Alive in Shape and Color: 17 Paintings by Great Artists and the Stories They Inspired - Tapa blanda

Críticas

The fascinating premise has yielded some dark gems.

Several [stories] capture every hue, tint, and tone of what makes a story captivating. Over the past few years, Lee Child's short fiction has become my favorite of his work, and 'Pierre, Lucien, and Me' is an example of why. 'Charlie the Barber' by Joe R. Lansdale is a hard- boiled, richly detailed and violent story. The anthology's only reprint, David Morrell's 'Orange Is for Anguish, Blue for Insanity, ' is also my favorite.

For anyone who has puzzled over the vividly evocative works of the beloved Edward Hopper, this little volume is the perfect gift. Short stories by 17 writers dramatically start where the paintings leave off.

Belongs on the reading table of all crime and mystery fans. Allows readers the unique opportunity to directly experience the motivation of each story and follow where the artwork took each author.

An imaginative collection bristling with surprises. Block has masterminded another delectably provocative union of art and suspense.

If a picture is worth a thousand words, any of Edward Hopper's paintings of American loneliness is worth an entire short story. Ekphrasis--seeing a story in a picture--was seldom so much fun.

A great collection. These stories are suspenseful and display masterful writing ability.

This absolutely superb anthology starts out with two advantages: a true legend at the helm in crime writer Lawrence Block, and a fascinating concept. Every story is superlative. Hopper, America's great mournful lyric realist, deserves a tribute of this grace and sensitivity.

Reseña del editor

Even before Lawrence Block could rest on his laurels from In Sunlight or In Shadow, a question arose. What would he do for an encore?Any number of artists have produced evocative work, paintings that could trigger a literary response. But none came to mind who could equal Hopper in turning out canvas after canvas. If no single artist could take Hopper’s place, how about a full palette of them? Suppose each author was invited to select a painting from the whole panoply of visual art—From the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried.And what a dazzling response! Joyce Carol Oates picked Le Beaux Jours by Balthus. Warren Moore chose Salvador Dali’s The Pharmacist of Ampurdam Seeking Absolutely Nothing. Michael Connelly, who sent Harry Bosch to Chicago for a close look at Nighthawks, has a go at The Garden of Earthly Delights by Harry’s namesake Hieronymous Bosch. S. J. Rozan finds a story in Hokusai’s The Great Wave, while Jeffery Deaver’s "A Significant Find” draws its inspiration from—yes—those prehistoric cave drawings at Lascaux. And Kristine Kathryn Rusch moves from painting to sculpture and selects Rodin.In artists ranging from Art Frahm and Norman Rockwell to René Magritte and Clifford Still, the impressive concept goes on to include Thomas Pluck, Sarah Weinman, David Morrell, Craig Ferguson, Joe R. Lansdale, Jill D. Block, Justin Scott, Jonathan Santlofer, Gail Levin, Nicholas Christopher, and Lee Child, with each story accompanied in color by the work of art that inspired it.