London. 24 cm. 440 p. Encuadernación en tapa blanda de editorial ilustrada. Idioma Inglés. DI Stratton series .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario.
"Sinopsis" puede pertenecer a otra edición de este libro.
It is winter, 1949. London is cold and grey, and pock-marked everywhere with the scars of war. When John Davies confesses to killing his wife and baby daughter in their Notting Hill digs, it promises to be a depressingly straightforward case for DI Ted Stratton of West End Central. But then Davies recants and blames a fellow tenant, Norman Backhouse, for the crimes. Though some of the evidence appears to be ambiguous, Stratton sees no reason to believe him. The case against Davies proceeds: he is convicted, still protesting his innocence to the end. A few months later discoveries are made at Davies's old home. Backhouse has vanished, but his flat and garden are full of the corpses of women who have been gassed, raped and strangled. Has Stratton caused an innocent man to hang? Worse still, he's afraid that someone he loves may be the next victim.
It is winter, 1950, in a dingy part of London. John Davies confesses to strangling his wife and baby daughter, and for DI Ted Stratton of West End Central, it promises to be a straightforward case. When Davies recants, blaming respectable neighbour, Norman Backhouse, for the crimes, nobody, including Stratton, sees any reason to believe him. Davies is convicted and hanged, but later, after a series of gruesome discoveries, Stratton begins to suspect that there has been a terrible miscarriage of justice. Her marriage in tatters, ex-MI5 agent Diana Calthrop is determined to start a new life, but despite a promising beginning, she soon finds herself in trouble both financially and emotionally. And with a seemingly unstoppable killer of women on the loose, she is very vulnerable indeed. Based on the true story of the two most controversial murder trials of the 1950s and set against the backdrop of a country still scarred by war, A Capital Crime is a story of guilt, longing, uncertainty, and macabre, grotesque horror.
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