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Descripción hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Nº de ref. del artículo: S_390877013
Descripción Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. Nº de ref. del artículo: M1891027239Z2
Descripción Printed wooden boards, unnumbered pages, good condition: this copy is missing the printed black plastic bag that the book was in; and missing the poster. As is. Foreign shipping may be extra. Nº de ref. del artículo: PaMcNy30
Descripción Hardcover. Condición: Very Good. 32p hardback, wooden boards, colour printed throughout, large folded poster in back excellent, a very fresh and tight copy Language: English. Nº de ref. del artículo: 191537
Descripción First edition. Hardcover. Number 1286 of 2500 copies. Text by Sam Lipsyte. Includes numerous color and black and white illustrations. A fine copy in boards and in a very near fine printed publisher bag. No dust jacket as issued. Nº de ref. del artículo: 151206
Descripción Hardcover. Condición: Gut bis sehr gut. 1. Auflage. B : Hardcover, 9 x 9 in. / 56 pgs / 33 color. - In a woodbound portfolio scribbled and annotated ("finger," "smeel my assh hul hole") in what looks like the handwriting of a teenage boy, everything that isn't scatological is phallic or violent. Photographs, including documentation of his sculptures, raise the production values and (sometimes) lower the NC-17 rating. And his commentaries on the work clarify his intentions: if Disney-esque model dwarves are "emissaries from multinational conglomerates come to colonize our dreams," McCarthy's mission must be, in part, recovering those dreams and restoring the taboo to our minds. Nº de ref. del artículo: ABE-1655293373651
Descripción 56 pp.; 21 x 22 cm.; sewn bound; slipcase; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Exhibition catalogue published in conjunction with show held October 28 - December 30, 2006. Essay by Sam Lipsyte. Includes checklist and poster. One side of poster advertises for the exhibition, while the backside contains McCarthy's selected bibliography and CV. Catalogue features wooden board covers with the silhouette of one of McCarthy's butt plugs printed in red. New. Book and poster contained in a black unopened plastic envelope-styled wrapper, as issued. Nº de ref. del artículo: 24335
Descripción Hardcover. Condición: Sehr gut. 1. Auflage. B : Hardcover, 9 x 9 in. / 56 pgs / 33 color. - Most artists would be sorry to hear that their work looked like a steaming plate of poop, but not Paul McCarthy. Because that's exactly what he's drawn. In a woodbound portfolio scribbled and annotated ("finger," "smeel my assh hul hole") in what looks like the handwriting of a teenage boy, everything that isn't scatological is phallic or violent. Photographs, including documentation of his sculptures, raise the production values and (sometimes) lower the NC-17 rating. And his commentaries on the work clarify his intentions: if Disney-esque model dwarves are "emissaries from multinational conglomerates come to colonize our dreams," McCarthy's mission must be, in part, recovering those dreams and restoring the taboo to our minds. Nº de ref. del artículo: ABE-1685104280535
Descripción cm 22x22; pp. 56; COL e BN; Nº de ref. del artículo: AM-11006
Descripción Condición: Sehr gut. 32 Seiten; zahlr. farb. Illustrationen; 22 cm; kart. (mit Holz bezogen). Sehr gutes Exemplar. - Englisch. - PLAKAT beiliegend (Curriculum vitae; selected Bibliography .). // Exemplar trägt die (gedruckte) Nummer: 251. - Paul McCarthy (* 4. August 1945 in Salt Lake City, Utah) ist ein US-amerikanischer zeitgenössischer Künstler, der vor allem durch seine Performances und Skulpturen bekannt ist. McCarthy begann seine Karriere mit Aktionen, in denen die Schwerkraft als metaphorisches Vehikel benutzt wurde. Das Werk umfasst Zeichnungen, Skulpturen, Aktionen und Performances, Performance-Videos, Filme, Installationen. Ab 1974 wurden seine Arbeiten aggressiver und sexuell provokativer: Die Performances thematisieren Brutalität und Selbstzerstörung. In einer anderen Arbeitsform werden große Kulissen aufgebaut, in denen Akteure Szenen nach Lust und Laune spielen, die als Video und als Fotografien festgehalten werden. Nach Beendigung solcher Performances zählen Kulissen, Videomaterial und Fotos als Kunstobjekte. (wiki) // PLATES : Shit Face on TV Cart, 2002-2003 ------ Silicon, wood and steel 50 x 29.5 x 52 in. 127 x 74.9 x 132.1 cm Unique ------ Untitled, 1992 ------ Permanent marker on paper 40x29 in. 101.6 x 73.7 cm ------ Untitled, 1994 ------ Marker on paper 45 x 35 in. 114.3 x 88.9 cm ------ Central Park, 2004 ------ Marker on paper 38 x 50 in. 96.5 x 127 cm ------ Finger, 2001 ------ Collage, felt-tip pen on paper 21 x 27 in. 53.3 x 68.6 cm ------ Heinz Ketchup, 1972-1974 ------ from the Propo Series Mixed media 72 x 48 in. 182.9 x 213.4 cm Ed. 2 of 3 ------ Camera Hale, 1996 ------ Opaque paint markers on vellum 24 x 18 in. 61 x 45.7 cm ------ Ass Hole, 1996 ------ Opaque paint markers on vellum 24 x 18 in. 61 x 45.7 cm ------ Blew Blew, 1996 ------ Opaque paint markers on vellum 24 x 18 in. 61 x 45.7 cm ------ Daddy Fucked You, 1996 ------ Opaque paint markers on vellum 24 x 18 in. 61 x 45.7 cm ------ 11 Miss Piggy, 1996 ------ from the Propo Series ------ Photograph ------ 29 x 41 in. ------ 73.7 x 104,1 cm ------ Masks (Small), 1994 ------ from the Propo Series Marin of each print, seven solar coupler prints 20 x 15.875 in. ------ 50.8 x 40.3 cm Ed. of 9 ------ 12 Unfitted (Rat Blue Sunkist oranges), 2003 ------ from the Propo Series Cibachrome on aluminum 48 x 72 in. 121.9 x 182.9 cm Ed. 2 of 3 --- (u.a.m.) // . Im November 2009 eröffnete er eine Ausstellung unter dem Titel White Snow in New York, die sich thematisch an der Disney-Adaption des deutschen Märchenklassikers Schneewittchen und die sieben Zwerge orientierte. Am 16. Oktober 2014 ließ er eine riesige grüne aufblasbare Skulptur, die er als "(Christmas) tree" charakterisierte, die aber die Form eines Butt-Plugs aufwies, auf dem Place Vendôme in Paris installieren. Er wurde bei der Besichtigung derselben von einem Passanten geohrfeigt. Die Werke McCarthys weisen oftmals einen thematischen Bezug zur amerikanischen Kultur auf. Sie sind auf dem internationalen Kunstmarkt begehrt. McCarthy zählt zu den einflussreichsten zeitgenössischen Künstlern. (wiki) ISBN 1891027239 Sprache: Englisch Gewicht in Gramm: 650. Nº de ref. del artículo: 1214825