Jasmin: Barber, Poet, Philanthropist - Tapa blanda

Jasmin: Barber, Poet, Philanthropist is a classic poet biography by Samuel Smiles. My attention was first called to the works of the poet Jasmin by the eulogistic articles which appeared in the Revue des Deux Mondes, by De Mazade, Nodier, Villemain, and other well-known reviewers. I afterwards read the articles by Sainte-Beuve, perhaps the finest critic of French literature, on the life and history of Jasmin, in his 'Portraits Contemporains' as well as his admirable article on the same subject, in the 'Causeries du Lundi.' Jansemin (born Jacques Boé and also known as Jasmin in French) (16 March 1798 – 4 October 1864) was an Occitan poet. He was born at Agen, his family name being Boé. His father, who was a tailor, had a certain facility for making doggerel verses, which he sang or recited at fairs and other such gatherings; Jacques, who generally accompanied him, was thus early familiarized with the role of the poet. At 16, he found employment at a hairdresser's shop, and subsequently started a similar business of his own on the Gravier at Agen. In 1825 he published his first volume of Papillotos (Curl Papers), containing poems in French (a language he used with a certain sense of restraint), and in the familiar Agen variety of Occitan language, the popular speech of the working classes in which he was to achieve all his later literary triumphs. Jasmin was the most famous forerunner, in Provençal literature, of Frédéric Mistral and the Félibrige. His influence in rehabilitating, for literary purposes, his native dialect, was particularly exercised in the public recitals of his poems he gave. His poetic gift, as well as his fluent voice and fluid bearing, fitted him admirably for this double role of troubadour and jongleur. In 1835, he recited his "Blind Girl of Castel-Cuill" at Bordeaux, and in 1836 at Toulouse, and he met with an enthusiastic reception in both of these important cities. Most of his public recitations were given for benevolent purposes, the proceeds being contributed by him to the restoration of the church at Vergt and other good works.

My attention was first called to the works of the poet Jasmin by the eulogistic articles which appeared in the Revue des Deux Mondes, by De Mazade, Nodier, Villemain, and other well-known reviewers. I afterwards read the articles by Sainte-Beuve, perhaps the finest critic of French literature, on the life and history of Jasmin, in his 'Portraits Contemporains' as well as his admirable article on the same subject, in the 'Causeries du Lundi.'