On Art and Connoisseurship - Tapa dura

ON ART AND CONNOISSEURSHIP by MAX J. FRIEDLANDER. With 40 Illustrations. Contents include: INTRODUCTION. By TANCRED BORENIUS 9 PREFACE 1 3 I. SEEING, PERCEIVING, PLEASURABLE CONTEMPLA TION 19 II. EXISTENCE, APPEARANCE, OBJECTIVE INTEREST IN THINGS 32 III. ART AND SYMBOL 39 IV, FORM, COLOUR, TONALITY, LIGHT, GOLD 43 V. THE CONCEPT OF PICTORIAL 3 VI. SIZE AND SCALE, DISTANT VIEW AND NEAR VIEW 8 VH. ON LINEAR PERSPECTIVE 64 Vffl. MOVEMENT 69 DC. TRUTH TO NATURE, ARTISTIC VALUE AND STYLE 75-X. INDIVIDUALITY AND TYPE 84 XI. ON BEAUTY 87 XII. ON COMPOSITION 91 XIII. ON THE PICTURE CATEGORIES 97 XTV. RELIGIOUS AND SECULAR HISTORY IN PAINTING 100 XV. THE NUDE 104 XVI. GENRE PAINTING 108 XVII. LANDSCAPE 113 XVffl. PORTRAITURE 124 XK. STILL LIFE W v-V. t I3 , S CONTENTS PAGE XX. THE ARTIST GENIUS AND TALENT 1 34 XXI, ART AND ERUDITION 143 XXn. THE STANDPOINT OF THE SPECTATOR 1 55 XXffl. ON THE VALUE OF THE DETERMINATION OF AUTHORSHIP 160 XXIV. ON THE OBJECTIVE CRITERIA OF AUTHORSHIP 163 XXV. ON INTUITION AND THE FIRST IMPRESSION 172 XXVI. PROBLEMS OF CONNOISSEURSHIP 179 XXVIt. THE ANALYTICAL EXAMINATION OF PICTURES 1 84 XXVUI. ON THE USE OF PHOTOGRAPHY 197 XXIX. ON PERSONALITY AND ITS DEVELOPMENT 200 XXX. ON THE ANONYMOUS MASTERS, THE MEDIUM MASTERS AND THE LESSER MASTERS 213 XXXI. THE STUDY OF DRAWINGS 218 XXXII. INFLUENCE 222 XXXHI. ARTISTIC QUALITY ORIGINAL AND COPY 230 XXXIV. DEDUCTIONS A POSTERIORI FROM COPIES REGARDING LOST ORIGINALS 246 XXXV. WORKSHOP PRODUCTION 2 0 XXXVI. ON FORGERIES 2 8 XXXVH. ON RESTORATIONS 267 XXXVni. ON ART LITERATURE 273 INDEX 281. LIST OF ILLUSTRATIONS .....