Críticas:
The Making of the New Negro breaks completely new ground in our understanding of the male writers and intellectuals of the Harlem Renaissance. Conceptually rich and theoretically sophisticated this is a powerful and compelling portrait of the racialized politics of masculinity and non-normative sexualities of the New Negro. Aina Pochmara has written utterly persuasive and very important book.-- Hazel V. Carby is professor of African American Studies and of American Studies at Yale University
Reseña del editor:
The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using African American published texts, American archives and unpublished writings, and contemporaneous European discourses, this book focuses both on the canonical figures of the New Negro Movement and African American culture, such as W.E.B. Du Bois, Booker T. Washington, Alain Locke, and Richard Wright, and on writers who have not received as much scholarly attention despite their significance for the movement, such as Wallace Thurman. Its perspective combines gender, sexuality, and race studies with a thorough literary analysis and historicist investigation, an approach that has not been extensively applied to analyze the New Negro Renaissance.
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