Reseña del editor:
Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something from within." He adds, "Time moves on and never stops or waits." Often involving a progression through a series of images, his work is structured like a musical sequence, creating storylines that resonate beyond the frozen moment of any single photograph. Storylines accompanies an exhibition highlighting Frank's experimental use of narrative in photography and film. The exhibition consists of his films and photographs, including Polaroids, contact sheets and recent digital stills. Photographs from locations as diverse as Peru, London, Wales, Coney Island and Chicago, appear along with several artist's books.
Biografía del autor:
Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his seminal book The Americans, first published in 1958, which gave rise to a distinct new art form in the photo-book, and his experimental film Pull My Daisy, made in 1959. His other important projects include the book Black White and Things, 1954, the book Lines of My Hand, 1959 and the film Cocksucker Blues, 1972. Frank's work has been the subject of major exhibitions around the world and is included in many significant public and private photography collections. He divides his time between New York City and Nova Scotia, Canada.
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