The Literature of Weimar Classicism: 7 (Camden House History of German Literature) - Tapa dura

The contributions are informative, insightful, and jargon free, presenting a variety of theoretical approaches that reflect current scholarly practices and interests. CHOICE

Richter's approach successfully emphasizes, as does this collection in general, the multiplicity and variety of "Classicist" literature. GERMAN STUDIES REVIEW

Weimar Classicism has for long been associated almost exclusively with Goethe and Schiller's writing around 1800. The essays in this volume strive to represent the imposing scholarly tradition on these two writers while also suggesting that "Classicism" extends also to other writers.... [T]hese essays provide a comprehensive overview useful to any student of German literature. GERMAN QUARTERLY

Richter has succeeded in putting together a stimulating collection of essays that outlines this theoretical project [Cultural Studies] while also fulfilling the more conventional requirements of literary history. MLR

In Germany, Weimar Classicism (roughly the period from Goethe's return to Germany from Italy in 1788 to the death of his friend and collaborator Schiller in 1805) is widely regarded as an apogee of literary art. But outside of Germany, Goethe is considered a Romantic, and the notion of Weimar Classicism as a distinct period is viewed with skepticism. This volume of new essays regards the question of literary period as a red herring: Weimar Classicism is best understood as a project that involved the ambitious attempt not only to imagine but also to achieve a new quality of wholeness in human life and culture at a time when fragmentation, division, and alienation appeared to be the norm. By not succumbing to the myth of Weimar and its literary giants, but being willing to explore the phenomenon as a complex cultural system with a unique signature, this book provides an account of its shaping beliefs, preoccupations, motifs, and values. Contributions from leading German, British, and North American scholars open up multiple interdisciplinary perspectives on the period. Essays on the novel, poetry, drama, and theater are joined by accounts of politics, philosophy, visual culture, women writers, and science. The reader is introduced to the full panoply of cultural life in Weimar, its accomplishments as well as its excesses and follies. Emancipatory and doctrinaire by turns, the project of Weimar Classicism is best approached as a complex whole.

CONTRIBUTORS: Dieter Borchmeyer, Charles Grair, Gail Hart, Thomas Saine, Jane Brown, Cyrus Hamlin, Roger Stephenson, Elisabeth Krimmer, Helmut Pfotenhauer, Benjamin Bennett, Astrida Orle Tantillo, W. Daniel Wilson.

SIMON RICHTER is Associate Professor of German at the University of Pennsylvania.