Da Vinci's Ghost: The untold story of Vitruvian Man - Tapa dura

Erudite, elegant, enthralling. This is a wonderful book. Toby Lester understands, and makes us understand, the unique intensity with which Leonardo saw the world. He saw it not only in its infinite diversity but also as an impression of his own self, an explanation of what it means to be human. Hence Vitruvian Man. (Sister Wendy Beckett)

Every once in a while that rare book comes along that is not only wonderfully written and utterly compelling but also alters the way you perceive the world. Toby Lester's Da Vinci's Ghost is such a book. Like a detective, Lester uncovers the secrets of an iconic drawing and pieces together a magisterial history of art and ideas and beauty. (David Grann, author of The Lost City of Z)

Like almost everyone, I've seen Leonardo's drawing of the nude man in the circle. But until I read Toby Lester's terrific new book, I had no idea about the story behind the picture--or even that there *was* a story behind the picture. Deftly weaving together art, architecture, history, theology and much else, Da Vinci's Ghost is a first-rate intellectual enchantment. (Charles Mann, author of 1493 and 1491)

Da Vinci's Ghost is both a beautiful and a brilliant book. After reading Lester's account, you will never be able to look at Leonardo's Vitruvian Man the same way again. (Howard Markel, author of An Anatomy of Addiction)

In reconstructing the forgotten story of Vitruvian Man, Toby Lester, a canny decoder of images and a great storyteller, sheds new light on the enigmatic Leonardo da Vinci. (Chris Anderson, editor, Wired)

Like Da Vinci's famous drawing, Toby Lester's book is a small wonder-a work of brilliant compression that illuminates a whole world of life and thought. Lester proves himself to be the perfect guide to the Renaissance and beyond-affable, knowledgeable, funny. Leonardo's Virtruvian Man turns out to be a road map that can take us to remarkable places-once you learn how to read it. (Cullen Murphy, editor at large, Vanity Fair)

In the tradition of Dava Sobel and Stephen Greenblatt and, increasingly, himself, Toby Lester takes us on yet another marvelous mind ramble, this time following the wending centuries-long course, or rather the veritable watershed of such courses, that led to Leonardo's Vitruvian Man. (Lawrence Weschler, director, the New York Institute for the Humanities, and author of Uncanny Valley: Adventures in the Narrative)

Lester braids intellectual threads-philosophy, anatomy, architecture, and art-together in a way that reaffirms not only Leonardo's genius but also re-establishes the significance of historical context in understanding great works of art. (Publishers Weekly, Starred review)

Lester... beautifully demonstrates the intellectual pedigree of Leonardo's image (Moira Jeffrey The Scotsman 2011-12-13)

It's a fascinating intellectual history, and it's expertly told. Lester has got form here. (David Robinson The Scotsman)