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Book by Godard JeanLuc Ishaghpour Youssef
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...the greatest living cinematic artist, the wisest, most transformative, most original agent provocateur at work in the fields of cinema? The short answer: sans doute. Godard is to his medium what Joyce, Stravinsky, Eliot, and Picasso were to theirs: rule-rewriting colossi after whom human expression would never be quite the same. The Village Voice It's possible to hate half or two-thirds of what Godard does - or find it incomprehensible - and still be shattered by his brilliance. Pauline Kael Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Jean-Luc Godard looks back on a century of film as well as his own work and career in the industry. British Film Magazine
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Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career in the industry. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Against this backdrop, Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. As the conversation develops, Godard expounds on his central concerns - how film can 'resurrect the past', the role of rhythm in film, and how cinema can be an 'art that thinks'. Cinema: the archaeology of film and the memory of a century is a dialogue between Godard and the celebrated cinphile Youssef Ishaghpour. Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history.
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- EditorialBloomsbury 3PL
- Año de publicación2005
- ISBN 10 1845201965
- ISBN 13 9781845201968
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- Número de páginas160
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Descripción Hardcover. Condición: new. Hardcover. Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career in the industry. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Against this backdrop, Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. As the conversation develops, Godard expounds on his central concerns - how film can 'resurrect the past', the role of rhythm in film, and how cinema can be an 'art that thinks'. Cinema: the archaeology of film and the memory of a century is a dialogue between Godard and the celebrated cinphile Youssef Ishaghpour. Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history. Written by an influential film-maker, this work looks back on a century of film as well as his own work and career in the industry. It presents his thoughts on film theory, cinematic technique, film histories, as well as the video revolution. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781845201968
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Cinema: The Archaeology of Film and the Memory of A Century (Talking Images)
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Descripción Gebunden. Condición: New. Written by an influential film-maker, this work looks back on a century of film as well as his own work and career in the industry. It presents his thoughts on film theory, cinematic technique, film histories, as well as the video revolution.Inhalts. Nº de ref. del artículo: 597070588
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CINEMA: THE ARCHAEOLOGY OF FILM
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