Beau Death (A Detective Peter Diamond Mystery) - Tapa dura

Críticas

Crime Writers' Association Diamond Dagger for Lifetime Achievement Recipient
Mystery Writers of America 2018 Grandmaster

Praise for Beau Death

"Witty, stylish and a bit of a rogue--that's what people said about Richard Nash, known as the Beau, the notorious dandy who transformed the English city of Bath into 'the 18th century equivalent of Vegas.' The same might be said of Peter Lovesey, whose elegant mysteries pay tribute to the past glories of this beautiful city."
--Marilyn Stasio, The New York Times Book Review

"Peter Lovesey--the dean of English mystery novelists--remains as ingenious as ever in Beau Death."
--Michael Dirda, The Washington Post

"If you like real history turned into crime clues, this is your book . . . This is a great puzzle plot that will keep you guessing. Just what Lovesey does best."
--The Globe & Mail

"Peter Lovesey rarely puts a foot wrong."
--The Daily Mail UK

"For Anglophiles who like to leaven their whodunits with laughter, it's hard to imagine a more pleasurable way to read away the long hours of a quiet, wintry night."
--Richmond Times-Dispatch

"The book, I am happy to say, is as tightly plotted and absorbing as the best of Lovesey's long-running series."
--Adam Woog, The Seattle Times

"Lovesey employs his dry, caustic humor to cutting effect."
--Chicago Tribune

"I always look forward to new entries in this series."
--Salem Macknee, The News & Observer

"Highly readable . . . Mr. Lovesey moves from a hilarious launching of the plot to a delectable collection of vivid characters and an avalanche of clues."
--The Washington Times

"Peter Lovesey writes at a consistently high level of crime fiction that never ceases to please and astonish."
--Crime Time UK

"Astonishingly consistent and endlessly inventive."
--The Morning Star UK

"Lovesey moves from one dexterously nested puzzle to the next with all the confidence of a magician who knows the audience won't see through his deceptions no matter how slowly he unveils them."
--Kirkus Reviews, Starred Review

"One of the best entries in a long-running series, this exceptional police procedural is packed with imperfect and engaging characters, sophisticated plotting, and abundantly detailed historical tidbits."
--Library Journal, Starred Review

"The intricate series of plot lines is seamlessly interwoven at the charged conclusion. Lovesey seems to have outdone himself with the labyrinthine maze of multiple murders and mysterious conundrums."
--The Strand Magazine

"There's plenty of suspense here--action, too--all told in Lovesey's effortlessly elegant manner."
--Booklist

"The plot is one of Lovesey's cleverest, and the book is full of his trademark wry humor."
--Publishers Weekly

"Lovesey's signature understated humor, often historical and at times hysterical, finds its way onto pretty much every page."
--BookPage

"An intricate and multi-layered puzzle . . . Diamond's dry wit and perspicacity adds welcome levity to the story."
--Shelf Awareness

"Simply terrific. . . The humor is dry, but it is there in spades, as is the clever, puzzling and unforgettable mystery that beats steadily throughout the story."
--BookReporter

"Peter Lovesey's characterisation, humour, and plotting are key, and I'm glad to report that these elements are here in abundance."
--Martin Edwards, Do You Write Under Your Own Name? (blog)

"As Beau Death elegantly demonstrates, nobody is better than Lovesey at mixing puzzle and procedural. Diamond, with his mordant humor as armor, is, as always, razor-sharp, erudite and thoroughly engaging."
--Open Letters Monthly

"His Grand Master award is well-deserved indeed."
--Mystery Fanfare

"The plotting is deft and very intricate without being overdone, and the characters perform beautifully . . . a sheer delight to read."
--Kittling Books

"A rich and satisfying feast of eccentric and sometimes sweet, sometimes dangerous, quintessential British figures."
--Kingdom Books

Praise for the Peter Diamond Investigations

"Peter Diamond is impatient, belligerent, cunning, insightful, foul, laugh-out-loud funny . . . A superb series."
--Louise Penny

"I'm jealous of everyone discovering Lovesey and Diamond for the first time--you have a wonderful backlist to catch up on. Me, all I can do is wait for the next book."
--Sara Paretsky

"What'll it be today? A knotty puzzle mystery? A fast-paced police procedural? Something more high-toned, with a bit of wit? With the British author Peter Lovesey, there's no need to make those agonizing decisions, because his books have it all."
--The New York Times Book Review

"Mr. Lovesey's narrative is swift, but he takes time out for local color and abundant humor, the latter springing from the book's quirky characters . . . Lovesey is a wizard at mixing character-driven comedy with realistic-to-grim suspense. And in a writing career spanning four decades, he has created a stylish and varied body of work."
--The Wall Street Journal

"Next to Jane Austen, Peter Lovesey is the writer the tourist board of Bath, England, extols most proudly . . . The enduring draw of the Peter Diamond books derives both from the beguiling Bath cityscape and the brusque character of Diamond himself."
--NPR

Reseña del editor

Peter Diamond, British detective extraordinaire, must dig deep into Bath history to ferret out the secrets of one of its most famous (and scandalous) icons: Richard “Beau” Nash, who might be the victim of a centuries old murder.

Bath, England: A wrecking crew is demolishing a row of townhouses in order to build a grocery store when they uncover a skeleton in one of the attics. The dead man is wearing authentic 1760s garb and on the floor next to it is a white tricorn hat—the ostentatious signature accessory of Beau Nash, one of Bath’s most famous historical men-about-town, a fashion icon and incurable rake who, some say, ended up in a pauper’s grave. Or did the Beau actually end up in a townhouse attic? The Beau Nash Society will be all in a tizzy when the truth is revealed to them.

Superintendent Peter Diamond, who has been assigned to identify the remains, starts making discoveries that turn Nash scholarship on its ear. But one of his constables is stubbornly insisting the corpse can’t be Nash’s—the non-believer threatens to spoil Diamond’s favorite theory, especially when he offers some pretty irrefutable evidence. Is Diamond on a historical goose chase? Should he actually be investigating a much more modern murder?