The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Durer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.
Catherine Jenkins is an independent scholar. Nadine Orenstein is Drue Heinz Curator in Charge, and Freyda Spira is associate curator, both in the Department of Drawings and Prints at The Metropolitan Museum of Art.
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Librería: Free Play Books, NEW HAVEN, CT, Estados Unidos de America
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 4to. 308 pp. b/w and color illustrations throughout. Illustrated paper boards lettered in red at spine. Printed paper jacket. Fine in Fine dust jacket. Nº de ref. del artículo: 3910
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Condición: UNSPECIFIED. black & white illustrated boards. 308 pgs w/ bw & color illustrations. With clear mylar cover. "The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Durer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks. Exhibition: The Metropolitan Museum of Art, New York, USA (23.10.2019-19.01.2020)"--WorldCat. Nº de ref. del artículo: 186526
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Librería: Book Alley, Pasadena, CA, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very Good in Very Good unclipped dust jacket. Gently used with NO markings in text; binding is tight. Pasadena's finest independent new and used bookstore. Nº de ref. del artículo: mon0000483333
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. 2019. Hardcover. . . . . . Nº de ref. del artículo: V9781588396495
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 35380325-n
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Librería: Grand Eagle Retail, Wilmington, DE, Estados Unidos de America
Hardcover. Condición: NEW. Hardcover. The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Duerer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 23, 2019January 19, 2020) The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781588396495
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: WY-9781588396495
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: USED_GOOD. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Nº de ref. del artículo: M1588396495Z3
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Librería: Leopolis, Kraków, Polonia
Hardcover. Condición: Fine. 4to (27.5 cm), 308 pp. Publisher's boars and dust jacket. "The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks." (publisher's synopsis). Nº de ref. del artículo: 008735
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Librería: Brook Bookstore, Milano, MI, Italia
Condición: new. Nº de ref. del artículo: f5fd984fb1834c54aab24d43ce142a3c
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