See What I Have Done: Longlisted for the Women's Prize for Fiction 2018: Sarah Schmidt - Tapa blanda

Críticas

Schmidt's portrayal of Lizzie is haunting and complex, a deeply psychological portrait that forces the reader to question their preconceptions about what women are capable of - for better and worse. Both disturbing and gripping, it is an outstanding debut novel about love, death and the lifelong repercussions of unresolved grief. (Observer)

[A] seminal voice of the future.... a dark, dense visceral ride that proves that this former librarian could be on course to become one of the breakout writers of the decade... Donna Tartt, make room (Stylist)

Eerie and compelling, Sarah Schmidt breathes such life into the terrible, twisted tale of Lizzie Borden and her family, she makes it impossible to look away (Paula Hawkins)

What a book - powerful, visceral and disturbing. I felt like one of the many flies on the walls of that unhappy, blood-drenched house (Cathy Rentzenbrink, author of THE LAST ACT OF LOVE)

An outstanding debut. Enviably brilliant and memorable (Hannah Beckerman)

Vivid, sultry and engrossing (Carys Bray)

A twisty, visceral, highly original novel that grips you from start to finish. An exceptional and stunning debut (Kate Hamer author of THE GIRL IN THE RED COAT)

See What I Have Done held me in its sweaty grasp to the very last pages... as deftly destabilising as the best of Margaret Atwood (Patrick Gale)

I loved See What I Have Done. So ominous and creepily compelling. Utterly macabre, in a good way. It is a novel that is close in style and sensibility to Shirley Jackson's We Have Always Lived in the Castle (Sam Baker The Pool)

See What I Have Done is wonderful. Exquisitely-drawn characters, beautiful prose, a brilliant retelling of story. Every single sentence is perfect (Emma Flint author of LITTLE DEATHS)

Reseña del editor

Longlisted for the Women's Prize for Fiction 2018

Haunting, gripping and gorgeously written, SEE WHAT I HAVE DONE by Sarah Schmidt is a re-imagining of the unsolved American true crime case of the Lizzie Borden murders, for fans of BURIAL RITES and MAKING A MURDERER.

'Eerie and compelling' Paula Hawkins
'Stunning' Sunday Times
'Gripping... outstanding' Observer
'Glittering' Irish Times

Just after 11am on 4th August 1892, the bodies of Andrew and Abby Borden are discovered. He's found on the sitting room sofa, she upstairs on the bedroom floor, both murdered with an axe.

It is younger daughter Lizzie who is first on the scene, so it is Lizzie who the police first question, but there are others in the household with stories to tell: older sister Emma, Irish maid Bridget, the girls' Uncle John, and a boy who knows more than anyone realises.

In a dazzlingly original and chilling reimagining of this most notorious of unsolved mysteries, Sarah Schmidt opens the door to the Borden home and leads us into its murkiest corners, where jealousies, slow-brewed rivalries and the darkest of thoughts reside.