0300080395 Former library copy. Hardcover book with light overall wear to the dust jacket and the exterior. There are library markings through out the book. The binding is tight and the text is clean with no markings. Fast shipping!. N° de ref. de la librería
Sinopsis: As early as the sixteenth century, drawing in England came to be seen as something more than an activity exclusive to artists; it became a polite and useful art, a practice of everyday life. This generously illustrated book explores the social and cultural processes that enabled drawing to emerge as an amateur pastime, as well as the meanings that drawing had for people who were not artists. Ann Bermingham shows how the history of drawing in England, from the age of Elizabeth I to the era of early photography, mirrored changes in society, politics, the practical world, and notions of self. The book examines how drawing intersected with a wide range of social phenomena, from political absolutism, writing, empirical science, and Enlightenment pedagogy to nationalism, industrialism, tourism, bourgeois gentility, and religious instruction. Bermingham discusses the central role of drawing and the visual arts in Renaissance debates about government and self-government, then considers the relations between seventeenth-century drawing, natural science, and the masculine ideal of the honest gentleman. She also investigates landscape drawing in the context of eighteenth-century views on sensibility; the emergence of the amateur draftsman and the accomplished woman; and the commercialisation of amateur drawing in the nineteenth century. The book concludes with a discussion of the impact of photography on the social practice of drawing.
Biografía del autor: Ann Bermingham is professor of the history of art and architecture at the University of California at Santa Barbara.
Título: Learning to Draw: Studies in the Cultural ...
Editorial: Paul Mellon Centre BA 2000-04-01
Año de publicación: 2000
Condición del libro: Good
Edición: First Edition.
Descripción Yale UP, 2000. Hardback. Estado de conservación: Fine. Estado de la sobrecubierta: Fine. ~No ownership marks. 4to (28 x 23cm). 270 illus. With dustwrapper. Size: xv, 304pp. Binding tight, text unmarked. Nº de ref. de la librería GG1660
Descripción Yale University Press, New Haven, 2000 First Edition. Hardback. Dust Jacket., 2000. 4to. pp xv, 304. Original publisher's pale blue cloth, lettered white on spine. Copiously illustrated in colour and black and white throughout. ISBN: 0300080395 Fine in very slightly creased, clean, near fine dust jacket. Nº de ref. de la librería C38154
Descripción Yale University Press, New Haven, 2000. 1ª Edición. 304 pp. 28 x 23 cm. Tela con sobrecubierta ilustrada. Inglés. . IMPORTANTE. Lea Nuestras Condiciones de Venta y Gastos de Envío. Contrareembolso 4 eur.Muy buen estado. Nº de ref. de la librería (30500)FT6248
Descripción Yale University Press with the Paul Mellon Centre, New Haven and London, 2000. Hardcover. Estado de conservación: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. This First Edition hardback was published in 2000 by Yale for the Paul Mellon Centre for Studies in British Art. The book is bound in grey-blue coloured stiff boards. Cream coloured endpapers, with the ffep having the remains of a small publisher's sticker. Spine titles are in white. The book has 304 numbered pages and more than that number of often quite small colour and black and white illustrations. The book is most sumptuously illustrated. The size of the book in inches is 10.9 x 9.0 and the book weighs 1.56 kg. As with all our sales of books within the UK, we only ever charge a flat standard delivery cost of £3.35. Nº de ref. de la librería 003332
Descripción Estado de conservación: Good. Book Condition: Good. Nº de ref. de la librería 97803000803914.0
Descripción Estado de conservación: Very Good. Book Condition: Very Good. Nº de ref. de la librería 97803000803913.0
Descripción Paul Mellon Centre BA, 2000. Hardcover. Estado de conservación: Good. Good condition, some are ex-library and can have markings. Nº de ref. de la librería GD-268-59-0543300
Descripción Paul Mellon Centre BA, 2000. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110300080395
Descripción Paul Mellon Centre BA, 2000. Hardcover. Estado de conservación: As New. Like new condition. Nº de ref. de la librería XX-268-59-0543300