Yukon Madness (Stories from the Golden Age) - Tapa blanda

"Originally published in Mystery Adventures (Aug. 1935), this title features a villain who feeds his victims to wolves. Listeners will feel embedded with Mountie Tommy McKenna in his chase for the killer. R.F. Daley, Jim Meskimen, Max Williams, and Christina Huntington do a great job with the narration, and the sounds--e.g., of McKenna
dragging his gun by its muzzle through the snow--add a spectacular degree of realism. For anyone enjoying adventures." --Library Journal

"Classic pulp fun." --Review DuJour, Jeff Berkwits

"Hubbard fans will welcome this collection of three Golden Age adventure tales: the over-the-top "Yukon Madness," the grim revenge drama "The Cossack," and the macho smackdown "The Small Boss of Nunaloha." Today's readers will best appreciate "The Cossack," in which Lt. Mertz Komroff contends with the imperious duchess of Novgrod. Shocking consequences follow when Komroff, who refuses to be unfaithful to his fiance, rebuffs the duchess's advances. "Yukon Madness" features Itauk the Madman, who with his 12-wolf team delights in "spreading death with sharp steel and throwing the shattered bodies of men to his slavering team." Tommy McKenna of the Royal Canadian Mounted Police, in his effort to stop Itauk, turns to Kaja, Itauk's battered, half-white girlfriend, for more than help. Less successful is "The Small Boss of Nunaloha," an action tale about Jim Lanridge, a trading company representative who's obsessed with being top dog on the island of Nunaloha, no matter what." Library Journal
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Hubbard fans will welcome this collection of three Golden Age adventure tales: the over-the-top "Yukon Madness," the grim revenge drama "The Cossack," and the macho smackdown "The Small Boss of" "Nunaloha." Publishers Weekly"

"Classic pulp fun. Review DuJour, Jeff Berkwits"

There are all kinds of crazy, but there’s only one Yukon Madness. And Royal Mountie Tommy McKenna—a role made for Canadian-born Glenn Ford—has seen first-hand the terror that follows in its wake . . . his partner murdered and fed to a pack of wolves.

But that’s only a taste of the horrors to come. Bent on revenge, McKenna sets out to find the madman himself—a monster who goes by the name Itauk. He quickly finds, however, that there’s only one way to get to the beast—through the man’s raven-haired beauty of a girlfriend, Raja.

But whose side is Raja on? Can McKenna win her over? Or will he too end up dead meat? The bait has been cast, the scent has been taken, and the trap has been set. The only question is, who is the predator and who is the prey?

Hubbard never wrote a word, conceived a character, or described a setting without first finding out all he could about the people and places that drove his stories. He wrote: “I began to search for research on the theory that if I could get a glimmering of anything lying beyond a certain horizon, I could go deep enough to find an excellent story. . . . I began to read exhaustively. . . . I wanted information and nothing else.” His exhaustive research—and search for the excellent story comes through in this book three times over.

Also includes the adventures The Cossack, which takes place in revolutionary Russia and explores the high price one man pays for refusing to kiss a Duchess, and The Small Boss of Nunaloha, the exotic story of a man who may be short, but who stands tall when it comes to defending his turf—an island in the Pacific.