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History and Images: Towards a New Iconology (Tcne 5) (Hardcover)

Bolvig

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ISBN 10: 2503511554 / ISBN 13: 9782503511559
Nuevos Condición: New Encuadernación de tapa dura
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Descripción

Hardcover. This important collection of essays represents a wide variety of new approaches to the deployment of images by historians. Methodological debates and historiographical concern.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 430 pages. 1.202. N° de ref. de la librería 9782503511559

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Detalles bibliográficos

Título: History and Images: Towards a New Iconology ...

Año de publicación: 2002

Encuadernación: Hardcover

Condición del libro:New

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Sinopsis:

This important collection of essays represents a wide variety of new approaches to the deployment of images by historians. Methodological debates and historiographical concerns are explored by distinguished international scholars. Ground-breaking technological innovations in the last two decades of the twentieth century have led to the development of huge image databases, offering outstanding new opportunities for comparison, analysis and interrogation. This was apparent from the database demonstrations at the congress on History and Images in Copenhagen in 1999, part of the University of Copenhagen's Visual Construction of Realities research programme. Several of the papers included here summarise recent research or disclose the potential of the new technologies for posing - and answering - novel types of question. A common concern of many contributors to this volume has been the reconfiguring of Art History to encompass areas which have often been viewed as marginal - geographically, physically or intellectually, for example. As each of the nineteen essays demonstrates, approaches to the employment and interpretation of the visual image by historians have been increasingly rendered obsolete or inappropriate by postmodern intellectual diversity and by the dramatic development of technology. The subtitle of the book ('Towards a New Iconology') reveals that a potent new dialogue between historian and image and between contemporary and historical constructions of reality, is in the process of construction.

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