The End Of Alice - Tapa blanda

'A.M. Homes never plays it safe and it begins to look as if she can do almost anything' Michael Cunningham * 'If the first major literary marker of the American dream of aspiration, potential and never-ending youth was F. Scott Fitzgerald's lyrical piece of doomed yearning, The Great Gatsby, its postmodern flipside [is] A.M. Homes's The End of Alice, whose paired literary voices made a grotesque harmony of two yearners after the dream of youth' Ali Smith, Guardian * 'A.M. Homes instructs us about ourselves and shows us what we are blighted with and cringe from, our compulsions, repressions, longings, glimpses of madness' Ruth Rendell * 'Undeniably shocking... Superbly achieved by a writer who is a true artist in words' --Vogue

'I recently read [The End of Alice] and thought it was incredible.' --Joe Dunthorne, summer books round up, Observer

The End of Alice treads the thin line between the evil and the everyday and caused a major controversy when it was first released in the US. The story centres on the correspondence of two paedophiles: one, the narrator, is a middle-aged child-killer serving his twenty-third year in prison; the other, his slang-speaking, sweet-seeming admirer, is a nineteen-year-old girl intent on seducing a young neighbourhood boy. Slowly, through these letters, the narrator's dangerous character emerges.