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Painting And The Turn To Cultural Modernity in Spain: The Time of Eugenio Lucas Velazquez (1850-1870) - Tapa dura
Book by Ginger Andrew
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Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity.
Biografía del autor:
Andrew Ginger is Chair of Hispanic Studies at the University of Stirling.
"Sobre este título" puede pertenecer a otra edición de este libro.
- EditorialSusquehanna University Press
- Año de publicación2007
- ISBN 10 1575911132
- ISBN 13 9781575911137
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- Número de edición1
- Número de páginas364
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PAINTING AND THE TURN TO CULTURAL MODERN Format: Hardcover
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Painting and the Turn to Cultural Modernity in Spain : The Time of Eugenio Lucas Velazquez 1850-1870
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(2007)
ISBN 10: 1575911132
ISBN 13: 9781575911137
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Painting And The Turn To Cultural Modernity in Spain: The Time of Eugenio Lucas Velazquez (1850-1870)
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Painting And The Turn To Cultural Modernity in Spain: The Time of Eugenio Lucas Velazquez (1850-1870) by Ginger, Andrew [Hardcover ]
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Painting and the Turn to Cultural Modernity in Spain : The Time of Eugenio Lucas Velazquez 1850-1870
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ISBN 13: 9781575911137
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Painting and the Turn to Cultural Modernity in Spain: The Time of Eugenio Lucas Velazquez (1850-1870)
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Descripción Hardcover. Condición: Brand New. 1st edition. 364 pages. 9.00x6.25x1.00 inches. In Stock. Nº de ref. del artículo: __1575911132
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Painting And The Turn To Cultural Modernity in Spain (Hardcover)
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Descripción Hardcover. Condición: new. Hardcover. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. This study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781575911137
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Painting and the Turn to Cultural Modernity in Spain
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Descripción Condición: New. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. This study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. Num Pages: 364 pages, illustrations. BIC Classification: 1DSE; 3JH; ACV; AFC; HBJD; HBLL; JFC. Category: (G) General (US: Trade). Dimension: 229 x 157 x 28. Weight in Grams: 703. . 2007. 1st Edition. Hardcover. . . . . Nº de ref. del artículo: V9781575911137
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Painting And The Turn To Cultural Modernity in Spain (Hardcover)
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Associated University Presses, Cranbury
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ISBN 10: 1575911132
ISBN 13: 9781575911137
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Descripción Hardcover. Condición: new. Hardcover. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. This study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9781575911137
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Painting and the Turn to Cultural Modernity in Spain
Publicado por
Associated University Presses
(2007)
ISBN 10: 1575911132
ISBN 13: 9781575911137
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Descripción Condición: New. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. This study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. Num Pages: 364 pages, illustrations. BIC Classification: 1DSE; 3JH; ACV; AFC; HBJD; HBLL; JFC. Category: (G) General (US: Trade). Dimension: 229 x 157 x 28. Weight in Grams: 703. . 2007. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9781575911137
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