Can you hear me?: A gripping holiday read set during a scorching Italian summer - Tapa dura

Can You Hear Me? is a perfect coming-of-age novel, with a dark core that will make you read until the very last page ... Elena Varvello has poured her heart and soul into this beautiful, haunting piece of fiction. * Cesca Lizzie Reads * Pain is treated here, not as an emotion to fear, but to be observed under the stunning microscope of Elena's prose. * Australian Women's Weekly (NZ edition) * With her ability to capture the fragmented rhythm of life, the clockwork eruption of a drama foretold, Elena Varvello hooks the reader * Corriere della Sera * Magnificent * Il manifesto * A coming-of-age story of friendship and passion that keeps the reader glued to the page * Repubblica * It brought back to mind Elsa Morante's Arturo's Island, and those classics with the ability to capture the abyss of adolescence, authors like Moravia and Bassani. This novel will grab you instantly and force you to read with a growing sense of panic, something tight in your throat: like a noir of ordinary life, bloodless and thus even more ruthless * La Stampa * Can you hear me? is one of the most beautiful, intense and original books I have encountered in my life... A beautifully written book, that brings to mind Cormac McCarthy. * Huffington Post Italy * Varvello has written both a noir and a coming-of-age novel that is in some ways reminiscent of Niccolo Ammaniti's I'm Not Scared... Varvello reveals the widening cracks slowly, perceptively, as one family scene unfurls from another, telling the story through omissions that become enigmas. * Il Messaggero * A dark and painful novel, constructed with great wisdom and written with rare restraint. * Nicola Lagioia, author of FEROCITY, winner of the Strega Prize 2015 * Elena Varvello has created a world of suspense a la Hitchcock: a 16-year-old boy tells his story and that of his tragic family... The ravine and the forest of the Piedmontese hills described in Can you hear me? are threatened by evil which colours every page of this novel and reaches the reader via a shattering, dry dialogue. The rapidly industrialised landscape in a provincial corner of northern Italy, containing woods, waterfalls but also discarded tins and other rubbish, speaks of the tragedy: all is normal in the microcosm of Can you hear me?, even intense unhappiness has been accepted as normality. Elena Varvello is a skilled and able narrator; her strong prose belongs to a new vein that has sprung out of modern Italy: women writers revel in an imagination that used to belong to the male world but with an added dose of poetry that is altogether feminine. * Gaia Servadio * A noir that reminded me of great Italian literature: the atmosphere I found in Niccolo Ammaniti's I'm not scared, mixed with the images that someone like Bassani can create with such accuracy... I can't even tell you how excited I am to finally talk about it with customers and colleagues * Dafne Martino, Waterstones bookseller * Halfway between noir and coming-of-age, Can you hear me? is an utterly original new type of novel. I read it in two sittings, and I'm sure it will stay with me for a long time. * Maria Lomunno, Foyles Bookseller * One of the best Italian novels of 2016. A book that doesn't shy away from pain - it shines a light on it. And it does so beautifully, page by page. * Alessandro Baricco, internationally bestselling author of SILK * Reading Can you hear me? is like being swept away by a powerful current. The best Italian novel of the year. * Fabio Geda, internationally bestselling author of IN THE SEA THERE ARE CROCODILES * Can you hear me? shines a light on one family's black heart, a place where opposites coexist: tenderness and fear; happiness and pain; unfaltering faith and ugly suspicions. A book to get lost in * Paolo Giordano, internationally bestselling author of THE SOLITUDE OF PRIME NUMBERS * The bleakness and menace of this 'Hitchcockian' novel owe much to its brevity and the starkness of its prose. A raw and heartrending portrayal of masculinity and loneliness, the burden and complexity of family ties and the perils of crossing boundaries in a small community. * Isabel Costello, The Literary Sofa - Summer Reads 2017 * Elena Varvello's thrilling novel Can You Hear Me? holds a magnifying glass to a family spiralling into darkness while simultaneously casting a net that ensnares the poignancy of the end of adolescence. We are swept away by the vivid characters as their dark and broken places are deftly revealed. Varvello's command of her story, and yet delicate delivery, makes for stunning writing. A smart, dark, page-turner that lingers long after the last page. * Kate Mayfield, author of THE UNDERTAKER'S DAUGHTER * Haunting, surreal, and deeply engaging, Elena Varvello's Can you hear me? is at once suspenseful and elegiac, as beautiful as it is horrifying, as Varvello takes us deep inside the mind and heart of 16-year-old Elia Furenti during his summer of change. Readers will devour this novel in one sitting as I did, then chew over it long after the book is done * Karen Dionne, author of THE MARSH KING'S DAUGHTER * A taut, smart, viciously gripping noir about family and the destructive force of unconditional love. It took my breath away and kept me glued to the page until its heart-breaking end: a phenomenal achievement * Kirsty Wark, author of THE LEGACY OF ELIZABETH PRINGLE * ...but overall, it is far more about the unspoken, about all the things that crack open a facade and leave people broken, even though they pretend to be resilient. It is about people hiding the truth even from themselves... With its ability to capture the tormented adolescent soul, it reminded me of Bassani's The Garden of the Finzi-Continis, but this is far less idyllic and nostalgic. The tense, moody atmosphere, conveyed not through purple prose, but through a very restrained, economical style, is more reminiscent of Alberto Moravia. There are also hints of that author's disenchantment with human nature, modern life and that elusive myth of finding happiness. * Finding Time to Write blog * At first glance, Elena Varvello's Can You Hear Me? has all the hallmarks of a commercial thriller... Yet those who venture further into the pages expecting the novel to be nothing more than a page-turner are in for a surprise. For this book offers so much more. Varvello has published two collections of poetry and it shows. Not only is her writing (translated here by Alex Valente) taut, but it is also exquisitely precise. Rather than scatter-gunning the reader with details, she selects one telling enough to convey an entire character or mood. From the way a person watches their reflection in a mirror, or the briefest of exchanges, the author conjures entire scenes, imbuing her pages by turns with menace, nostalgia and wistfulness... Chief among the cast of blinkered individuals is the narrator, Elia's, father, whose redundancy and subsequent breakdown are the catalysts for much of the action. Menacingly erratic and yet pitiable, he towers from the page... At points the writing is breathtakingly deft. The result is an engrossing and troubling book that hangs big questions on the taut wire of a gripping plot. Like her namesake Ferrante, Elena Varvello knows how to keep readers hooked. We shall see more of her work. * Ann Morgan, ayearofreadingtheworld.com * Can you hear me? is no ordinary psychological thriller - to pigeonhole it into that sub-genre would be to ignore large parts of this atmospheric and intense novel. Alongside the central mystery is a coming of age story and the two themes mesh together seamlessly... I read into the night, I truly couldn't put the book down... We've seen how Varvello generates suspense; she is also very skillful in making us care about all the characters: from Marta's tender, careworn love and inability to recognise Ettore's illness, to broken but unbowed Anna; from the adolescent bluster of Stefano to the growing confidence of Elia as he takes charge of his life. All are detailed alongside the tragedy of Ettore. Can you hear me? was tremendous, possibly the best thriller I'll read all year and as I said before, unputdownable. More please! * Shiny New Books * This excellent novel about difference, mental illness, family and not being able to go home again . . . Can you hear me? READ ELENA VARVELLO! * Literary Hub * From the start this novel is heady and you can feel the Italian heat in every sentence. Considering how dark and intense this novel gets it's passionate and you find yourself relishing every chapter. Varvello's writing is like a shadowy mix of King and Du Maurier, it's part compelling noir and elegant coming -of-age story... I was so rooted in the story, Elia's confused emotional state and his father's mental decline was fascinating. Also I must mention the translation of this novel is brilliant, when reading translated fiction is often noticable when a translator loses the flow of the story but this doesn't happen at all in this book... it just feel like Italy.This is going to be my book of the summer and potentially the year. * Sasha James, Bookspume blog * Can you hear me? is no ordinary psychological thriller - to pigeonhole it into that sub-genre would be to ignore large parts of this atmospheric and intense novel. Alongside the central mystery is a coming of age story and the two themes mesh together seamlessly... We've seen how Varvello generates suspense; she is also very skilful in making us care about all the characters: from Marta's tender, careworn love and inability to recognise Ettore's illness, to broken but unbowed Anna; from the adolescent bluster of Stefano to the growing confidence of Elia as he takes charge of his life. All are detailed alongside the tragedy of Ettore. Can you hear me? - which is Ettore's constant question, was tremendous, possibly the best thriller I'll read all year and as I said before, unputdownable. More please! * Shiny New Books blog * I can't remember reading a thriller that is as eerily intense as Elena Varvello's Can You Hear Me?... While this novel is obviously far removed from my own circumstances, the style and subject of Varvello's story invoked a deep sense of nostalgia in me. Elia is a somewhat awkward young man who makes a loose friendship with a boy named Stefano. Their friendship develops organically. They don't necessarily have a huge amount of shared interests but are pulled together more because of circumstances when there is no one else to spend time with. A lot of childhood friendships seem to be formed in this way and the only other book I can recall that got this so well is Tim Winton's novel Breath. During their summer together they spend time swimming at a remote water hole. I have strong memories of doing something similar and the representation of this uneven friendship felt very real... While Elia tries to deal with these normal issues surrounding any young man's development, he also grows increasingly wary of his father who believes that he's been cheated out of a job and becomes increasingly absent from the home. Marta seems to bury her head in the sand about her husband Ettore's behaviour and withdraw into herself. So this boy is mostly left to struggle with all of this on his own. Because of this, the story develops an increasing level of emotional poignancy as it goes on at the same time as it grows more unsettlingly tense. Varvello's captivating writing style drew me in and had me gripped in that way that made me really resent having to stop reading it at the end of my commutes or lunch breaks. It's a powerful book that reminds me of some of Joyce Carol Oates' novels in the way that Varvello so effectively builds suspense amidst a plot involving friendship and embittered economical hardships. And (coming from me) you know that means I think very highly of it! * Lonesome Reader * Can You Hear Me? is not a faint-hearted book. Elena Varvello plays with some big themes here; fear, love and loss are prominent and sketched in heart aching relief. The story is a tense exploration of the mysteries of the human heart, the weight of paranoia and the often destructive nature of love and blind devotion... Varvello's writing is so redolent and vivid that the reader can almost feel the sweltering heat of summer in Italy, the intense desire between Elia and Anna and the individual anguish and grief of all characters here. This is not a light-hearted summer read but rather an intensely brilliant noir, tightly paced but with the wistful quality of a midsummer daydream. The characters are vibrant, relatable and powerfully realised and the story moves at breath taking pace. This is a beautiful coming of age story, a meditation on the nature of adulthood and a sizzling reminder of the turmoil of adolescence. Varvello has expertly captured the exquisite torture of first time lust and the agony of betrayal. The intensely personal nature of the story becomes clear when Varvello discloses that she wrote the book as a way of exorcising her own difficult relationship with her father, himself a sufferer of mental illness, in an act of letting go of her own past. This adds another level of poignant tenderness to this already heart wrenching tale and it adds another layer of humanity to Varvello's writing... Alex Valente has adoringly translated Varvello's work and the partnership between them is a wonderful example of how loving translation can bring powerful writing to readers across the world. If you like your fiction dark and deep, your characters strikingly real and are prepared to have your heart lovingly shattered then this is the book for you. * Bookbag * Few writers have gripped me, left me breathless and sweaty palmed, quite like Varvello. Expanding the possibilities of the thriller, Can You Hear Me? probes that period of unease, common to growing up, when we realise that our parents are fallible. It's a novel of teenage awakening, of pauses and silences, pregnant with secrets. This book has given me sleepless nights, broken my heart and worked its way deep into my psyche. I am thrilled to finally have the opportunity to place such an extraordinary book in readers' hands. * Gary Perry, Foyles Staff Pick * So extraordinary that I'm almost speechless... It's such a mesmerising novel, at times a very chilling one, and it has both broken my heart and mended it at the same time. The writing is so tense, the atmosphere so heavy and the book's structure is so clever, and technically astounding. What a feat! And what I applaud so very much is its honest ending, its sense of completion(at least for the reader), and its universal message of hope. I feel so moved by this novel and in ways that I know will take me some time yet to uncover. * Matt Bates, WHSmith Travel Fiction Buyer * Elena Varvello's Can you hear me? is riveting and luminous. It's a gorgeous heart-rending novel that you want to finish in one sitting - and few readers will be able to resist the exquisite gravity of such temptation - but it's also a novel that you long to savour, to make last, to draw out because there won't be another one this rich, this compelling, this extraordinarily satisfying for a long, long time. * Bret Anthony Johnston, internationally bestselling author of REMEMBER ME LIKE THIS and Sunday Times EFG Short Story Award winner 2017 * I loved Varvello's pared-back writing style, and how she manages to say so much in so few words. An intense read, wonderfully anxiety-inducing, where everything is bubbling uneasily just below the surface. * Claire Fuller, author of OUR ENDLESS NUMBERED DAYS * A beautiful, stark, poignant account of fear, love and loss * Emma Flint, author of LITTLE DEATHS * A spare, underplayed and suspenseful story about a terrible crime eating away at a family. * Alastair Mabbott, Sunday Herald * A claustrophobic read... Marrying the unsettling feelings of a coming-of-age tale with a panic-inducing abduction story, Varvello explores the psychological impa...

'Utterly gripped me from beginning to end' Victoria Hislop | 'Move over Ferrante, there's a new Elena in town' Independent | 'There is much beauty and sadness in this slim novel' The Times | 'A novel of crime and darkness that eschews straightforward domestic noir' Guardian **The Times bestseller ** Longlisted for the CWA International Dagger ** In the August of 1978, the summer I met Anna Trabuio, my father took a girl into the woods... I was sixteen. He had been gone a long time already, but that was it - not even a year after he lost his job and that boy disappeared - that was when everything broke. 1978. Ponte, a small community in Northern Italy. An unbearably hot summer like many others. Elia Furenti is sixteen, living an unremarkable life of moderate unhappiness, until the day the beautiful, damaged Anna returns to Ponte and firmly propels Elia to the edge of adulthood. But then everything starts to unravel. Elia's father, Ettore, is let go from his job and loses himself in the darkest corners of his mind. A young boy is murdered. And a girl climbs into a van and vanishes in the deep, dark woods... Translated by Alex Valente | Winner of an English PEN Award Longlisted for the CWA International Dagger Award 2018