By Fables Alone: Literature and State Ideology in Late-Eighteenth - Early-Nineteenth-Century Russia (Ars Rossica) - Tapa dura

"... Zorin commands a broad range of literary and historical literature and his essays give depth to the selected themes concerning the reigns of Catherine II and Alexander I... [T]he difficult translation is generally skillful and it makes available for Anglophones a more profound examination of historical events discussed." - Slavic and East European Journal, 59.2 (Summer 2015) "The work-a collection of Zorin's writing about the intersection of state ideology and literature in late eighteenth- and early nineteenth-century Russia-was hailed as a crucial text in Russian literary and historical studies upon its initial publication in 2001. Since then it has become required reading for students of Imperial Russian history and culture...The careful translations ably preserve the nuances of the original Russian-no small feat, and one that speaks volumes about its translators. This English edition will bring Zorin's work to a broader audience, enabling more researchers and students to engage with his seminal discussion of the Russian state's ideological models and their transformation into cultural symbols during the late eighteenth and early nineteenth centuries." -- Katherine Bowers, University of British Columbia, Modern Language Review, Volume 111, Part 2 (April 2016

'By Fables Alone...' is a welcome English version of Andrei Zorin's 2001 groundbreaking volume containing a number of expert and imaginative examinations of ideological models produced during Catherine II's, Alexander I's, and Nicholas I's reigns. Zorin, a leading scholar of Russian literature and culture of period, begins, in Chapters One to Four, with the incisive discussion of the so-called Greek Project masterminded by Catherine the Great; moves, in Chapters Five to 9, to the analyses of several politically significant cultural developments in Alexander's time; and ends, in Chapter 9, with a brilliant examination of the central ideological formula of Nicholas I's reign, "Orthodoxy-Autocracy-Nationality," conceived and articulated by Sergei Uvarov. Equally at home with literature, culture, and politics of the time, Russian as well as Western, Zorin moves effortlessly between these fields to explain the formation of Russian cultural myths, some of which are relevant even today. Expertly translated by Marcus C. Levitt, the book is a fascinating read for any scholar interested in the process of formation of cultural symbols serving ideological purposes.