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Unusual book
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Together with Holbein, Anthony van Dyck (1599 -1641) is one of the most important names in British pre-18th century art. Born in Antwerp he was a precocious talent, rising swiftly to become the chief assistant to Peter Paul Rubens, then Northern Europe's most prominent painter. His importance to British art cannot be overstated; during the turbulent years of the reign of Charles I, he single-handedly reinvented portrait painting, leaving behind a legacy that would influence later generations. Van Dyck first came to Britain in 1620 to work for James I. Between 1621 and 1627 he worked in Italy, adding to his clientele of wealthy patrons. Charles I recognised in van Dyck the potential to be the perfect creator of the royal image. The artist returned to London in April 1632 and was almost immediately knighted and provided with an enviable property and pension, becoming the chief painter of the court. His portraits of the royal family and courtiers, imbued with an understated authority and relaxed elegance, were an instant success. His pictures of Charles especially seemed to represent the king as both a powerful sovereign and 'nature's gentleman'. His popularity stemmed from his ease when moving in aristocratic circles, and his talent for flattering almost all subjects. Thomas Gainsborough famously said on his deathbed 'We are all going to heaven and van Dyck is of the company'. The authors not only explore van Dyck's years in England, but also his enduring influence on British art and culture in the centuries following his death, reflected in the way 18th and 19th century British sitters wanted their portraits to convey the gravitas and sophistication the earlier painter had mastered so well. Extensively illustrated, this is the most thorough examination ever published of van Dyck's English sojourn and the influence it had on the cultural life of the nation.
Biografía del autor
Karen Hearn is Tate Curator of 16th and 17th Century British Art.Contributors: Tabitha Barber, Tim?Batchelor, Christopher Breward, Christopher Brown, Diana Dethloff, Emilie Gordenker, Susan North, Kevin Sharpe, Susan Sloman, Simon Turner and Robert Upstone.
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- EditorialTate Publishing
- Año de publicación2009
- ISBN 10 1854377957
- ISBN 13 9781854377951
- EncuadernaciónTapa dura
- Número de páginas240
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Van Dyck and Britain
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Tate Publishing, Limited, 2009
ISBN 10: 1854377957
ISBN 13: 9781854377951
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Van Dyck in Britain
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Van Dyck & Britain
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Van Dyck in Britain
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Tate Publishing & Enterprises, 2009
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Hardcover. Condición: Good. The Flemish Baroque painter Anthony van Dyck (1599-1641) first came to Britain in 1620 at the behest of King James. When James died in 1625, his successor, Charles I, recognized van Dyck's skill in capturing the royal image. After a sojourn in Italy, the painter returned to England in 1632, was almost immediately knighted and provided with property and a pension, and became the chief painter of the court.Imbued with an understated authority and relaxed elegance, van Dyck's portraits of the royal family were an instant success. Charles I was depicted as both a powerful sovereign and "nature's gentleman." Gorgeously illustrated, this comprehensive volume is the most thorough examination of van Dyck's years in Britain to date, and investigates the intriguing ways in which van Dyck influenced British art and culture in the centuries following his death. Well-known contributors include scholars and art historians Christopher Brown, Diana Dethloff, Emilie Gordenker, Kevin M. Sharpe, Susan Sloman, and Aileen Ribero. Nº de ref. del artículo: SONG1854377957
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Van Dyck in Britain
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Hardcover. Condición: Good. The Flemish Baroque painter Anthony van Dyck (1599-1641) first came to Britain in 1620 at the behest of King James. When James died in 1625, his successor, Charles I, recognized van Dyck\'s skill in capturing the royal image. After a sojourn in Italy, the painter returned to England in 1632, was almost immediately knighted and provided with property and a pension, and became the chief painter of the court.Imbued with an understated authority and relaxed elegance, van Dyck\'s portraits of the royal family were an instant success. Charles I was depicted as both a powerful sovereign and \"nature\'s gentleman.\" Gorgeously illustrated, this comprehensive volume is the most thorough examination of van Dyck\'s years in Britain to date, and investigates the intriguing ways in which van Dyck influenced British art and culture in the centuries following his death. Well-known contributors include scholars and art historians Christopher Brown, Diana Dethloff, Emilie Gordenker, Kevin M. Sharpe, Susan Sloman, and Aileen Ribero. Nº de ref. del artículo: AMPLE1854377957
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Van Dyck in Britain
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Van Dyck in Britain
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ISBN 13: 9781854377951
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