Book by Carter Paul
"Sinopsis" puede pertenecer a otra edición de este libro.
... a valuable source of ideas, allowing the reader to begin to draw together the disparate threads of agoraphobic cultural theory. The potential for explorations into an environmental unconscious is clearly identified and offers architects, planners and cultural theorists a suggested, if unresolved, strategy for new analyses of the modernist city. Building Design This scholarly investigation into the origins of the fear of open space prods its subject from a surprisingly diverse array of angles, ranging from architectural theory to psychological doctrine ... Carter fluidly weaves together anecdotes, conversations, and academic cross-references. His eclectic tour of our collective societal neurosis stretches from the classical era to the present day, positing that, while detractors of the modern city have attempted to link the root of agoraphobia to poor city planning, this disorder actually extends much further back. Architect Magazine
In "Repressed Spaces" Paul Carter tours the cultural history of agoraphobia, the fear of open space. Its symptoms were first described in "The Anatomy of Melancholy" (1621) by Robert Burton, the British scholar and writer, although it wasn't until 1871 that Carl Otto Westphal coined the term to describe several of his patients who experienced severe anxiety when walking through streets or squares. There have been many attempts to explain and treat the condition: critics of modernization have linked it to bad city planning; psychoanalysts, calling it street panic', have blamed it on the Oedipus complex; and, psychiatrists have tied it to existential insecurity and describe it as the fear of places or situations that have triggered panic attacks. Freud believed that agoraphobia, like all phobias, was part of an anxiety neurosis' and had a sexual origin. Taking as his starting-point the fact that Freud himself was agoraphobic, and analyzing the way people have negotiated open spaces from Greek and Roman times to the present day, Paul Carter finds that space fear' ultimately results from the inhibition of movement. Along the way, the author asks why Freud repressed his agoraphobia, and examines literature, the work of architects and theorists including Le Corbusier, Walter Benjamin and R. D. Laing artists such as Munch, Lapique and Giacometti, and the German street films' of the 1920s. He concludes by proposing a new way of regarding open space, a new poetics of agoraphobia', one that is sensitive to the agoraphobe's point of view and provides lessons for architects and urban planners today.
"Sobre este título" puede pertenecer a otra edición de este libro.
Gastos de envío:
EUR 5,72
De Reino Unido a Estados Unidos de America
Gastos de envío:
EUR 2,68
A Estados Unidos de America
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR004756080
Cantidad disponible: 1 disponibles
Librería: Goodwill of the Olympics and Rainier Region, Tacoma, WA, Estados Unidos de America
Condición: Good. A used book in good condition. All pages are intact, and the spine and cover are also intact. Nº de ref. del artículo: 467UX00008F5
Cantidad disponible: 1 disponibles
Librería: Phatpocket Limited, Waltham Abbey, HERTS, Reino Unido
Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Nº de ref. del artículo: Z1-T-030-01726
Cantidad disponible: 1 disponibles
Librería: AVON HILL BOOKS, Cambridge, MA, Estados Unidos de America
Softcover. Condición: Very Good+. Small bump to top corner causes minor marginal crease throughout most of book. Does not affect text. ; 8vo 8" - 9" tall; 224 pp. Nº de ref. del artículo: 50103
Cantidad disponible: 1 disponibles
Librería: AwesomeBooks, Wallingford, Reino Unido
Paperback. Condición: Very Good. Repressed Spaces: The Poetics of Agoraphobia This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Nº de ref. del artículo: 7719-9781861891280
Cantidad disponible: 1 disponibles
Librería: Bahamut Media, Reading, Reino Unido
Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. Nº de ref. del artículo: 6545-9781861891280
Cantidad disponible: 1 disponibles
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Softcover. Condición: Good. In Repressed Spaces Paul Carter tours the cultural history of agoraphobia, the fear of open space. Its symptoms were first described in The Anatomy of Melancholy (1621) by Robert Burton, the British scholar and writer, although it wasnt until 1871 that Carl Otto Westphal coined the term to describe several of his patients who experienced severe anxiety when walking through streets or squares. There have been many attempts to explain and treat the condition: critics of modernization have linked it to bad city planning; psychoanalysts, calling it "street panic", have blamed it on the Oedipus complex; psychiatrists have tied it to existential insecurity and describe it as the fear of places or situations that have triggered panic attacks. Freud believed that agoraphobia, like all phobias, was part of an "anxiety neurosis" and had a sexual origin.Taking as his starting-point the fact that Freud himself was agoraphobic, and analyzing the way people have negotiated open spaces from Greek and Roman times to the present day, Paul Carter finds that "space fear" ultimately results from the inhibition of movement. Along the way, the author asks why Freud repressed his agoraphobia, and examines literature, the work of architects and theorists - including Le Corbusier, Walter Benjamin and R. D. Laing - artists such as Munch, Lapique and Giacometti, and the German "street films" of the 1920s. He concludes by proposing a new way of regarding open space, a new "poetics of agoraphobia", one that is sensitive to the agoraphobes point of view and provides lessons for architects and urban planners today. Nº de ref. del artículo: SONG1861891288
Cantidad disponible: 1 disponibles
Librería: Campbell Bookstore, Austin, TX, Estados Unidos de America
Condición: very good. Nº de ref. del artículo: UsedCamp1861891288
Cantidad disponible: 1 disponibles
Librería: Big Bill's Books, Wimberley, TX, Estados Unidos de America
Paperback. Condición: new. Brand New Copy. Nº de ref. del artículo: BBB_new1861891288
Cantidad disponible: 1 disponibles
Librería: Book Deals, Tucson, AZ, Estados Unidos de America
Condición: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.15. Nº de ref. del artículo: 353-1861891288-gdd
Cantidad disponible: 1 disponibles