Descripción
Ths collection comprises: (1) G.MacFarren.On the Structure of a Sonata. 16pp. Rudall Carte & Co. London 1871.With perma stamped signature of James C.Culwick on cover; (2) Carl Engel. A Descriptive Catalogue of the Musical Instruments in the South Kensington Museum. 82pp. Illustrated. Printed by Eyre & Spottiswoode & sold by Chapman & Hall.London, 1870; (3) F. Hueffer. Franz List's Symphonic Poems: A Letter to M.W. by Richard Wagner. Translated from the German by F. Hueffer. Pp. 20. Lucas Weber & Co.London; (4) S.B. Francis Edward Bache - from the Christian Reformer December 1858. 8pp; (5) Samuel Wesley. Letters of Samuel Wesley to Mr.Jacobs, Organist of Surrey Chapel, relating to the introductiion into this country of the works of John Sebastian Bach. (now first published). Edited by his daughter Eliza Wesley. 60pp. Includes Listof the Musical Works of Samuel Wesley. Second edition. Wm.Reeves, London, 1878; (6) James C. Culwick. Handel's Messiah: Discovery of the Original Word-Book used at the First Performance in Dublin, April 13, 1742. PRINTED FOR PRIVATE CIRCULATION. 16pp. Signed by Culwick on cover. Dublin University Press, Dublin. 1891; (7/8) Henry F. Chorley. Handel Studies Biographical Notice, No. 1. The Messiah. Pp. 47 + adverts. Handel Studies No. II The Dettingen te Deum, and Israel in Egypt. 32pp. Also by Chorley. Both published by Augener & Co, London; (9) W.G. Cusins. Handel's Messiah. An Examination of the Original and of some Contemporary Mss. Pp.13-51, advert. Augener, London. 1882; (10/11) F. Chrysander (Ed.) Handel Receiving the Laurel from Apollo. A Poem by an unknown author in the year 1724. 16pp. Breitkopf and Hartel, Leipsic, 1859. Inserted within this is an 8pp. pamphlet titled: A Popular Account of the Handel Festival Organ. Printed by Robert K.Burt, Holborn. No author indicated and undated; (12) Edward Dannreuther (Translated from rhe original German) "The Music of the Future," A Letter to M. Frederic Villot by Richard Wagner. Pp. 54, adverts. Signature of a previous owner in pencil at top margin of front cover. Schott & Co.London, 1873; (13) Richard Wagner. Le Judaisme dans la Musique. 31pp. J. Sannes, Bruxelles 1869; (14) William Chappell. Helmholtz's New Musical Theories. A Review of Professor Helmholtz's Treatise on the Sensations of Tone as a physiological basis for the theory of Music. Novello, Ewer & Co. London, 1876; (15) Lennox Browne.Medical Hints of the Production and Management of the Singing Voice. 48pp. Illustrated with diagrams. Chappell & Co.London, 1876; (16) Hercules H.G. MacDonnell. (FOR PRIVATE CIRCULATION ONLY.) A Few Simple Facts inMusical Acoustics.Likely to interest Practical Musicians. 24pp. Browne and Nolan, Dublin, 1884; (17) Miss Susan Wood.(Late Head-mistress of the Bath High School for Girls.) A Plea for the Reform of Music Teaching. 23pp. Printed for The London Association of Schoolmisstresses 1883; (18) Professor Herkomer & Thomas Eccleston Gibb. The Herkomer School An Address by the President, Professor Herkomer, Slade Professor at the University of Oxford with some Introductory remarks by the Treasurer of the School THomas Eccleston Gibbs. 16pp. Printed by order of the Council. 1887; (19) John Todhunter. The Theory of the Beautiful. A "Saturday Lecture," delivered in the Museum Building, Trinity College, Dublin. 31pp. William McGee, Dublin, 1872; (20) Sir Robert Stewart. Art Department By what means can National Education in Music best be promoted? (A Paper Read at the Dublin Congress of the National Association for the Promotion of Social Science, October, 1881.) 21pp. Printed by Spottiswood & Co. London; (21) John Dunne. "Musical Knowledge." A Lecture, delivered in the Molesworth Hall, to the Queen's Institute Pupils, on November 19th, 1874. Pp.24, 4. Hodges Foster & Co. Dublin, 1875; (22) Alfred Smythe, (Author), Edgar Little (Composer). The Warlock. An Entirely new and Original Romantic Comedy Opera. 39pp. Printed by Humphrey & Armour, Dublin 1892. Queen's Theatr. N° de ref. del artículo 020662
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