Book by Anderson Maxwell Gonzalez Jennifer Leja Michael Sa
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Transcript of an online symposium on the Georgia O'Keeffe Museum website, Oct. 1-14, 2001: The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000. Intended to be a follow-up to the symposium, Defining American Modernism (1890-present), held in Santa Fe at the opening of the Georgia O'Keeffe Museum Research Center, July 12-14, 2001).
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. Nº de ref. del artículo: M1890761052Z2
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Nº de ref. del artículo: M1890761052Z3
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Soft Cover. Condición: new. Nº de ref. del artículo: 9781890761059
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Librería: INDOO, Avenel, NJ, Estados Unidos de America
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Librería: INDOO, Avenel, NJ, Estados Unidos de America
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Librería: 369 Bookstore _[~ 369 Pyramid Inc ~]_, Dover, DE, Estados Unidos de America
Softcover. Condición: Good. What is Postmodernism, and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did Modernism wane as a phenomenon in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the Modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years--television, personal computers, the Internet--altered the nature of progressive art in the United States? Are any of these changes intrinsically Postmodern? These issues and more were debated during the two-week online conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O\'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion gathers the edited proceedings, with contributions from an international group of scholars, artists and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer and Robert Rosenblum. Nº de ref. del artículo: AMPLE1890761052
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Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Paperback. Condición: Very Good. 1st. 193 pages; 23 cm. Issues in Cultural Theory Series, no. 5. Near fine. Tight, clean copy. Light edgewear to wraps. Transcript of an online symposium on the Georgia O'Keeffe Museum website, Oct. 1 to 14, 2001: The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000. Intended to be a follow-up to the symposium, Defining American Modernism (1890-present), held in Santa Fe at the opening of the Georgia O'Keeffe Museum Research Center, July 12-14, 2001). Contributions by Robert Rosenblum, Michelle Wallace, Maxwell Anderson, Catherine Lord, Jonathan Weinberg, Olu Oguibe, Michael Leja, Dan Cameron, Yvonne Rainer, Donna deSalvo, Simon Leung, Chrissie Iles, Jennifer Gonzalez, Wendy Ewald, Kellie Jones, David Ross, and Jerry Saltz. "What is postmodernism and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did modernism wane as a viable force in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years--television, personal computers, the Internet--altered the nature of progressive art in the United States? Are any of these changes innately postmodern? These issues and more were debated during the two week online conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion features the edited proceedings, with contribution from an international group of scholars, artists, and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer, and Robert Rosenblum." - Publisher. Art and globalization -- Congresses. Size: 8vo. Nº de ref. del artículo: 027116
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Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked. Nº de ref. del artículo: 8108
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