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Sinopsis
Páginas:416Géneros:12:AGB:Individualartists,artmonographs12:0:0Sinopsis:THEARTOFRICHARDLONGBYWILLIAMMALPASThecentralfactandactofRichardLongsartiswalking.Hisworkisfoundedontheartofwalking,theactofwalking,theactualityofwalking,andonwalkingasart,asact,asexperience.Hiswalksbecomeartwalks,artwalkswhichbecomeartworks.RichardLongisaBritishlandartistandsculptorwhoworkswithandinthenaturalworld,butalsowithandwithinthehighlysophisticated,artificialandhumanmadeworldofartandculture.Itoowantedtomakenaturethesubjectofmywork,Longexplainedofhisearlywork,butinnewways.Istartedworkingoutsideusingnaturalmaterialslikegrassandwater,andthisevolvedintotheideaofmakingasculpturebywalking.RichardLongissometimestermedaRomanticsculptor,andpartofthisbookrelateshisarttoBritishRomanticism,asfoundintheliteratureofWilliamWordsworth,PercyByssheShelley,JohnKeatsandothers,andtheBritishlandscapetradition,asinJ.M.W.Turner,JohnConstable,ThomasGirtinandotherlandscapepainters.AspectsofBritishRomanticculturein20thcenturyand21stcenturyartalsoconsidered(suchastheNewRuralists,NewRomantics,NewArcadiansandNeo-Romantics).IalsoexploresomeoftheaspectsofRomanticcultureinEuropeaswellasBritain.InthecourseofthisbookWilliamMalpasreferencesmanyofRichardLongscontemporaryBritishsculptors(TonyCragg,BillWoodrow,DavidNash,BarryFlanagan,AlisonWilding,ShirazehHoushiary,RichardWentworth,BoydWebb,HamishFulton,StephenCox,PhilipKing,AnthonyCaro,TimHead,WilliamTucker,AnishKapoor,AnthonyGormley,DavidMach,PeterRandall-Page,NicholasPopeandGilbert&George).Furtherchaptersinclude
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Reseña del editor
THE ART OF RICHARD LONG Revised and updated, with new illustrations The central fact and act of Richard Long's art is walking. His work is founded on the art of walking, the act of walking, the actuality of walking, and on walking as art, as act, as experience. His walks become 'artwalks', artwalks which become artworks. Richard Long is a British land artist and sculptor who works with and in the natural world, but also with and within the highly sophisticated, artificial and humanmade world of art and culture. 'I too wanted to make nature the subject of my work,' Long explained of his early work, 'but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking'. Richard Long is sometimes termed a ‘Romantic’ sculptor, and part of this book relates his art to British Romanticism, as found in the literature of William Wordsworth, Percy Bysshe Shelley, John Keats and others, and the British landscape tradition, as in J.M.W. Turner, John Constable, Thomas Girtin and other landscape painters. Aspects of British Romantic culture in 20th century and 21st century art also considered (such as the ‘New Ruralists’, ‘New Romantics’, ‘New Arcadians’ and ‘Neo-Romantics’). Malpas also explore some of the aspects of Romantic culture in Europe as well as Britain. In the course of this book William Malpas references many of Richard Long’s contemporary British sculptors (Tony Cragg, Bill Woodrow, David Nash, Barry Flanagan, Alison Wilding, Shirazeh Houshiary, Hamish Fulton, Stephen Cox, Philip King, Anthony Caro, Tim Head, William Tucker, Anish Kapoor, Anthony Gormley, David Mach, and Gilbert & George). Further chapters include: one on women, feminist, body art and performance sculptors, as a comparison with Richard Long’s art, which has a strong component of performance (even if it’s nearly always private). Also, a consideration of gendered sculpture and art. The chapter on Minimal, Conceptual, Process and other 1960s and post-1960s art and artists, discusses the artists (primarily European and American) who have most in common with Richard Long’s art: the great Minimal and land artists, such as Donald Judd, Robert Morris, Carl Andre, Sol LeWitt, Dennis Oppenheim, James Turrell and Robert Ryman, and the important Conceptual artists, such as Hans Haacke, Bruce Nauman, Yves Klein and Lawrence Weiner. This book also considers topics such as contemporary and postwar art and sculpture; Richard Long’s contemporaries, including fellow British sculptors; and land art. REVIEW ON AMAZON: Very satisfied with this book. It includes not only detailed information about Long's work, but also discusses other related artists, such as Barnett Newman, and other related topics, including sculpture, installation and text in art. All in all a very interesting book. Fully illustrated, with a newly revised text. Bibliography and notes. www.crmoon.com AUTHOR’S NOTE: This is a revised edition of a book first published back in 1994. It includes information of the more recent exhibitions and artworks of Richard Long. The book has involved a good deal of research into Long’s art over the years, which has been updated in further editions. I hope that readers will gain some new insights into the artist’s work and that of his contemporaries. CONTENTS Illustrations Part One 1 Sculpture in the Contemporary Era 2 Sculpture and Gender 3 Spirit and Matter: Land Art 4 Land Artists in Britain, Europe and America Part Two 5 Richard Long: The Art of Walking 6 Circles, Lines, Rows, Splashes and Other Forms in Richard Long’s Art 7 Idea/ Text/ Desire: Textworks 8 From Photography to Installations 9 ‘A Place of Regeneration’: Dartmoor 10 Walking As Ecstasy Illustrations Notes List of Works Bibliography
Biografía del autor
AUTHOR BIOGRAPHY William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorrnrnWilliam Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including Andy Goldsworthy In America. Malpas s books on Richard Long and Andy Goldsworthy are the only full-length. Nº de ref. del artículo: 31161928
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