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The plot of La piedra angular (1891) revolves around a crime: the brutal murder of a man by his wife and her lover. The novel is didactic, and attacks capital punishment, the "corner stone" of the title. On the issue of capital punishment, the author presents the reader with a variety of attitudes and ideologies. Emilia Pardo Bazán studies the executioner (Juan Rojo) and his family environment. In this way, La piedra angular analyzes the penal laws and criminal anthropological studies throughout its plot. The writer shows in her narrative the debate between legislators, philosophers, politicians and theologians over the validity of capital punishment. The author compares three characters, each personifying three distinct ideas of human justice in regards to the question of crime and the criminal in society. Through her novel, Bazán shows different points of views regarding the theme; clearly condemning the conservative attitude while showing the pros and cons of both sides. She also acknowledges the influence of Emilio Zola through his portrait of the sordid and brutal world of Marineda and the corrupting power of alcoholism. However, one should look less at the naturalistic school and more at the Russian writers that she studied and debated in her 1887 conferences at "Ateneo de Madrid" and in her work La revolución y la novela en Rusia (1887), where she praises Tolstoi, whom she regards over Zola.
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- EditorialStockcero
- Año de publicación2015
- ISBN 10 1934768790
- ISBN 13 9781934768792
- EncuadernaciónTapa blanda
- Número de páginas206
- EditorPerez-Bernardo Maria Luisa
- Valoración
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Descripción Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The plot of La piedra angular (1891) revolves around a crime: the brutal murder of a man by his wife and her lover. The novel is didactic, and attacks capital punishment, the 'corner stone' of the title. On the issue of capital punishment, the author presents the reader with a variety of attitudes and ideologies. Emilia Pardo Bazán studies the executioner (Juan Rojo) and his family environment. In this way, La piedra angular analyzes the penal laws and criminal anthropological studies throughout its plot. The writer shows in her narrative the debate between legislators, philosophers, politicians and theologians over the validity of capital punishment. The author compares three characters, each personifying three distinct ideas of human justice in regards to the question of crime and the criminal in society. Through her novel, Bazán shows different points of views regarding the theme; clearly condemning the conservative attitude while showing the pros and cons of both sides. She also acknowledges the influence of Emilio Zola through his portrait of the sordid and brutal world of Marineda and the corrupting power of alcoholism. However, one should look less at the naturalistic school and more at the Russian writers that she studied and debated in her 1887 conferences at 'Ateneo de Madrid' and in her work La revolución y la novela en Rusia (1887), where she praises Tolstoi, whom she regards over Zola. 206 pp. Spanisch. Nº de ref. del artículo: 9781934768792
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Descripción PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. del artículo: L0-9781934768792
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Descripción Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The plot of La piedra angular (1891) revolves around a crime: the brutal murder of a man by his wife and her lover. The novel is didactic, and attacks capital punishment, the 'corner stone' of the title. On the issue of capital punishment, the author presents the reader with a variety of attitudes and ideologies. Emilia Pardo Bazán studies the executioner (Juan Rojo) and his family environment. In this way, La piedra angular analyzes the penal laws and criminal anthropological studies throughout its plot. The writer shows in her narrative the debate between legislators, philosophers, politicians and theologians over the validity of capital punishment. The author compares three characters, each personifying three distinct ideas of human justice in regards to the question of crime and the criminal in society. Through her novel, Bazán shows different points of views regarding the theme; clearly condemning the conservative attitude while showing the pros and cons of both sides. She also acknowledges the influence of Emilio Zola through his portrait of the sordid and brutal world of Marineda and the corrupting power of alcoholism. However, one should look less at the naturalistic school and more at the Russian writers that she studied and debated in her 1887 conferences at 'Ateneo de Madrid' and in her work La revolución y la novela en Rusia (1887), where she praises Tolstoi, whom she regards over Zola. Nº de ref. del artículo: 9781934768792
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La piedra angular
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Descripción Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnThe plot of La piedra angular (1891) revolves around a crime: the brutal murder of a man by his wife and her lover. The novel is didactic, and attacks capital punishment, the corner stone of the title. On the issue of capital pu. Nº de ref. del artículo: 448425172
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Descripción N/D. Condición: New. 1. The plot of La piedra angular (1891) revolves around a crime: the brutal murder of a man by his wife and her lover. The novel is didactic, and attacks capital punishment, the "corner stone" of the title. On the issue of capital punishment, the author presents the reader with a variety of attitudes and ideologies. Emilia Pardo Bazán studies the executioner (Juan Rojo) and his family environment. In this way, La piedra angular analyzes the penal laws and criminal anthropological studies throughout its plot. The writer shows in her narrative the debate between legislators, philosophers, politicians and theologians over the validity of capital punishment. The author compares three characters, each personifying three distinct ideas of human justice in regards to the question of crime and the criminal in society. Through her novel, Bazán shows different points of views regarding the theme clearly condemning the conservative attitude while showing the pros and cons of both sides. She also acknowledges the influence of Emilio Zola through his portrait of the sordid and brutal world of Marineda and the corrupting power of alcoholism. However, one should look less at the naturalistic school and more at the Russian writers that she studied and debated in her 1887 conferences at "Ateneo de Madrid" and in her work La revolución y la novela en Rusia (1887), where she praises Tolstoi, whom she regards over Zola. - Libro bajo demanda. Nº de ref. del artículo: 1934768790
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