Man and Superman - Tapa blanda

Man and Superman was the first drama to be broadcast on the BBC's Third Programme on October 1st, 1946. "A comedy and a philosophy," Man and Superman is based on the Don Juan theme and, using all the elements from Mozart's Don Giovanni, Shaw reordered them so that Don Juan becomes the quarry instead of the huntsman. George Bernard Shaw was called, with good reason, the "English Nietzsche". Though Nietzsche was an aristocrat and Shaw a socialist, both cherished the dream of the superman and looked forward to the day when he would be realised. Both, however, were characterised by their mordant wit and intellectual cynicism, in which "Man and Superman" abounds. Shaw manages to compress a number of disparate themes into a relatively taut dramatic format, even throwing in a scene in which Don Juan, the Devil and a gang of anarchist brigands make an appearance. The central event of the plot involves the wealthy Tanner, a member of the "Idle Rich Class" making himself subservient to the Life Force and seeking the perfect woman to marry, who would guarantee him a very special offspring, his ideal, the superman himself. Though Shaw was not known to have read the works of Bergson at that time, nor to have been conversant with his vitalist doctrine of the Life Force, his use of the Life Force motif and the philosophical underpinnings of the play attest to a pure Bergsonism. The most delightful part, however, is the "Revolutionist's Handbook" at the end, which contains Shaw's most scandalous anti-Establishment jibes. For instance, "Do not do unto others as you would them do unto you. They might not have the same taste."

George Bernard Shaw (1856-1950) is one of the world’s greatest literary figures. Born in Dublin, Ireland, he left school at fourteen and in 1876 went to London, where he began his literary career with a series of unsuccessful novels. In 1884 he became a founder of the Fabian Society, the famous British socialist organization. After becoming a reviewer and drama critic, he published a study of the Norwegian dramatist Henrik Ibsen in 1891 and became determined to create plays as he felt Ibsen did: to shake audiences out of their moral complacency and to attack social problems. However, Shaw was an irrepressible wit, and his plays are as entertaining as they are socially provocative. Basically shy, Shaw created a public persona for himself: G.B.S., a bearded eccentric, crusading social critic, antivivisectionist, language reformer, strict vegetarian, and renowned public speaker. The author of fifty-three plays, hundreds of essays, reviews, and letters, and several books, Shaw is best known for Widowers’ Houses (1892), Mrs. Warren’s Profession (1893), Arms and the Man (1894), Caesar and Cleopatra (1898), Man and Superman (1903), Major Barbara (1905), Pygmalion (1913), Heartbreak House (1919), and Saint Joan (1923). He was awarded the Nobel Prize for Literature in 1925.