A Hunt for Optimism - Tapa blanda

Shklovsky is a disciple worthy of Sterne. He has appropriated the device of infinitely delayed event, of the digression helplessly promising to return to the point, and of disguising his superbly controlled art with a breezy nonchalance. But it is not really Sterne that Shklovsky sounds like: it is an intellectual and witty Hemingway. --Guy Davenport

A rambling, digressive stylist, Shklovsky throws off brilliant apercus on every page . . . Like an architect's blueprint, [he] lays bare the joists and studs that hold up the house of fiction. --Michael Dirda

Begun in 1929 under the title “New Prose,” and drastically revised after Vladimir Mayakovsky’s sudden death, A Hunt for Optimism (1931) circles obsessively around a single scene of interrogation in which a writer is subjected to a show trial for his unorthodoxy. Using multiple perspectives, fragments, and aphorisms, and bearing the vulnerability of both the Russian Jewry and the anti-Bolshevik intelligentsia—who had unwittingly become the “enemies of the people”—Hunt satirizes Soviet censorship and the ineptitude of Soviet leaders with acerbic panache. Despite criticism at the time that it lacked unity and was too “variegated” to be called a purely “Shklovskian book,” Hunt is stylistically unpredictable, experimentally bold, and unapologetically ironic—making it one of the finest books in Shklovsky’s body of work.