The King and the Catholics - Tapa blanda

Críticas

Fraser knows better than anybody how to make political and religious history fun. And as the mob besieges the Palace of Westminster, red-faced politicians rant and rave and George IV tucks in to yet another banquet, her tale flows with such elegance and enthusiasm that you barely stop to notice just how skilfully she does it. (Dominic Sandbrook SUNDAY TIMES)

Fascinating ... Fraser approaches the subject not as one of arid doctrinal debate, but rather as a story, told by an extraordinary cast of characters. William Pitt, George Canning, the Duke of Wellington, Robert Peel, Percy Bysshe Shelley, [Daniel] O'Connell and two kings named George all played idiosyncratic parts in this drama. Supporting actors included some of Fraser's ancestors, who were active in the opposition to emancipation. The people make this story (Gerard DeGroot THE TIMES)

Fraser, a convert to Catholicism, as well as a descendant of the Anglo-Irish Protestant Longfords, tells the story with erudition, sprezzatura and a tremendous sense of fun. Every page is shot through with humour and humanity. Columns of bloated, bewhiskered bigots fall to Fraser's skewer, but the many Georgians with rent consciences are handled with great sensitivity. She is excellent on Ireland. She writes beautifully and she includes just the right amount of smut (Jessie Childs GUARDIAN)

This is a complicated tale with a large cast of characters, making it harder still to maintain the tension that is essential to good, readable history. But Antonia Fraser does it triumphantly. The result is not simply a book that will remind now thoroughly integrated British Catholics of how far we have travelled from being a harassed and despised minority. It also explains, without ever obviously seeming to do so, how implacable prejudices and intractable issues can be tackled and overcome. In other words, it is that rarest of things: a good news story (Peter Stanford SUNDAY TELEGRAPH)

The author, now 85, has not lost her skill in writing history principally through the stories of particular people - and for the success of Catholic emancipation the decisions of a few people were essential: the Duke of Wellington and Robert Peel, ideologically and temperamentally anti-Catholic, who changed their minds; George IV, who wavered; and Daniel O'Connell, who resisted the allure of leading violent insurrection in Ireland and instead offered to keep his nation quiet in return for religious tolerance. Fraser's prose is a pleasure to read (Christopher Howse DAILY TELEGRAPH)

Writing with a historian's skill and a novelist's heart, Fraser shows how O'Connell was able to bring the British government to the point where it felt it had no alternative but to concede emancipation...In many ways this is a book for our Brexit times, a cautionary tale of how a spirit of courage and compromise is necessary when dealing with the political challenge of a generation...Elegant, timely and thought-provoking (Patrick Geoghegan IRISH TIMES)

Utterly gripping and consistently witty (Damian Thompson LITERARY REVIEW)

Ripples with colour and is full of contrasting characters, from "roaring" Tory Lord Winchelsea to voluptuous Lady Conyngham and heroic "King Dan" O'Connell. Indeed, it's like an exhilarating literary point to point, with falls at the fences, but the favourite winning by a neck. (John Martin Robinson COUNTRY LIFE)

Fraser succeeds triumphantly in bringing to life the struggle for Catholic rights. A superb narrative historian, like a modern-day Macaulay, she enlivens her story with vivid character sketches, verve and wit. This is a marvellous book (Jane Ridley THE TABLET)

This is an absolutely splendid book. With the brio and narrative skill which has been in evidence since her first book - the irreplaceable classic biography of Mary Queen of Scots - Fraser gives us a vivid account of Catholic Emancipation. Some of the most dramatic scenes in our parliamentary history are here brought to life with unmatched verve. (A. N. Wilson THE SPECTATOR)

Reseña del editor

'Utterly gripping and consistently witty' Damian Thompson, Literary Review
'An absolutely splendid book' A. N. Wilson, The Spectator

The story of Catholic Emancipation begins with the violent Anti-Catholic Gordon Riots in 1780, fuelled by the reduction in Penal Laws against the Roman Catholics harking back to the sixteenth century. Some fifty years later, the passing of the Emancipation Bill was hailed as a 'bloodless revolution'.

Had the Irish Catholics been a 'millstone', as described by an English aristocrat, or were they the prime movers? While the English Catholic aristocracy and the Irish peasants and merchants approached the Catholic Question in very different ways, they manifestly shared the same objective.

Antonia Fraser brings colour and humour to the vivid drama with its huge cast of characters: George III, who opposed Emancipation on the basis of the Coronation Oath; his son, the indulgent Prince of Wales, who was enamoured with the Catholic Maria Fitzherbert before the voluptuous Lady Conyngham; Wellington and the 'born Tory' Peel vying for leadership; 'roaring' Lord Winchilsea; the heroic Daniel O'Connell. Expertly written and deftly argued, The King and Catholics is also a distant mirror of our times, reflecting the political issues arising from religious intolerance.