-6. Great reference material on English Architecture.
Publicado por Editions du Grand Damier (1957), Paris, 1957
Librería: Libreria antiquaria Atlantis (ALAI-ILAB), Torino, Italia
In 8°, pp. 272. Con diverse illustrazioni fuori testo. Brossura editoriale . Sovracoperta figurata (piccole mancanze ai bordi). Qualche fioritura. For German customers: place the order on the Maremagnum website.
Publicado por Editions Du Grand Damier, 1950
Librería: DRBOOKS, Roma, RM, Italia
Brossurato Con Sovraccoperta. Discrete Condizioni. Illustrazioni Fuori Testo. Non Datato, 1950 Circa. La Sovraccoperta Mostra Margini Frastagliati Con Piccole Mancanze Ai Margini Del Dorso. Fogli In Buone Condizioni Per Una Lettura Scorrevole. Pagine: 272 Peso: 0,3.
Publicado por Grand Damier - Bergé Iacovleff, Messes Noires d'Hier et d'Aujourd'Hui, 272 pp.
Librería: Buenos Aires Libros, Buenos Aires, BA, Argentina
Paperback with DJ. Condición: Good. No place. No date. B&w plates. Some underlining and marginalia in pencil. Inscription in ink to title page. Tears to DJ. Text in french. 12mo.
Publicado por Edinburgh: The Fruitmarket Gallery, [2000]., 2000
Librería: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Soft cover. Condición: Fine. 8vo. pp. 96. profusely illus. in colour. biblio. wrs. Published in conjunction with an exhibition. Limited to 1,000 printed copies.
Condición: Used - Good.
Publicado por Published by Thomas Macklin, London, 1793
Librería: Donald A. Heald Rare Books (ABAA), New York, NY, Estados Unidos de America
Arte / Grabado / Póster
Stipple engraving. A fine copy of this beautiful print after Francis Wheatley, one of the most celebrated genre painters of his day. Wheatley was born and trained in London, and in 1769 was one of the first students admitted to the newly founded Royal Academy. Although he initially practiced as a landscape painter, by the mid 1770s he had become a popular painter of small-scale portraits and informal 'conversation-pieces'. From the 1780s onwards, Wheatley turned increasingly to sentimental domestic scenes that were perfectly attuned to the genteel sensibilities of the period. Today he is generally remembered for his Cries of London, which depicted street vendor such as milkmaids, and fruit sellers engaged in their trade on the street sides. This series was a great success, and inspired a myriad of different engravings and copies by celebrated artists such as Johan Zoffany and J. G. Huck. Wheatley's pretty genre paintings of rural and domestic life were a great source of inspiration for contemporary engravers who reproduced his work with industrious vigor. The popularity of these engravings greatly enhanced Wheatley's reputation, and made him one of the most celebrated painters of his day. Roberts F. Wheatley, R.A. His Life and Works p.46 (undated issue).
Publicado por Published by Thomas Macklin, London, 1793
Librería: Donald A. Heald Rare Books (ABAA), New York, NY, Estados Unidos de America
Arte / Grabado / Póster
Stipple engraving. In good condition with the exception of both being laid down. (The Fisherman Going Out) with skillfully mended two inch tear just touching the image area. A fine pair of stipple engravings after Francis Wheatley a master of English genre painting. Wheatley was born and trained in London, and in 1769 was one of the first students admitted to the newly founded Royal Academy. Although he initially practiced as a landscape painter, by the mid 1770s he had become a popular painter of small-scale portraits and informal 'conversation-pieces'. From the 1780s onwards, Wheatley turned increasingly to sentimental domestic scenes that were perfectly attuned to the genteel sensibilities of the period. Today he is generally remembered for his Cries of London, which depicted street vendor such as milkmaids, and fruit sellers engaged in their trade on the street sides. This series was a great success, and inspired a myriad of different engravings and copies by celebrated artists such as Johan Zoffany and J. G. Huck. Wheatley's pretty genre paintings of rural and domestic life were a great source of inspiration for contemporary engravers who reproduced his work with industrious vigor. The popularity of these engravings greatly enhanced Wheatley's reputation, and made him one of the most celebrated painters of his day. Roberts F. Wheatley, R.A. His Life and Works p.46 (undated issue).
Publicado por Published by Thomas Macklin, London, 1793
Librería: Donald A. Heald Rare Books (ABAA), New York, NY, Estados Unidos de America
Arte / Grabado / Póster
Colour printed stipple engraving. In good condition. (The Fisherman Going Out) has an expertly repaired upper margin. A fine pair of colour printed stipple engravings after Francis Wheatley a master of English genre painting. Wheatley was born and trained in London, and in 1769 was one of the first students admitted to the newly founded Royal Academy. Although he initially practiced as a landscape painter, by the mid 1770s he had become a popular painter of small-scale portraits and informal 'conversation-pieces'. From the 1780s onwards, Wheatley turned increasingly to sentimental domestic scenes that were perfectly attuned to the genteel sensibilities of the period. Today he is generally remembered for his Cries of London, which depicted street vendor such as milkmaids, and fruit sellers engaged in their trade on the street sides. This series was a great success, and inspired a myriad of different engravings and copies by celebrated artists such as Johan Zoffany and J. G. Huck. Wheatley's pretty genre paintings of rural and domestic life were a great source of inspiration for contemporary engravers who reproduced his work with industrious vigor. The popularity of these engravings greatly enhanced Wheatley's reputation, and made him one of the most celebrated painters of his day. Roberts F. Wheatley, R.A. His Life and Works p.46 (undated issue).