The Brothers Karamazov (Barnes & Noble Classics Series) - Tapa blanda

[Dostoevsky is] at once the most literary and compulsively readable of novelists we continue to regard as great . . . ;The Brothers Karamazov; stands as the culmination of his art-his last, longest, richest, and most capacious book. [This] scrupulous rendition can only be welcomed. It returns us to a work we thought we knew, subtly altered and so made new again. - Washington Post Book World; A miracle . . . Every page of the new Karamazov is a permanent standard, and an inspiration.;The Times; (London) ; One finally gets the musical whole of Dostoevsky's original. -New York Times Book Review. Absolutely faithful . . . Fulfills in remarkable measure most of the criteria for an ideal translation . . . The stylistic accuracy and versatility of registers used . . . bring out the richness and depth of the original in a way similar to a faithful and sensitive restoration of a painting.; -The Independent. It may well be that Dostoevsky's [world], with all its resourceful energies of life and language, is only now-and through the medium of [this] new translation-beginning to come home to the English-speaking reader - New York Review of Books. Heartily recommended to any reader who wishes to come as close to Dostoevsky's Russian as it is possible.; - Joseph Frank, Princeton University With an Introduction by Malcolm V. Jones --Washington Post Book

&&LDIV&&R&&LDIV&&R&&LI&&RThe Brothers Karamazov&&L/I&&R, by &&LB&&RFyodor Dostoevsky&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R

• New introductions commissioned from today's top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader's viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&RThe last and greatest of &&LB&&RDostoevsky&&L/B&&R’s novels, &&LI&&RThe Brothers Karamazov&&L/I&&R is a towering masterpiece of literature, philosophy, psychology, and religion. It tells the story of intellectual Ivan, sensual Dmitri, and idealistic Alyosha Karamazov, who collide in the wake of their despicable father’s brutal murder.&&LBR&&R&&LBR&&RInto the framework of the story Dostoevsky poured all of his deepest concerns—the origin of evil, the nature of freedom, the craving for meaning and, most importantly, whether God exists. The novel is famous for three chapters that may be ranked among the greatest pages of Western literature. “Rebellion” and “The Grand Inquisitor” present what many have considered the strongest arguments ever formulated against the existence of God, while “The Devil” brilliantly portrays the banality of evil. Ultimately, Dostoevsky believes that Christ-like love prevails. But does he prove it?&&LBR&&R&&LBR&&RA rich, moving exploration of the critical questions of human existence, &&LI&&RThe Brothers Karamazov&&L/I&&R powerfully challenges all readers to reevaluate the world and their place in it.&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LB&&RMaire Jaanus&&L/B&&R is Professor of English and department Chair at Barnard College, Columbia University. She is the author of &&LI&&RGeorg Trakl&&L/I&&R, &&LI&&RLiterature and Negation&&L/I&&R, and a novel, &&LI&&RShe&&L/I&&R, and co-editor of &&LI&&RReading Seminars I and II&&L/I&&R, &&LI&&RReading Seminar XI&&L/I&&R, and the forthcoming &&LI&&RLacan in the German-Speaking World&&L/I&&R.&&L/P&&R&&L/DIV&&R