Black Performance Theory (Hardcover)

Thomas DeFrantz

ISBN 10: 0822356074 / ISBN 13: 9780822356073
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Hardcover. Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers-many of whom are perfo.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 296 pages. 0.544. N° de ref. de la librería

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Sinopsis: Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers—many of whom are performers—demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.

Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young

About the Author: Thomas F. DeFrantz is Professor of African and African American Studies, Dance, and Theater Studies at Duke University. He is a dancer, a choreographer, and the author of Dancing Revelations: Alvin Ailey's Embodiment of African American Culture.

Anita Gonzalez is Professor of Theater at the University of Michigan. She is a director, a choreographer, and the author of Afro-Mexico: Dancing between Myth and Reality.

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Título: Black Performance Theory (Hardcover)
Año de publicación: 2014
Encuadernación: Hardcover
Condición del libro: New

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Thomas F. DeFrantz
Editorial: Duke University Press (2014)
ISBN 10: 0822356074 ISBN 13: 9780822356073
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Descripción Duke University Press, 2014. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780822356073

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Descripción Duke University Press Books. Hardcover. Estado de conservación: Very Good. 0822356074 Crisp, clean, unread hardcover with light shelfwear to the boards, no dust jacket as issued with a publisher's mark to one edge - Nice!. Nº de ref. de la librería Z0822356074Z2

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Descripción Duke University Press, United States, 2014. Hardback. Estado de conservación: New. New.. Language: English . Brand New Book. Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers-many of whom are performers-demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson s performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants.Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory. Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young. Nº de ref. de la librería AAJ9780822356073

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Descripción Duke University Press, United States, 2014. Hardback. Estado de conservación: New. New.. Language: English . Brand New Book. Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers-many of whom are performers-demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson s performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young. Nº de ref. de la librería AAJ9780822356073

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DeFrantz, Thomas F.
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Descripción Duke Univ. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Nº de ref. de la librería 2594295

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Descripción Duke University Press. Estado de conservación: New. pp. 304. Nº de ref. de la librería 96246411

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Descripción Duke University Press Books, 2014. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0822356074

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Thomas DeFrantz, Anita Gonzalez
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Descripción Duke University Press. Hardback. Estado de conservación: new. BRAND NEW, Black Performance Theory: An Anthology of Critical Writing, Thomas DeFrantz, Anita Gonzalez, Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers - many of whom are performers - demonstrates the breadth and depth, innovation and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes between Liverpool and Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the posthumous documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as a series of tableaux vivants of seminal hip-hop album covers. Whether discussing the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory. Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, and Hershini Bhana Young. Nº de ref. de la librería B9780822356073

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