The Europeanness of European Cinema: Identity, Globalisation, Meaning (International Library of the Moving Image)

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9781780769295: The Europeanness of European Cinema: Identity, Globalisation, Meaning (International Library of the Moving Image)
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Twenty-five years after the fall of the Berlin Wall, Europe's East and West are still reaching out to each other. Europe has enlarged and transformed, but - in the sway of the global crisis - it has also shrunk into insignificance. Yet, European cinema is going strong in making meaning, as this book persuasively shows in tackling matters of heritage and cinephilia, identity and pan-European minorities. Transnational stardom and co-productions are explored against the backdrop of multiple national film traditions. It all comes together, elegantly and proficiently, under the coveted umbrella of Europeanness. Dina Iordanova, Institute for Global Cinema and Creative Cultures, University of St Andrews This wonderful collection navigates with rigour, enthusiasm and aplomb the complexities of thinking about something called European cinema, always respecting differences, never forcing a unity on the phenomenon, but also stubbornly and triumphantly affirming that there is indeed such a thing." Professor Richard Dyer, Kings College London

Reseña del editor:

From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore 'Europeanness' in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the 'European' label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies.

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Alissa Timoshkina; Mary Harrod; Mariana Liz
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Descripción I.B.Tauris Co. Ltd., United Kingdom, 2015. Hardback. Condición: New. Language: English . Brand New Book. From The Artist to The White Ribbon, from Oscar to Palme d Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore Europeanness in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the European label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies. Nº de ref. del artículo: AA79781780769295

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Descripción I.B.Tauris Co. Ltd., United Kingdom, 2015. Hardback. Condición: New. Language: English . Brand New Book. From The Artist to The White Ribbon, from Oscar to Palme d Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore Europeanness in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the European label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies. Nº de ref. del artículo: AA79781780769295

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Mary Harrod (editor), Mariana Liz (editor), Alissa Timoshkina (editor)
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Alissa Timoshkina; Mary Harrod; Mariana Liz
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Descripción I.B.Tauris Co. Ltd., United Kingdom, 2015. Hardback. Condición: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. From The Artist to The White Ribbon, from Oscar to Palme d Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore Europeanness in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the European label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies. Nº de ref. del artículo: BTE9781780769295

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Descripción Tauris Academic Studies, 2015. Hardcover. Condición: Brand New. 267 pages. 9.25x6.50x1.25 inches. In Stock. Nº de ref. del artículo: __1780769296

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