Tom-All-Alone's - Tapa blanda

Críticas

A brilliant and sinister re-make of Bleak House, exposing the vicious underworld of Victorian London. Totally gripping. (John Carey)

A necessary eye for squalor, meticulous research and deft plotting, as well as the ability to handle the difficult God's-eye-view narration with aplomb...you'll be guaranteed to enjoy. (The Guardian)

It s a highly compelling, immaculately written 19th-century murder mystery. (Independent on Sunday)

A grisly period detective story with a light-hearted literary conceit (The Times)

Beautifully written..Shepherd has perfectly caught the tone of voice, ranging from the lawyer Tulkinghorn to Esther Summerson and Inspector Bucket, and describes the horrors of nineteenth century slums more candidly than any Victorian novelist ever could...an absorbing read (Literary Review)

An intelligent, gripping and beautifully written novel which sparkles with bibliophilic glee (The Scotsman)

I can think of no better way to celebrate the bicentenary of the birth of Charles Dickens than to recommend Tom-All-Alone's. This terrific Victorian mystery begins in dense fog, like Bleak House, and has an unemployed detective reluctantly obeying a summons to the rat-infested London churchyard of Tom-All-Alone's. The corpse of a newborn baby awaits him, marking the start of a case whose Dickensian horros are twinned with a sophisticated understanding of nature of sexual predation. (Joan Smith The Sunday Times)

a gripping thriller. (Woman & Home)

A joyful pastiche of the 19th-century novel. Set in 1850, it occupies a fictional space between Bleak House and The Woman in White. An omniscient 21st-century narrator hovers in the manner of John Fowles in The French Lieutenant's Woman. This is very much a crime novel, with some very nasty crimes indeed, but it's also a witty, literate entertainment that lets the reader play Spot-the-Reference. (Andrew Taylor The Spectator)

There has recently been a rash of crime novels that are sequels or adaptations of classic fiction, mostly leaving long-dead authors turning in their graves. Shepherd's ingenious riff on Dickens's
Bleak House is an exception, a clever and playful mystery stuffed with references to the works of several eminent Victorians.

Reseña del editor

The story of Tom-All-Alone's takes place in the 'space between' two masterpieces of mid-Victorian fiction: Bleak House and The Woman in White - overlapping with them, and re-imagining them for a contemporary reader, with a modern understanding of the grimmer realities of Victorian society.

Charles Maddox, dismissed from the police force, is working as a private detective and can only hope to follow in his uncle's formidable footsteps as an eminent thief-taker. On a cold and bright Autumn morning, a policeman calls on Charles at his lodgings with information that may be related to a case he is working on. He goes to a ruined cemetery to find a shallow grave containing the remains of four babies has been discovered. After examining them he concludes they are not related to his investigation, which is to find a young girl abandoned in a workhouse 16 years before, when her mother died. But all is not as it first appears. As he's drawn into another case at the behest of the eminent but feared lawyer, Edward Tulkinghorn, London's sinister underbelly begins to emerge. From the first gruesome murder, Charles has a race against time to establish the root of all evil.

Tom's-All-Alone is 'Dickens but darker' - without the comedy, without the caricature, and a style all its own. The novel explores a dark underside of Victorian life that Dickens and Collins hinted at - a world in which young women are sexually abused, unwanted babies summarily disposed of, and those that discover the grim secrets of great men brutally eliminated.