Imagen del editor
Título: Quartet in Autumn
Editorial: Dutton, 1978
Año de publicación: 1978
Condición de la sobrecubierta: Dust Jacket Included
Edición: 1st Edition
1st US ed., 1st prtg., hardcover, near fine in near fine dj (owner's brief inscription on fep, dj price-clipped with small closed tears), in mylar, fiction, desk, blm50. N° de ref. de la librería 18019
Sinopsis: This is the story of four people in late middle-age - Edwin, Norman, Letty and Marcia - whose chief point of contact is that they work in the same office and they suffer the same problem - loneliness. Lovingly, poignantly, satirically and with much humour, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym's sensitive wit and artistry are at their most sparkling in Quartet in Autumn.
'An exquisite, even magnificent work of art' Observer
'Barbara Pym has a sharp eye for the exact nuances of social behaviour' The Times
'The wit and style of a twentieth century Jane Austen' Harpers & Queen
'Barbara Pym's unpretentious, subtle, accomplished novels are for me the finest examples of high comedy to have appeared in England during the past 75 years . . . spectacular' Sunday Times
'Very funny and keenly observant of the ridiculous as well as the pathetic in humanity' Financial Times
Críticas: Quartet in Autumn is one of the books Pym wrote during the 15 years when no one would publish her, and perhaps the same kind of balance between hopelessness and inner strength helped shape this novel's story about four friends in an office nearing the age of retirement. They are people who have lived unspectacularly, but who have conjured a sense of themselves from the quartet's unity. Things start to change when two of them retire. Pym maps this ordinary strangeness of life with her particular genius for brilliant psychological insight and quiet humor that never strains for effect.
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