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Publicado por MIT Press for the Institute for Architecture and Urban Studies Cambridge, MA, 1985
ISBN 10: 0262751828ISBN 13: 9780262751827
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
171 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1985 issue of October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "Memoir of Hollis Frampton," by Barry Goldensohn; "A Portfolio of Photographs Letters from Framp 1958 - 1968 Erotic Predicaments for Camera," by Hollis Frampton; "Word Pictures: Frampton and Photography," by Christopher Phillips; "The Red and The Green," by Bruce Jenkins; "Interview with Hollis Frampton," by Peter Gidal; "Frampton's Lemma, Zorn's Dilemma," by Allen S. Weiss; "Propositions for the Exploration of Frampton's Magellan," by Brian Henderson and "Frampton's Sieve," by Annette Michelson. Fair / Poor. Significant water damage and staining to covers. Wave to interior pages and staining along bottom edge of pages. Contents otherwise clean and unmarked.
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Usado desde EUR 9,60
Publicado por Light Work, Syracuse, NY, 1992
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Original o primera edición
First edition. Softcover. Text by Jeffrey Hoone and Amy Hufnagel. Includes color and black and white images by Chris Sullivan, Tatana Kellner, Jolene Rickard, Yuri Marder, Alan deSouza & Yong Soon Min, Billy Quinn, Adal, Warren Wheeler, John Banasiak, Hollis Frampton, Cindy Sherman, Amy Hufnagel, and Jeffrey Hoone. A fine copy in stapled wrappers. Uncommon.
Publicado por The Addison Gallery of American, 1983
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.
Publicado por The Nova Scotia College of Art and Design Halifax, Canada, 1981
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[2] pp.; 10.1 x 23.4 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / order form for publications available from The Press of the Nova Scotia College of Art and Design in Halifax, Nova Scotia, Canada, in 1981. Artists with books available through The Press included Daniel Buren, Martha Rosler, Carl Andre, Hollis Frampton, Dan Graham, Paul-Emile Borduas, Gerhard Richter, Michael Snow, Donald Judd, Hans Haacke, Simone Forti, Steve Reich, Yvonne Rainer, and Bernhard Leitner. Very Good. Light bumping at corners, otherwise clean and unmarked.
Publicado por Sidney Janis Gallery New York, NY, 1976
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[32] pp.; 27.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 7 - March 6, 1976. Introduction by SJ [Sidney Janis]. Artists include Berenice Abbott, Robert Adelman, Diane Arbus, R. Ardos, Richard Avedon, Cecil Beaton, Charles Bouchard, Constantin Brancusi, Bill Brandt, Brassaï, Braun & Cie, Elisa Breton, Dan Budnick, Richard Burkhardt, René Burri, Cornell Capa, Robert Capa, Etienne Carjat, Henri Cartier-Bresson, Imogen Cunningham, Edgar Degas, Dena, Robert Descharnes, Pepe Diniz, Robert Doisneau, David Douglas Duncan, Frederick H. Evans, Walker Evans, Hollis Frampton, Gisèle Freund, Gianfranco Gorgoni,Maurice Guibert, Philippe Halsman, Florence Henri, Wayne Hollingworth, Horst, Frank James, Yousuf Karsh, Berni Kaufmann, André Kertesz, Jacques Henri Lartigue, Alexander Liberman, El Lissitzky, Man Ray, Herbert Matter, Fred W. McDarrah, Duane Michals, Gjon Mili, Wayne Miller, Jack Mitchell, Lisette Model, Peter Moore, John Moran, Inge Morath, Barbara Morgan, Ugo Mulas, Nickolas Muray, Nadar, Hans Namuth, Arnold Newman, Irving Penn, George Platt Lynes, Peter Pollack, Renate Pnsold-Motherwell, Peter Rose Pulham, Rogi André, Arnold Rosenberg, August Sander, Naomi Savage, Savitry, David Seymour, Harry Shunk, Frederick Sommer, Edward Steichen, Lasse Stener, Alfred Stieglitz, Michael A. Vaccaro, and Edward Weston. Artists photographed and featured in the exhibition include Dominique Ingres, Adolphe Bouguereau, Paul Cézanne, Camille Pissarro, Paul Gauguin, Henri Rousseau, R. Duchamp-Villon, Marcel Duchamp, Auguste Rodin, Giacomo Balla, Louis Vivin, Sonia Delaunay, Robert Delaunay, Arshile Gorky, Willem de Kooning, Anna Mary Robertson Moses, David Hare, Jacqueline Lamba, Domenico Gnoli, Marie Laurencin, Max Ernst, Jean Cocteau, Isamu Noguchi, Louis Eilshemius, Edward Hopper, Tom Wesselmann, Lucas Samaras, Joaquín Torres-García, Pablo Picasso, Joan Miró, Georges Braque, Jean Dubuffet, Francis Bacon, Giorgio de Chirico, René Magritte, Salvador Dali, Aristide Maillol, Henri Matisse, Pierre Bonnard, Fernand Léger, Alberto Giacometti, David Smith, Marisol, Georgia O'Keeffe, Diego Rivera, Jackson Pollock, Hans Arp, Saul Steinberg and Nam June Paik. Includes exhibition checklist. Fair / Good. Rubbing and scratching of covers. 1.9 cm. dog-ear to upper right corner of catalogue and bumping of bottom right corner of catalogue. Contents clean and unmarked.
Couverture souple. Condición: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Avant, après par Raymond Bellour - Lettres de mon bar par David Neves - L'Âme soeur par Fredi M. Murer - Comment s'en débarrasser ? par Jean-Louis Comolli - Impressions de Varsovie par Marie-Claude Bénard - Architecture, décoration, destruction par Helmut Färber - Porteuses d'ombres par Marie Depussé - Les deux Brésil par Gianni Amico - La lumière qui blesse par Gustavo Dahl - Paradoxes érotiques pour appareil photographique par Hollis Frampton - Le sourire d'Arshile par Atom Egoyan - Lettre de Tassin-la-Demi-Lune par Jean-François Buiré - Le coffre et l'horloge par Erik Bullot - Main-d'oeuvre par Jean-Claude Biette - L'art termite et l'art éléphant blanc par Manny Farber.
Couverture souple. Condición: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Bande-annonce pour les Histoire(s) du cinéma de Godard par Jonathan Rosenbaum - Le journal des Pieds Nickelés par Hervé Le Roux - Reprise par Jean Breschand - La Moindre des choses par Nicolas Philibert - La patience des machines par Marie Depussé - La constance de l'art par Jacques Rancière - Harun Farocki, circuits d'images par Christa Blümlinger - Le Présent de Robert Frank par Anne Bertrand - A star is dead par Alain Philippon - Mission: Impossible ? par Jean-François Buiré - Hamlet à Tombstone par Pierre Gras - «Les cylindres murmuraient mon nom»: les films de Monte Hellman par Kent Jones - Brève rencontre avec Tod Browning par William Faulkner - Le sport favori de l'homme par Pierre Alferi - À quoi pense la musique par Jacques Aumont - Pour une métahistoire du film par Hollis Frampton.
Publicado por Albright-Knox Art Gallery/MIT Press, Buffalo, NY/Cambridge, MA, 1984
Librería: Xochi's Bookstore & Gallery, Truth or consequences, NM, Estados Unidos de America
Libro
Paper Back. Condición: Near Fine. No Jacket. Frampton, Hollis Ilustrador. First Edition. 128pp.; SC white w/blk.-portrait cover; slight rub w/folds,bk.cover; clean,tight pgs. " .presents the full range of Frampton's photographic work." b/w & color photos. isbn 0262600153.
Publicado por The MIT Press, 2015
ISBN 10: 026252760XISBN 13: 9780262527606
Librería: Recycle Bookstore, San Jose, CA, Estados Unidos de America
Libro
Paperback. Condición: Very Good. book has slight wear to corners, slight edge wear, slight smudging to bottom of textblock, otherwise in solid clean shape.
Publicado por Visual Studies Workshop Pr, 1983
ISBN 10: 0898220203ISBN 13: 9780898220209
Librería: Encore Books, Montreal, QC, Canada
Libro
Soft cover. Condición: Good. Soft cover book in good condition. Some wear and staining on front and back covers, especially at edges. Some wear and staining on edges of pages. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.
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Nuevo desde EUR 336,76
Usado desde EUR 38,36
Encuentre también Tapa blanda Original o primera edición
Publicado por MACULA, 2023
ISBN 10: 2865891453ISBN 13: 9782865891450
Librería: Gallix, Gif sur Yvette, Francia
Libro
Condición: Neuf.
Publicado por MIT Press, Cambridge, 1978
Librería: Clayton Fine Books, Shepherdstown, WV, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Near Fine. First Edition. Near fine in original wrappers with light rubbing.
Publicado por Film Culture New York, NY, 1992
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
48 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1992 issue of Film Culture, edited by Jonas Mekas. Contents include: "Pastario or Atlas of Italian Pastas," by Peter Kubelka; "Hollis Frampton at Anthology Film Archives - November 2nd, 1974;" "Parker Tyler's Own Scandal," by Charles Boultenhouse; "Free Association Interview with Jack Smith - April 23rd, 1964," by David Brooks; "American Intelligence Report on Leni Riefenstahl - May 30th, 1945;" "Natural Industry: A Review of Pat O'Neill's 'Water and Power,'" by Fred Camper and "Books Received." Cover photo: Hollis Frampton at Anthology Film Archives, 1974, photo by Tome Haar. Good. Dusting and light soiling of covers with rubbing and bumping of edges. Contents clean and unmarked.
Publicado por Cambridge: MIT Press, 1984
ISBN 10: 0262100304ISBN 13: 9780262100304
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Hardcover with dustjacket, 128 pages, very good minus condition, small tear to dj at top of spine; dj and outer page edges have a couple scattered brown spots; no internal marks. Foreign shipping may be extra.
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Usado desde EUR 48,01
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por Halifax and New York: The Press of the Nova Scotia College of Art and Design and NYU Press, 1981, 1981
ISBN 10: 0814705790ISBN 13: 9780814705797
Librería: Atlantic Bookshop, Brooklyn, NY, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Folio, card covers, dust jacket, 134pp., b/w plates. First edition. VG+/VG: a clean, bright and sound book with a very mild storage curl at the head; a clean and bright jacket mildly rubbed at the corners with faint impressions to the rear panel. Extra postage may be asked (3).
Publicado por Afterall Publishing/ MIT Press,, 2006
Librería: Galerie Buchholz OHG (Antiquariat), Köln, Alemania
Condición: Good. 88 S., zahl. s/w abb., kart., 21 x 15 cm. Minimale Geberauchsspuren. In sehr guter Erhaltung.
Publicado por Mit Pr, 2009
ISBN 10: 0262062763ISBN 13: 9780262062763
Librería: FITZ BOOKS AND WAFFLES, Buffalo, NY, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: As New. 1st Edition. in plastic.
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Nuevo desde EUR 224,01
Usado desde EUR 54,73
Encuentre también Tapa dura Original o primera edición
Publicado por Albright-Knox Art Gallery / The MIT Press (Massachusetts Institute of Technology), Buffalo, Cambridge and London, 1984
Librería: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, Estados Unidos de America
Original o primera edición
Hardcover with dust jacket. Condición: Near Fine. Estado de la sobrecubierta: Very Good+. Hollis Frampton Ilustrador. First Edition. 4to. Pp. 128. Frontis. black & white photographic portrait of Hollis Frampton by Marion Faller, directed by HF. Foreword by Douglas G. Shultz, Director of the Albright-Knox Art Gallery. Illustrated throughout with reproductions of Frampton's black & white and color photography. Chronology. Bibliography. Catalog of his exhibitions. Bound in blue-black cloth with gilt lettering on cover and spine. Just a suggestion of bumped lower corner. In the illustrated dust jacket that has slight edge-wear and small scuff on rear panel, price of $15.00 intact on front flap. Published just after his death, the monograph explores the "structuralist" filmmaker's wide-ranging photographic work. A fine treatment. Dust jacket is now preserved within a clear, removable archival sleeve.
Publicado por Atelier Impopulaire, Milan, 2014
Librería: Book Merchant Jenkins, ANZAAB / ILAB, Woolloongabba, QLD, Australia
Original o primera edición
Softcover. Condición: Very Good. First Edition. 20cm x 14cm. 26, 34 pages, [1] fold-out illustration, 1 volume. Lettered wrappers. Text is bilingual, English and Italian. "Atelier Impopulaire Split #1 consists of an original text by Bruce McClure, an architect and performer based in New York. It is titled Know Thy Instrument, and based on a lecture given by Hollis Frampton on 30 October 1968, then published as A Lecture. Both with his text and projection performance, McClure aims at reflecting upon the body/technology dynamics, the relation with the whole projection apparatus, and the implications deriving from the removal of some of its parts. This all results in a modification of its mechanical structure, thus provoking a systemic abstraction of the obscurity/light duality in the guise of sound patterns." (publisher's blurb) Minor wear to edges. Small sticker removal mark near crown of lower panel. Shipped Weight: .14 kilos.
Publicado por Centre Georges Pompidou, France, 1999
ISBN 10: 2858509514ISBN 13: 9782858509515
Librería: Librairie La Canopee. Inc., Saint-Armand, QC, Canada
Libro
Paperback. Condición: Used - Like New. PC350-3, 455 gr. 9782858509515. Illustrations en noir et blanc. Regroupe les principaux textes théoriques de cet artiste, ami de Carl André, sur le cinéma.
Publicado por Halifax / New York, The Press of the Novia Scotia College of Art and Design /N.Y. Univ. Press., 1980
Librería: Antiquariat Cassel & Lampe Gbr - Metropolis Books Berlin, Berlin, D, Alemania
4° (29,2 x 22,7 cm). 134 Seiten. Mit 92 Abbildungen. Illustr. Orig.-Klappkarton. Umschlagkanten minimal berieben, sonst wohlerhaltenes, sauberes Exemplar. Katalog zum Frühwerk von Carl Andre.Textbeitrag aus verschiedenen Gesprächen, die zwischen Andre und Frampton geführt wurden. // Includes the texts of 12 conversations between Carl Andre and Holils Frampton, accompanied by black and white photographs by Frampton. -- Orig. softcover, 4°, 134 pp, 92 images. -- Wrapper edges minimally rubbed, else just minute wear, overall fine and clean copy. Wichtiger Katalog, zugleich Werkkatalog der Skulpturen von 1958 bis 1974 (429 Nummern) des 1935 geborenen Künstlers. - Text in deutscher und englischer Sprache. - DABEI: Beiheft zur Ausstellung, 8S. mit Abbildungen. // Orig. softcover, 4°. 100pp, 84 b/w illustrations. Text in English and German. With a chronology, bibliography, and exhibition history. - Minimal sunning to spine, else a very nice and clean copy. - First catalogue raisonné of the sculptural works of minimal pioneer Carl Andre, published in conjunction with the 1975 retrospective at the Kunsthalle Bern. Sprache: deutsch, englisch.
Publicado por Internatinal Experimental Film Congress, 1989
Librería: ANARTIST, New York, NY, Estados Unidos de America
Softcover, with plastic copy shop binding; 50 pages; very good condition; light rubbing to covers; no internal marks.
Publicado por Albright-Knox Art Gallery & The MIT Press, Buffalo, NY and Cambridge, MA, 1984
ISBN 10: 0262100304ISBN 13: 9780262100304
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Libro Original o primera edición
First edition and first printing. Hardcover. 128 pages. Features a foreword by Douglas G. Schultz, an introduction, acknowledgements and chronology by Susan Krane and an essay by Bruce Jenkins. Includes numerous color and black and white images, list of previous exhibitions, selected bibliography, and a checklist. A clean very near fine copy in a clean near fine dust jacket with some very minute wear.
Publicado por Halifax/New York, The Press of the Novia Scotia College of Art and Design/N.Y. Univ. Press, 1980., 1980
29,2:22,7 cm. 134 S. mit 92 tw. ganzseit. Abb. Kurzbiogr., Index. OKt. mit illustr. OSchutzumschlag. Sehr schöner Katalog über dasFrühwerk von Carl Andre. Textbeitrag aus verschiedenen Gesprächen, die zwischen Andre u. Frampton geführt wurden. Schutzumschlag am Rücken vereinzelt berieben, sonst gutes Exemplar.
Publicado por Nova Scotia College of Art and Dsign / New York University Press, New York, 1980
ISBN 10: 0919616186ISBN 13: 9780919616189
Librería: Marcus Campbell Art Books, London, Reino Unido
Libro Original o primera edición
Hollis Hampton Ilustrador. First Edition. 29 x 23 cm 134 pp with b&w illustrations throghout. Wrappers, lightly worn on covers, some foxing o.w. good.
Publicado por MACBA, 2007
ISBN 10: 8489771383ISBN 13: 9788489771383
Librería: LLIBRERIA MEDIOS, BARCELONA, BARCE, España
Libro Original o primera edición
Encuadernación de tapa blanda. Condición: Como Nuevo. 1ª Edición.
Publicado por Centre Geroges Pompidou, Paris, 1999
Librería: Paule Leon Bisson-Millet, Beilstein, Alemania
Libro
Softcover. Condición: Neu. Frampton, Hollis Ilustrador. Hollis Frampton. L´écliptique du Savoir. Film, photographie, vidéo. Annette Michelson & Jean-Michel Bouhours Hrsg. Paris, Pompidou, 1999. 213:150mm. 194S. Zahlr. Abb. Brosch. Glossar, Bio-, Biblio-, Filmographie.
Publicado por Haags Gemeentemuseum & Daled, The Hague, THE NETHERLANDS. 1969 (1975).
Librería: Arcana: Books on the Arts, Culver City, CA, Estados Unidos de America
Miembro de asociación: ESA
Original o primera edición
Printed Wrappers. Condición: Very Good -. First Edition. 64pp, profusely illustrated in b&w. Text in English and Dutch. With a biography, bibliography, and exhibition history. Published in conjunction with an extensive 1969 Dutch Museum exhibition, this well-illustrated catalogue documents numerous sculptures and floor works along with sculptural installations created by minimal pioneer Carl Andre especially for this venue. An internally most handsome example of the 1975 Daled second printing of this early Andre publication showing some mild wear and soiling to the white covers. Artist Monograph.
Publicado por Artforum New York, NY, 1971
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff and "'The Chelsea Girls,'" by Stephen Koch. Cover: Ken Jacobs. Good. 8 mm. loss to bottom right corner of recto with bumping of bottom right corner of publication. Additional rubbing of cover edges; 2 cm. yellow staining to verso. 3.5 cm. of yellow soiling to bottom edge of first page, contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Publicado por Artforum, 1973
Librería: castlebooksbcn, Barcelona, España
Revista / Publicación
Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Issue edited by John Coplans. Essays "Camera Lucida/Camera Obscura," by Annette Michelson; "Eisenstein on Mayakovsky," by Sergei Eisenstein; "Stan Brakhage: Four Films," by Paul Arthur; "The Third Meaning: Notes on Some of Eisenstein's Stills," by Roland Barthes; "'Scenes From Under Childhood,'" by Phoebe Cohen; "For God and Country," by Noël Carroll; "Montage 'October': Dialectic of the Shot," by Rosalind Krauss; "'Western History' and 'The Riddle of Lumen,'" by Fred Camper; "Stan and Jane Brakhage, Talking," by Hollis Frampton; "Brakhage Filmography," by Joyce Rheuban. Reviews by Carter Ratcliff, Bruce Boice, April Kingsley, Joe Masheck. Cover: Sergei Eisenstein.