Gold Fame Citrus - Tapa dura

Críticas

An extraordinary novel: relentlessly brilliant, utterly fearless, and often savagely funny. Watkins explores the maze of human thirst in all its forms. Here's a love story that tracks the mutating hopes of two lost souls, in prose that is fever-bright and ferociously assured. More confirmation that Watkins is one of the brightest stars in our firmament (Karen Russell, author of Swamplandia and Vampires in the Lemon Grove)

A tour-de-force first novel blisters with drought, myth, and originality . . . Praised for writing landscape, Watkins' grasp of the body is just as rousing . . . Critics will reference Annie Proulx's bite and Joan Didion's hypnotic West, but Watkins is magnificently original (Kirkus)

A gripping, audacious novel, plausibly imagined in all its remarkable details. With Claire Vaye Watkins there was never promise: it was achievement from the start, and this book repays her admirers in spades (Thomas McGuane)

An unforgettable journey into a hauntingly imagined near-future. With her mind-bending vision, breathtaking storytelling and utterly original voice, Claire Vaye Watkins is one of my favorite writers (Ruth Ozeki, author of A Tale for the Time Being)

Set in an increasingly plausible-seeming future in which drought has transformed Southern California into a howling wasteland, this debut novel by the author of the prize-winning story collection Battleborn finds two refugees of the water wars holed up in a starlet's abandoned mansion in L.A.'s Laurel Canyon. Seeking lusher landscape, the pair head east, risking attack by patrolling authorities, roving desperadoes, and the unrelenting sun (The Millions - most anticipated books of 2015)

Exhilarating, upsetting, delirious, bold, Gold Fame Citrus is a head rush of a novel and establishes Claire Vaye Watkins as an important new voice in American literature (Louise Erdrich, author of The Round House)

A sun-hammered fever dream, not unlike the shimmering, sweltering southwest it depicts. Your heart will be wrung out by the journey of Luz, Raymond, and Ig. Your imagination will feast on the assured depiction of a near-future that is burnt to a crisp. And you'll hope it's all a mirage as Watkins renders a hot and very plausible future the frightening force of a burning inevitability (Smith Henderson, author of Fourth of July Creek)

The book is packed with persuasive detail, luminous writing, and a grasp of the history (popular, political, natural and imagined) needed to tell a story that is original yet familiar, strange yet all too believable (Publisher's Weekly)

American odyssey: Set in a drought-ravaged Southern California trolled by scavengers, Gold Fame Citrus burns with a dizzying, scorching genius (Vanity Fair)

Watkins brings a gorgeous sense of language and a native desert-dweller's understanding of California to her audacious and dystopian first novel . . . The drought, the desperation and the fantasy built by the guru all feel disturbingly real (BBC)

Reseña del editor

'Extraordinary power and beauty' New York Times 'Disturbingly real' BBC 'A Mad Max world painted with a finer brush' Elle 'Laughter in the dark' FT 'Dizzying, scorching genius' Vanity Fair

Desert sands have laid waste to the south-west of America. Las Vegas is buried. California - and anyone still there - is stranded. Any way out is severely restricted. But Luz and Ray are not leaving. They survive on water rations, black market fruit and each other's need. Luz needs Ray, and Ray must be needed. But then they cross paths with a mysterious child, and the thirst for a better future begins.

It's said there's a man on the edge of the Dune Sea. He leads a camp of believers. He can find water. Venturing into this dry heart of darkness, Luz thinks she has found their saviour. For the will to survive taps hidden powers; and the needed, and the needy, will exploit it.

Like Margaret Atwood, Claire Vaye Watkins uses dystopia to traverse the scarred frontier of the heart, exploring the myths we tell about others and ourselves. In her bare and brilliant prose, nature and human nature, conspiracy and cult, motherhood and manhood are played out across the vast, implacable desert.