Scenes and Apparitions: The Roy Strong Diaries 1988–2003 - Tapa dura

Críticas

Funny, barbed and moving, Roy Strong's diaries are a treasure ... magnificently readable ... This volume of Strong's diaries is chiefly notable as an unflinchingly honest appraisal of the change and decay its author sees all around him. We knew Strong had a lacerating wit and an elegant pen; here we see the depth of his humanity as he stares into the abyss of mortality (Richard Morrison THE TIMES)

Although it encompasses tragedy - the murder of his friend Gianni Versace - and concludes in grief, with the death from cancer of his wife, Julia Trevelyan Oman, it is, in essence, a portrait of emotional and creative fulfilment, in marriage, friendships, work and, in particular, the celebrated garden that he and his wife created at their Herefordshire home, The Laskett. There are some splendid set-piece descriptions of occasions ranging from Elton John's 50th birthday party ('like an overgrown schoolboy dressed as Prince Charming at the ball') to a concert for the Queen Mother at Buckingham Palace ('any sense of style and much else seems to have left the place'). There is plenty of comedy, often at Sir Roy's expense ... Sometimes the array of names is dizzying ... the lack of notes keeps the book buoyant and easy to read ... I fervently hope that he doesn't keep us waiting another 20 years for the next instalment (Michael Hall COUNTRY LIFE)

Viper wit from the gardener, writer and Knight of exquisite taste (DAILY TELEGRAPH)

Everyone loves a good gossip, especially when it involves the rich and powerful, which is why Roy Strong's second volume of diaries, Scenes and Apparitions, covering the period from 1988 to 2003 is such a delight. The former director of London's Victoria and Albert Museum was still very much part of the establishment at this time, yet detached enough from it to offer acidic and often heartfelt observations on its well-upholstered inhabitants (CHOICE magazine)

When it comes to viperish high society gossip, Roy Strong is in a class of his own, and the 25 years of his diaries collected here should keep any armchair socialite quiet throughout the festive season (John Preston DAILY MAIL)

Articulate, erudite and amusing reflections from a very agreeable national treasure (EVERGREEN)

His diaries are politely savage, stinging as he goes ... It reads as a Who's Who of royalty, grandees in country houses, politicians (mostly despised, particularly New Labour he is revolted by Tony Blair), great gardeners and the media ... His socially acute and opinionated observations are seasoned by glimpses into some surviving historic rituals as both observer and participant ... He works incredibly hard as a man of letters, earning his living as an author, lecturer, broadcaster, curator and consultant, enormously prolific and productive... His ability to take offence is prodigious. We are informatively entertained ... and informed by character analyses of the great and the good from courtiers to politicians to the cultural world (Marina Vaizey ART NEWSPAPER)

This second instalment of diaries from the historian, gardener and incorrigible gossip covers the years from 1988 to 2003, when Sir Roy abandoned public life only to reinvent himself as a broadcaster
and popular historian. The diaries are full of waspish observations and pithy nonsequiteurs; the 'Pinter
weekend' alone is a hoot

Reseña del editor

Scenes and Apparitions begins where its predecessor, Splendours and Miseries, left off. It covers a period of Roy Strong's life from 1988 to 2003.

Shaking off the shackles of public life, Roy was free for the first time to reinvent himself, leaving behind the political and cultural machinations of the art world. Left with little to live on, he turned his hand to what came his way, first as a consultant to the Canary Wharf development; then as a television and radio presenter; and finally as a full-time writer of books on the nation's history and civilisation, as well as on garden design and history.

The urge to keep a diary ebbed and flowed and continues to be nothing other than sporadic - when this or that prods his pen to describe a scene or a person. This volume of his diaries is an unmissable record of how a citizen at the close of the second Elizabethan age observed and chronicles his own world, as the last decade of the twentieth century gave way to the first decade of the twenty-first.