Drama and Desire: Art and Theatre from the French Revolution to the First World War

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9788857203904: Drama and Desire: Art and Theatre from the French Revolution to the First World War

A lavishly illustrated catalog exploring the relationship between art and theater during the "long" nineteenth century. The book examines works by some of the most significant French and English artists of the eighteenth and nineteenth centuries. The exhibition and its catalogue aim to connect elements of the modern tradition with the return to interest in Antiquity that emerged in Europe during the period 1750-1900, fuelled by the discovery of Pompeii and the pioneering theories of Adolphe Appia and Edward Gordon Craig regarding the dematerialization of the stage. This triggered a surge of passion for theatrical performances and for theatre in general. The period begins in the time of Voltaire and Jacques-Louis David and ends with the last vestiges of Symbolism, a century and a half during which European painters took a continuous interest in the parallel development of stagecraft. What emerges is a symbiotic exchange between the imagery of the stage and that of painting. Not only did such masters as Jacques-Louis David, Paul Delaroche, Eugène Delacroix and Gustave Moreau design costumes and sets for the theatre, but they also began to infuse their paintings with the artifice of the world of theatre, giving dramatic emphasis to the actions portrayed and adopting the system of perspective used in designing theatrical sets. The generation of Symbolist artists - particularly the Nabis -epitomizes this rich creative exchange. As this book demonstrates, the progression of art and painting toward abstraction was not as straightforward as is often suggested: it effectively traveled along several paths at once and included the close interaction between easel painting and visual representation in the dramatic arts, as well as changes in the concepts of space and expressions, each influencing and fuelling the other. The extraordinary results are illustrated in the pages of this book.

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About the Author:

Guy Cogeval, author and curator, is the president of the Musée d’Orsay, in Paris. Beatrice Avanzi is curator at MART, Rovereto, Italy.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Editorial: Skira (2010)
ISBN 10: 8857203905 ISBN 13: 9788857203904
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Descripción Skira, 2010. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M8857203905

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Cogeval, Guy & Beatrice Avanzi
Editorial: Skira (2010)
ISBN 10: 8857203905 ISBN 13: 9788857203904
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Descripción Skira, 2010. Hardcover. Estado de conservación: New. Estado de la sobrecubierta: New. 2 Still in shrinkwrap. This book is brand new; never used or opened. No remainder marks. ; 11.26 X 9.76 X 1.42 inches; 408 pages. Nº de ref. de la librería 030215-141-063

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Descripción Estado de conservación: New. new (shrinkwrapped); despatched well-packed and promptly from UK warehouse. Nº de ref. de la librería 9U-3PH4-YZWJ

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Editorial: Skira (2010)
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Descripción Skira, 2010. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P118857203905

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Descripción Skira, 2010. Estado de conservación: new. Toronto, Art Gallery of Ontario, 19 june - 26 september 2010. Rovereto, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 6 February 6 - 23 May 2010. Marseille, Musée Cantini, 6 October 2009 - 3 January 2010. English text. Edited by Guy Cogeval and Beatrice Avanzi. Milano, 2010; clothbound, pp. 408, b/w and col. ill., cm 25x29. This book was conceived to accompany an international exhibition that travelled from Marseille to Rovereto and Toronto. The exhibition aimed to connect elements of the modern tradition with the return to interest in Antiquity that emerged in Europe during the period 1750-1800, fuelled by the discovery of Pompeii and the pioneering theories of Adolphe Appia and Edward Gordon Craig regarding the dematerialization of the stage. This triggered a surge of passion for theatrical performances and for theatre in general. The period begins in the time of Voltaire and Jacques-Louis David and ends with the last vestiges of Symbolism, a century and a half during which European painters took a continuous interest in the parallel development of stagecraft. What emerges is a symbiotic exchange between the imagery of the stage and that of painting. Key Sales Information - The book examines works by some of the most significant French and English artists of the eighteenth and nineteenth centuries and focuses on a hitherto unexplored theme: the theatre and its staging on nineteenth-century. - The paintings examined are shown in color and include important technical details. - Among the international lenders of works: Birmingham Museums and Art Gallery; Harvard Art Museum, Boston; National Gallery of Australia, Canberra; Kunstmuseum Düsseldorf; The National Gallery of Scotland, Edinburgh; Städel Museum, Frankfurt am Main; Victoria and Albert Museum, Tate, Stair Sainty Gallery, London; The Metropolitan Museum of Art, The Museum of Modern Art and Brooklyn Museum, New York; The Fitzwilliam Museum, Cambridge; Derby Museum; National Gallery of Victoria, Melbourne; Musée du Louvre, Paris; National Gallery of Art, Washington D.C; Kunsthalle Zürich. Authors Guy Cogeval, author and curator, is the President of the Musée d'Orsay, in Paris. Beatrice Avanzi is curator at MART - Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy. Nº de ref. de la librería 1990606

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Descripción Skira. Hardcover. Estado de conservación: New. 8857203905 New Condition. Nº de ref. de la librería NEW7.1791009

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Cogeval, Guy [Editor]; Avanzi, Beatrice [Editor];
Editorial: Skira (2010)
ISBN 10: 8857203905 ISBN 13: 9788857203904
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Descripción Skira, 2010. Hardcover. Estado de conservación: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap. Nº de ref. de la librería 160405003

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Guy Cogeval, Beatrice Avanzi
Editorial: SKIRA, Italy (2010)
ISBN 10: 8857203905 ISBN 13: 9788857203904
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The Book Depository EURO
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Descripción SKIRA, Italy, 2010. Hardback. Estado de conservación: New. Language: English . Brand New Book. A lavishly illustrated catalog exploring the relationship between art and theater during the long nineteenth century. The book examines works by some of the most significant French and English artists of the eighteenth and nineteenth centuries. The exhibition and its catalogue aim to connect elements of the modern tradition with the return to interest in Antiquity that emerged in Europe during the period 1750-1900, fuelled by the discovery of Pompeii and the pioneering theories of Adolphe Appia and Edward Gordon Craig regarding the dematerialization of the stage. This triggered a surge of passion for theatrical performances and for theatre in general. The period begins in the time of Voltaire and Jacques-Louis David and ends with the last vestiges of Symbolism, a century and a half during which European painters took a continuous interest in the parallel development of stagecraft. What emerges is a symbiotic exchange between the imagery of the stage and that of painting. Not only did such masters as Jacques-Louis David, Paul Delaroche, Eugene Delacroix and Gustave Moreau design costumes and sets for the theatre, but they also began to infuse their paintings with the artifice of the world of theatre, giving dramatic emphasis to the actions portrayed and adopting the system of perspective used in designing theatrical sets. The generation of Symbolist artists - particularly the Nabis -epitomizes this rich creative exchange. As this book demonstrates, the progression of art and painting toward abstraction was not as straightforward as is often suggested: it effectively traveled along several paths at once and included the close interaction between easel painting and visual representation in the dramatic arts, as well as changes in the concepts of space and expressions, each influencing and fuelling the other. The extraordinary results are illustrated in the pages of this book. Nº de ref. de la librería LIO9788857203904

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