Tipo de artículo
Condición
Encuadernación
Más atributos
Gastos de envío gratis
Ubicación del vendedor
Valoración de los vendedores
Publicado por Hardpress Publishing, 2013
ISBN 10: 131478045XISBN 13: 9781314780451
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 21,89
Publicado por Hardpress Publishing, 2013
ISBN 10: 1314373331ISBN 13: 9781314373332
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 26,34
Publicado por Pranava Books, 2020
Librería: S N Books World, Delhi, India
Libro Impresión bajo demanda
Leatherbound. Condición: NEW. Leatherbound edition. Condition: New. Language: fre Leather Binding on Spine and Corners with Golden leaf printing on spine. Reprinted from BK edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. THERE MIGHT BE DELAY THAN THE ESTIMATED DELIVERY DATE DUE TO COVID-19. Pages: 468 Pages: 468.
Publicado por A Londres [i.e. Paris : printed by Valade], 1784
Librería: MW Books Ltd., Galway, Irlanda
Original o primera edición
First Edition. Poor copy, wear and tear as with age. Boards damaged. Text remains in fine condition. Physical description; viii, 294, [4] pages, plate : port. Subjects; Ethics History. France Moral conditions. 1 Kg.
Publicado por A Londres [i.e. Paris : printed by Valade], 1784
Librería: MW Books, New York, NY, Estados Unidos de America
Original o primera edición
First Edition. Poor copy, wear and tear as with age. Boards damaged. Text remains in fine condition. Physical description; viii, 294, [4] pages, plate : port. Subjects; Ethics History. France Moral conditions. 1 Kg.
Publicado por Chez des Essarts, Paris, 1797
Librería: Antiquariat Hollmann, Berlin, BER, Alemania
Libro
Ganzleder. Condición: Gut. 4 Bde. in-8° (125 x 207 mm) tI: (3)ff.: Faux-titre, frontispice et titre, xxxij, 214 S., (1)f., t.II: (2) ff., 232 S., Bd. III: (2) ff., 349 S., Bd. III: (2) ff., 349 S., Bd. IV: (2) ff., 235 S., (2) ff., Kalbsleder Einbände der Zeit mit roten, goldgeprägten Rückenetiketten und farbig marmorierten Vorsätzen. Exlibris. Charles Pinot Duclos (* 12. Februar 1704 in Dinan (Bretagne); ? 26. März 1772 in Paris) war ein französischer Autor, Historiker und Enzyklopädist. Sekretär der Académie Française und seit 1750 Nachfolger Voltaires.Als königlicher Historiograph, bereiste 1766/67 Italien und geht in seinem anschaulichen Bericht auch auf politische, kulturelle und wirtschaftliche Fragen ein. ?Der Beweis wahrer Freyheit eines Volkes ist sein Wohlstand.".
Couverture rigide. Condición: Assez bon. Trois tomes en trois volumes in-8°, xlviij-674+737+794pp., reliés en 1/2 basane marron, dos lisse, tranche marbrée bleue, coiffes accidentées aux tI&II avec fente de mors d'un côté seulement mais néanmoins bien solide. Rousseurs claires légères et éparses. Le T.I contient : Considérations sur les Moeurs de ce siècle - Remarques sur la Grammaire - Considérations critiques et historiques sur le goüt - Mémoire sur les Jeux Scéniques des Romains, etc. ; T. 2 : Histoire de Louis XI - Voyage en Italie ; T. 3 : Mémoires secrets sur le règne de Louis XIV, la Régence et le Règne de Louis XV - Morceaux Historiques et Matériaux pour l'Histoire - Essai sur la Voirie et sur les Ponts et Chaussées de France - Réflexions sur la Corvée des Chemins, ou Supplément à l'Essai sur la Voirie. Duclos était secrétaire perpétuel de l'Académie Française.(ct2).
Ejemplar firmado
1 lettre autographe signée 1 In-4 20/03/1764 Il est joint un portrait gravé. traces de collage au verso du second feuillet vierge "Je vous suis très obligé, Monsieur, de la bonté que vous avez eue, en me donant [sic] un exemplaire de votre ouvrage. Je le crois très utile, et vous exhorte fort à le continuer. Je suis persuadé que le public l'aprouveroit. Peut-être faudoit il s'étendre un peu plus sur les dernières anées, sans pourtant s'engager dans les détails [.]". Romancier, moraliste et historien, membre de l'Académie française.
Publicado por London : printed for C. Davis; and P. Vaillant, 1746
Librería: MW Books Ltd., Galway, Irlanda
Original o primera edición
First Edition. Full contemporary analine calf, recased in a period-sympathetic fashion; board extremities slomewhat rubbed. Raised bands with the title blocked direct in gilt. An uncommonly good example - scans and additional bibliographic detail on request.; 8vo 8" - 9" tall; Referenced by: ESTC t117617. Notes Translation of: Histoire de Louis XI. Subject Louis XI, King of France, 1423-1483. France - History - Louis XI, 1461-1483. 2 Kg.
Publicado por London : printed for C. Davis; and P. Vaillant, 1746
Librería: MW Books, New York, NY, Estados Unidos de America
Original o primera edición
First Edition. Full contemporary analine calf, recased in a period-sympathetic fashion; board extremities slomewhat rubbed. Raised bands with the title blocked direct in gilt. An uncommonly good example - scans and additional bibliographic detail on request.; 8vo 8" - 9" tall; Referenced by: ESTC t117617. Notes Translation of: Histoire de Louis XI. Subject Louis XI, King of France, 1423-1483. France - History - Louis XI, 1461-1483. 2 Kg.
Publicado por A Paris (i.e. Venezia), [Formaleoni], 1788, 1788
Rilegato. Condición: ottimo. Due volumi in-24° (136 x 82 mm); I: pp. 192, 1'antiporta figurata; II: pp. 200, (4), 1'antiporta figurata. Brussura editoriale con fregi silografici. Nella sguardia si legge il nome di Marco Corniani. Esemplare in ottimo stato in barbe. Il romanzo libertino di Duclos è qui pubblicato nella raccolta della Bibliothèque amusante (47 opere in 106 volumetti) già stampata a Parigi nel 1782 e per cui il Formaleoni richiese ed ottenne privilegio e licenza di stampa. «Il piano dell'opera fu approvato dal revisore Cosimo Mei, che non vi aveva ravvisato niente di contrario né alla religione, né ai principi, né ai buoni costumi . Alla luce di tale assicurazione il 28 settembre i Riformatori autorizzarono la stampa della raccolta con una terminazione che imponeva la falsa data di Parigi. I volumetti iniziarono quindi ad uscire; agli inizi del 1788 ne erano già stati stampati 21». Il revisore Toderini, «un ex-gesuita di ampie conoscenze, ma tenace avversario dei lumi», richiese l'intervento dei Riformatori: i romanzi editi, a suo parere «scandalosi e detestabili», «attaccavano con finissima arte e malizia per ogni parte l'onestà e la buona morale e guastavano la radice della religione con conseguenze troppo fatali alla felicità degli stati». Fu così che fu proibita la vendita e la prosecuzione della raccolta, ma il Formaleoni aveva già ceduto le opere e i diritti sulla continuazione ad un altro editore, verosimilmente il Curti (la ricostruzione di tutta la vicenda si legge in M. Infelise, L'editoria veneziana, pp. 374-376).
Publicado por Imprimerie de Didot l'aîné (collection d'auteurs français pour Monseigneur le Comte d'Artois), Paris, 1780
Librería: Sanctuary Books, A.B.A.A., New York, NY, Estados Unidos de America
Hardcover. Condición: Good. [1780-1781]. Sixteen volumes, pocket 18mo (133 x 74mm). Printed on fine laid paper. Uniformly bound in contemporary mottled French calf, ruled in gilt with olive morocco lettering labels, marbled endpapers, gilt edges. This beautiful miniature set was executed at the solitary expense of the Count d'Artois (1757-1830), later Charles X of France, and numbered in full 64 volumes; the aim of which collected various sets of French works in verse and prose. Influential Enlightenment writers were thus compiled here, many of them French female authors, and limited to an overall printing of 100 copies by the famed printer Didot of Paris. Consisting: 1) DE LA FAYETTE, Madame (1634-1693). "Zayde." 1780. 3 vols., 156, 135, and 166pp. A classic novel with stories on the political, social, and cultural communities of early modern Spain. 2) DAUCORT, Claude Godard d'Aucour (1768-1826). "Le Berceau de la France." 1780. 2 vols., 175 and 152pp. Rare, first published in 1744 as a history of French civilization. 3) RICCOBONI, Marie-Jeanne (1714-1792). "l'Histoire d'Aloïse de Livarot." 1780. 77pp. 4)RICCOBONI, Marie-Jeanne (1714-1792). "Les Amours de Roger et de Gertrude." 1780. 79pp. 5) [DUCLOS, Charles Pinot (1704-1772)]. "Ismene and Ismenias. Roman Grec." 1780. 115pp. 6) TRESSAN, Comte de (1705-1783). "Le Prince Gerard, Comte de Nevers et la Belle Euriant, sa mie." 1780. 171pp. 7) TRESSAN, Comte de (1705-1783). "Histoire du petit Jehan de Saint." 1780. 182pp. 8)TRESSAN, Comte de (1705-1783). "Histoire de Tristan de Léonois." 1781. 212pp.9) [DUCLOS, Charles Pinot (1704-1772)]]. "Confessions du comte de ***." 1781. 2 vols., 129 and 128pp. First published in 1742, a popular "portrait gallery" of the illustrious French. 10) TENCIN, Claudine Guérin de (1682-1749). "Le Siege de Calais." 1781. 2 vols., 122 and 126pp. First published anonymously in 1739. 11)ARNAUD, François-Thomas-Marie de Baculard d' (1718-1805). "Sargines." 1781. 130pp. Good. Only light edgewear and some bumped corners, slightest spots, otherwise crisp and clean interior. The Count d'Artois, friend to Marie Antoinette and lover of the arts, sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count s heraldry, as in these, while others were produced on vellum (See Ebert 4938). These works are extremely neatly printed on laid paper and stand as a precursor to Didot s prolific typographic and printing career. Complete copies of the Count d Artois s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. The Count d'Artois, friend to Marie Antoinette and lover of the arts, sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count s heraldry, as in these, while others were produced on vellum (See Ebert 4938). These works are extremely neatly printed on laid paper and stand as a precursor to Didot s prolific typographic and printing career. Complete copies of the Count d Artois s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413.
Publicado por Prault, [Paris], 1744
Librería: Sanctuary Books, A.B.A.A., New York, NY, Estados Unidos de America
Original o primera edición
Paperback. Condición: Very Good+. First Edition. 4to (307 x 232 mm). Engraved frontispiece and 9 plates after François Boucher by Pierre-Quentin Chedel, two vignettes designed and engraved by Charles-Nicholas Cochin and a cul-de-lampe. Original marbled-paper wrappers, uncut and in marbled slipcase; (some occasional marginal soiling or pale dampstaining, light edgewear). Formerly in the collection of Desmond Flower, 10 Viscount of Askbrook (1905-1995) his bookplate on front pastedown, acquired from Bernard Quaritch in 1981. Lastly in the collection of Arthur & Charlotte Vershbow, their paper label on front pastedown. First edition and large, uncut quarto in original marbled wrappers of Duclos s pleasant fairy-tale satire "Acajou et Zirphile," which reinvented the plates of Tessin and incorporated Boucher s aesthetic and advice. These celebrated plates were first used to illustrate the Comte de Tessin s Faunillane, ou l Infante Jaune, published in 1741. Tessin, the Swedish Ambassador at the Court of France, originally wrote the fairy tale in order to shine in the salon of French socialite Madame de Tencin (1682-1749), and was on his way of having it handsomely published by Prault when he was suddenly recalled to Sweden. Only two copies were ever printed but Tessin took them back with him and made a gift of the plates to the publisher Prault, supposedly because he did not want to seem frivolous back home given the bizarre subject matter of the illustrations. The printer was thus faced with the problem of finding a text to accompany the plates. He proposed the idea to three writers, Comte de Caylus, Voisenon and Duclos, and it was Duclos text that was chosen to invent a new story for Tessin s plates. The version given in L.S. Auger s Notice sur Duclos, more directly involves the artist François Boucher and says that Tessin left him both his drawings and the plates and the latter then turned to Duclos for advice over what to do with them. Regardless, Duclos s was voted best and it was first published here as Acajou and Zirphile, a curious and sometimes sensual, satiric fairy tale. Among the novelties of this small volume, not the least remarkable is the dedication of this fairy romance to the public, which excited great attention, and charmed and provoked our author s fickle patron. Duclos here openly ridicules, and dares his protector and his judge. This hazardous attack was successful, and the author soon acquired the reputation, which he afterwards maintained, of being a writer who little respected the common prejudices of the world. The history of this text is significant as is proves to be one of the earliest cases of a non-explanatory text being commissioned to accompany a set of plates. The story also has the merit of connecting Boucher with another convivial society of litterateurs. Cohen-De Ricci 331.