Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Modern Library, New York, 2000
ISBN 10: 0679640215ISBN 13: 9780679640219
Librería: Orpheus Books, Edmonds, WA, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: As New. No Jacket. 1st Edition. First edition / First printing. Advance Uncorrected Proof. Printed wrappers. xiii, 411 pages. Fine.
Publicado por Franklin Center, PA: The Franklin Library. 1987, SIGNED LIMITED EDITION, 1987
Librería: Shepardson Bookstall, Brookline, MA, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Fine. No Jacket. 1st Edition. SHEPARDSON BOOKSTALL, 20 YEARS OF EXCELLENCE. Full-Leather. No Jacket as Issued. Limited Signed 1st Ed. A handsome red leather First Edition of the autobiography of great American playwright, Arthur Miller, and SIGNED by Mr. Miller (See Scan). An authentic signature in a beautiful volume with marbled endpapers, gold gilt cover designs and gold on page edges, and bound-in red silk bookmark. Signed by Author(s).
Publicado por Universal Pictures, Universal City, CA, 1948
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Manuscrito
Continuity and Dialogue script for the 1948 film. Based on the 1946 play by Arthur Miller. An engagement between the children of two old business partners complicates the dynamic between both families until a secret is revealed. One of the most successful adaptations of a Broadway drama to film during the 1940s. Shot in Culver City and Santa Rosa, California. White titled self-wrappers, noted as Continuity and Dialogue on the front wrapper, production No. 1563, dated February 4, 1948, with credits for director Irving Reis. Approximately 140 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads along the top edge. Selby US. Spicer US.
Año de publicación: 2002
Librería: PhP Autographs, Hastière, Belgica
Manuscrito Ejemplar firmado
Pas de couverture. Condición: Bon. Rare - Authentic signed card. [Paris, November 2002]. A magazine photo is pasted to the card. + Envelope. + Photo 20x15 cm (recent print). Size : 20x12.5 cm Condition : please see scans. Provenance : Gérard Leman collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.
Publicado por Apparently New York, October 1971., 1971
Librería: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manuscrito
4to. ½ p. With autogr. envelope.
Publicado por N. p., 24 March 1962., 1962
Librería: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manuscrito
Small 8vo. 1 p. The reverse bears the signature of Josef Schwarzenberg, dated the same day.
Publicado por No place, [ca. 1960]., 1960
Librería: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manuscrito
104 x 149 mm. Arthur Miller and John Huston during the shooting of "The Misfits".
Publicado por Morosco Theatre, New York, 1949
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage playbill for the 1949 Broadway production. The play premiered on February 10, 1949 at the Morosco Theatre, closing on November 18, 1950 after 742 performances. Winner of the Pulitzer Prize and Tony Award for Best Play, a classic American drama and basis for a number of film and television versions featuring, among others, Fredric March, Lee J. Cobb, Rod Steiger, Dustin Hoffman, and Brian Dennehy playing the role of failed salesman Willy Loman. 6.5 x 9 inches, side stapled. About Near Fine, with faint foxing on the wrapper binding.
Publicado por N.p., N.p., 1956
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage photograph from a rehearsal for the 1956 London premiere with playwright Arthur Miller, theater director Peter Brook, and actors Anthony Quayle and Mary Ure. Snipe and "Sunday Telegraph," "The Daily Telegraph" and "Keystone Press Agency Ltd" stamps on the verso. "A View from the Bridge" debuted as a one-act play on Broadway on September 9, 1955 at the Coronet Theatre. Miller subsequently revised the play to two acts (the version with which audiences are most familiar), and had its premiere at the New Watergate theatre in London's West End on October 11, 1956, running through April 20, 1957. Under the direction of Peter Brook, the cast included Richard Harris, Anthony Quayle, Megs Jenkins, Mary Ure, Brian Bedford, Ian Bannen and Michael Gwynne. 8 x 10 inches. Very Good plus, some faint creasing, some crop marking in white ink and faint outlining of the figures on the recto.
Publicado por N.p., N.p., 1965
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage borderless photograph of director Franco Zeffirelli on the set of the 1965 Italian production of Arthur Miller's 1964 play. With two printed mimeo snipes affixed to the verso, along with an agency stamp. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Miller's play premiered on Broadway at the ANTA Washington Square Theatre on January 23, 1964 and ran for a successful 208 performances, although not without facing a fair amount of criticism for its thinly veiled, cynical portrayal of Marilyn Monroe, from whom Miller had recently been divorced. The play toured Europe in 1965, and was staged at the Teatro Eliseo in Rome in December 1965, under Zeffirelli's direction. Set in WHERE, shot on location in WHERE. 8 x 10 inches. CONDITION.
Publicado por Viking Press, New York, 1951
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Original o primera edición Ejemplar firmado
First Edition. First Edition. SIGNED by the author on the title page. Near Fine in a Very Good plus dust jacket. Jacket with faint rubbing and soiling, with light creasing at the crown and heel and a small closed tear to the bottom of the front panel.
Publicado por N.p., N.p., 1987
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Manuscrito
Vintage script for the 1987 revival of the 1947 play, an intentionally photocopied script version of the published 1947 version of the play by Dramatists' Play Service. Working copy belonging to actress Rose Arrick, who served as standby for the part of Kate Keller, with her name in manuscript pencil on the title page, and her substantive annotations throughout. Laid in with the script is are three copies of an Actors' Equity Association contract, and a small slip with contact information for the stage manager and backstage pay phone. Arthur Miller's first play (after writing a novel and a nonfiction book), basis for the 1948 film noir starring Burt Lancaster and Edward G. Robinson. The 1987 revival was staged at the John Golden Theatre from April 22 to May 17, 1987, and was nominated for two Tony Awards. Gray generic card wrappers. Title page present, with credit for Arthur Miller. 67 leaves, with last page of text numbered 69. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, lightly edgeworn and rusted at the binding, bound internally with a silver prong.
Publicado por N.p., N.p., 1970
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Manuscrito
Original typescript screenplay for an unproduced film called "After the Fall," based on Arthur Miller's 1964 play about a Jewish intellectual living in New York. Miller's play opened on Broadway in 1964, at the ANTA Washington Square Theatre, ran for 208 performances, and closed on May 29, 1965. A television movie of the play was released in 1974, but Mann appears to have not been involved in the project. Abby Mann (1927-2008) wrote screenplays for "Judgment at Nuremberg" (1961), earning him an Academy Award, "A Child Is Waiting" (1963), "Ship of Fools" (1965), "The Detective" (1968), "Report to the Commissioner" (1975), and "War and Love (1985). His work also extended into television, for series like "Medical Story" (1975-1976) and "Kojak" (1973-1978), a show he helped create, and several "Kojak" television movies. Black wrappers. Title page present, undated, with credits for playwright Miller and screenwriter Mann. 195 leaves, with last page of text numbered 194. Typescript on white stock. Pages and wrapper Near Fine, bound in a black spring binder.
Publicado por The Theatre Guild, N.p., 1945
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Ejemplar firmado
Small archive of material relating to the 1945 radio play, including the original play script, a Theatre Guild contract signed by Arthur Miller, and an original program for the live performance. "The Guardsman" was adapted by Arthur Miller from Ferenc Molnár's 1912 play "A Testõr." The play aired on the radio on September 30, 1945, and was one of Miller's earliest efforts, produced four years before the debut of Miller's classic "Death of a Salesman." Included with the script are two contracts: one between the Guild and Miller, signed by Miller and dated September 5, 1945, and one between the Guild and royalty holder Hans Bartsch, signed by Bartsch and dated August 30, 1945. Additionally included with the script is an original program given to the studio audience for the radio performance, dated September 30, 1945. The 1924 Theatre Guild stage production of "The Guardsman" marked the first time legendary duo Alfred Lunt and Lynn Fontanne would appear onstage together for the Guild. The Guild billed this radio performance, nearly two decades later, as something of an encore by the acting team. The Theatre Guild first experimented with radio theatre in "Theatre Guild Dramas," a short-lived CBS Radio series that ran from 1943 to 1944. In 1945 the department created "Theatre Guild on the Air," an anthology series that quickly rose in popularity, soon gaining sponsorship by the US Steel Corporation. The series was broadcast until June of 1953, when it was moved to television. Script: Title page present, dated September 30, 1945, with credits for Miller, Molnar, Lunt, and Fontanne. 73 leaves, with last page of text numbered 71. Mimeograph duplication, rectos only. Pages Very Good plus, with title page detached from the binding, and a short closed tear on the bottom edge, partially bound with a single staple on the top left corner. Program: 6.75 x 9 inches. Four pages, folded twice. Near Fine. Contracts: 8.5 x 11 inches. Near Fine. Housed in a black three-ring binder.
Publicado por W. Eugene Smith, New York, 1950
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Collection of five vintage oversize borderless photographs, taken during the original 1949-1950 Broadway production of Arthur Miller's 1949 play. All photographs bear catalog stamps and credit stamps of noted photographer W. Eugene Smith on the versos. The production made its debut on February 10, 1949, at the Morosco Theatre, and ran for 742 performances, closing on November 18, 1950. Winner of the Tony Awards for Best Play, Best Supporting Actor, Best Author, and Best Director, as well as the 1949 Pulitzer Prize for Drama. The play has since been revived on Broadway five times, in 1975, 1984, 1999, 2012, and 2022, and has been adapted for the screen ten times, including the Academy Award-nominated 1951 film directed by Laslo Benedik, starring Fredric March and Mildred Dunnock. Described by critic Sean O'Hagan in a 2017 article in "The Guardian" as "perhaps the single most important American photographer in the development of the editorial photo essay," W. Eugene Smith's innovation, integrity, and technical mastery made his work the standard by which photojournalism is measured. The W. Eugene Smith Memorial Fund was established in 1979, a year after his death, to promote and support photographers whose work explores matters of global importance for humanitarian purposes. 10.5 x 12.25 inches to 10.5 x 13.5 inches. About Near Fine, with light edgewear, and two with small vertical creases to the bottom right corner.