Sinopsis
Following the explosion of identity design in the arts and the reinvention of the art gallery/museum as a brand, this book provides a survey of recent and current design work for cultural clients, including galleries, museums, theatres and auditoriums. Thirty international case studies clearly express what good design can do to improve the fortunes and/or image of an institution. The focus is on new identities and their application, as well as smaller design solutions such as gallery guides, promotional programmes (incorporating everything from posters to ad campaigns), exhibition catalogues, branded merchandising, websites, signage systems, temporary exhibition design, renovated environments, new galleries, extensions and completely new buildings. The case studies consider projects large and small - from museums and galleries of international significance, to smaller institutions whose sphere of influence is more local. Each includes comments from the designers and from key stakeholders.
"Sinopsis" puede pertenecer a otra edición de este libro.
Acerca del autor
Angus Hyland studied at the London College of Printing, then the Royal College of Art. He ran his own studio in London for ten years, then became a partner at Pentagram, London in 1998. Emily King is the design editor of frieze magazine. She was the co-author of Restart: New Systems in Graphic Design (2001) and editor of Designed by Peter Saville (2003).
"Sobre este título" puede pertenecer a otra edición de este libro.
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C/ID: Visual Identity and Branding for the Arts
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Laurence King Publishing, 2006
ISBN 10: 1856694089
ISBN 13: 9781856694087
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C/ID: Visual Identity and Branding for the Arts
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ISBN 13: 9781856694087
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C/ID: Visual Identity and Branding for the Arts
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ISBN 13: 9781856694087
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c/id: Visual Identity and Branding for the Arts
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Paperback. Condición: Very Good. Following the explosion of identity design in the arts and the reinvention of the art gallery/museum as a brand, this book provides a survey of recent and current design work for cultural clients, including galleries, museums, theatres and auditoriums. Thirty international case studies clearly express what good design can do to improve the fortunes and/or image of an institution. The focus is on new identities and their application, as well as smaller design solutions such as gallery guides, promotional programmes (incorporating everything from posters to ad campaigns), exhibition catalogues, branded merchandising, websites, signage systems, temporary exhibition design, renovated environments, new galleries, extensions and completely new buildings. The case studies consider projects large and small - from museums and galleries of international significance, to smaller institutions whose sphere of influence is more local. Each includes comments from the designers and from key stakeholders. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR004794204
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C/Id: Visual Identity and Branding for the Arts
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ISBN 13: 9781856694087
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C/Id: Visual Identity and Branding for the Arts
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C/ID: Visual Identity and Branding for the Arts
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C/ID: Visual Identity and Branding for the Arts
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c/id: Visual Identity and Branding for the Arts
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Laurence King, 2006
ISBN 10: 1856694089
ISBN 13: 9781856694087
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Hardcover. Condición: Near Fine. First Edition. VG+ 1st ed 2006 Laurence King hardback, highly regarded volume. Top corners a little bumped otherwise unused, unmarked. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; ISBN: 1856694089. ISBN/EAN: 9781856694087. The book is available to view in-person at our Cambridge hub. The photos provided are of the actual book for sale, further condition-specific photos may be arranged upon request. Inventory No: 097541. Nº de ref. del artículo: 097541
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