Spook: Volume 28 (Nameless Detective) - Tapa blanda

With a new case, a new partner, and a new P.I., Nameless is back—and Bill Pronzini's much-praised Bleeders did not bring to a close the series that Booklist calls "a stunning and unique achievement in crime fiction" and "one of the greatest-ever detective series." Instead, in Spook, a pivotal novel in the remarkably successful Nameless Detective series, Pronzini, working at the top of his form, takes his seasoned private-eye hero into a new phase of a still-evolving thirty-year career.

Shaken after a hair's-breadth escape from death, Nameless has made some changes in his professional life: He's taken on his smart, young assistant Tamara as a partner, and he's hired Jake Runyon, a reticent ex-cop with a hammerhead jaw and troubled past, to work with him in the field. But he's not put himself out to pasture. Again he enters San Francisco's shadowy underworld, this time in a search for the identity of a gentle, mentally disturbed homeless man who has been found dead in an alley doorway.

Beyond the dead man's street name—Spook (for his habit of talking at length with two ghosts he called Dot and Luke)—clues are few. Eventually, though, they take the investigation to Aspen Creek, the small, isolated town high in the California Sierras where the nameless victim has left behind him a tragic history of murder and madness. More dangerously, and unpredictably, in Nameless's low-end office on O'Farrell Street, seventeen years of repressed rage are about to erupt again into violent revenge—from a hot-eyed wild man brandishing a Micro Uzi SMG.

Bill Pronzini is simply one of the masters. He seems to have taken a crack at just about every genre: mysteries, noirish thrillers, historicals, locked-room mysteries, adventure novels, spy capers, men's action, westerns, and, of course, his masterful, long-running Nameless private detective series, now entering its fourth decade, with no signs of creative flagging. He's also ghosted several Brett Halliday short stories as Michael Shayne for Mike Shayne's Mystery Magazine, and has managed to collaborate with such fellow writers as John Lutz, Barry Wahlberg, Collin Wilcox and Marcia Muller. Still, if he never ventured into fiction writing, his non-fiction work, as both writer and editor, would still earn him a place in the P.I. genre's Hall of Fame. Besides his two tributes to some of the very worst in crime fiction (what he calls "alternative classics"), Gun in Cheek and Son of Gun in Cheek, and one on western fiction (entitled Six Gun in Cheek, naturally), he's the co-author (with Marcia Muller) of 1001 Midnights. The Mystery Writers of America have nominated him for Edgar Awards several times and his work has been translated into numerous languages and he's published in almost thirty countries. He was the very first president of the Private Eye Writers of America, and he's received three Shamus Awards from them, as well as its Lifetime Achievement Award in 1987. His passion for the old crime pulps is largely responsible for keeping them in the public's eye. He's amassed a huge collection of books and magazines and has always been an omnivorous reader; all of which made him a natural when it came to editing various anthologies. He admits "it was a pleasure tracking down good stories to fit a particular anthology theme." But after editing 80 or so of them over a period of twenty-some years, he decided it was "more than enough."