The Western Canon: The Books and School of the Ages - Tapa blanda

"Heroically brave, formidably learned... The Western Canon is a passionate demonstration of why some writers have triumphantly escaped the oblivion in which time buries almost all human effort. It inspires hope... that what humanity has long cherished, posterity will also." -The New York Times Book Review "This book is terribly important -- if you believe that literature itself is important, quite noble -- if you believe that 'nobility' is still a viable concept in intellectual life." --The Boston Globe "Harold Bloom's large-minded and large-hearted book about the great books has many of the virtues that it sees and shows in the works he so fiercely admires." -Christopher Ricks, The Washington Times "The list... is what will get all the attention, but it is the text preceding that provides the true pleasure." -Entertainment Weekly "[Harold Bloom] has, in a quietly joyous fashion, the chutzpah to put his stamp on the whole of literature from Genesis to Ashbery, rivaling the scope of hero-critics like Sainsbury or Curtius or Auerbach though more giddily adventurous than they were... In one sense the hero of this book, as of all his books, is Bloom himself, modestly bold, genially polemical, dogmatically opposed to dogma, carrying to much in his head and always ready to say what he thinks about it all." -Frank Kermode, The London Review of Books

Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism. Insisting instead upon "the autonomy of the aesthetic, " Bloom places Shakespeare at the center of the Western Canon. Shakespeare has become the touchstone for all writers who come before and after him, whether playwrights poets or storytellers. In the creation of character, Bloom maintains, Shakespeare has no true precursor and has left no one after him untouched. Milton, Samuel Johnson, Goethe, Ibsen, Joyce, and Beckett were all indebted to him; Tolstoy and Freud rebelled against him; and Dante, Wordsworth, Austen, Dickens, Whitman, Dickinson, Proust, the modern Hispanic and Portuguese writers Borges, Neruda, and Pessoa are exquisite examples of how canonical writing is born of an originality fused with tradition. Bloom concludes this provocative, trenchant work with a complete list of essential writers and books - his vision of the Canon.