The Flight (Pushkin Collection) - Tapa blanda

His writing has been described as "if Nabokov wrote thrillers". I'm hooked -- Charlotte Mendelson Observer, Best Books of 2016 The Gazdanov revival... is nothing short of a literary event TLS Pushkin Press is to be congratulated on reviving an author who is as relevant now as ever Spectator A fascinating writer -- Eileen Battersby Irish Times Gadzanov is a modernist master -- Mary O'Donoghue Irish Times One of my stand-out reads of the year so far... it's a wonderful book and highly recommended! Shiny New Books Gazdanov's writing and plotting are magnificent... beautifully translated... one of my stand-out reads of the year so far Kaggsy's Bookish Ramblings Praise for The Spectreof Alexander Wolf: 'A masterpiece... it will stay with you for the rest ofyour life' Guardian; 'Mesmerising'Antony Beevor; 'Devastatingly atmospheric' IrishTimes; 'Irresistible' Daily Mail;'As if the roman policier has been filtered through Dostoevsky... just waiting tobe discovered by a filmmaker' TLS Beautifully crafted gem... moments of cynical glee worthy of Oscar Wilde... Gazdanov skilfully creates moments - a marital arm wrestle, an open dressing gown - that are at once convincingly real and astutely symbolic Russia Beyond the Headlines

First English translation of this novel by the author of The Spectre of Alexander Wolf While summering on the French Riviera, the young Seryozha secretly becomes the lover of the much older Liza - who is also his father's mistress. As autumn approaches, they reluctantly part: Liza to return to Paris, Seryozha to take up his studies at university in London. When he finds out about their affair, Seryozha's father attempts to convince Liza to leave his son, for the sake of the boy's own happiness. She finally gives in - but a sudden, fatal catastrophe changes everything... Gazdanov's second novel is proof of his wide-ranging talents: originally written before his celebrated noir experiments The Spectre of Alexander Wolf and The Buddha's Return, The Flight blends psychological drama, illicit romance and moments of both comedy and lyricism into a modernist take on the traditional Russian nineteenth-century realist novel epitomised by Tolstoy.