German Art History and Scientific Thought

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9781409440239: German Art History and Scientific Thought
From the Publisher:

A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich Wolfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.

About the Author:

Mitchell Frank, Associate Professor of Art History at Carleton University, is the author of German Romantic Painting Redefined (2001) and Central European Drawings from the National Gallery of Canada (2007). Daniel Adler, Associate Professor of Art History at York University in Toronto, is the author of Hanne Darboven: Cultural History, 1880-1983 (Afterall Books, 2009).

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Frank, Mitchell Benjamin; Adler, Daniel
Editorial: Taylor Francis Ltd, United Kingdom (2012)
ISBN 10: 1409440230 ISBN 13: 9781409440239
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Descripción Taylor Francis Ltd, United Kingdom, 2012. Hardback. Estado de conservación: New. New ed.. 236 x 156 mm. Language: English . Brand New Book. A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known fathers of the discipline - such as Alois Riegl and Heinrich Wolfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history s prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy. Nº de ref. de la librería AA69781409440239

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Frank, Mitchell Benjamin; Adler, Daniel
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Descripción Routledge, 2012. Hardback. Estado de conservación: NEW. 9781409440239 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01021917

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Frank, Mitchell Benjamin; Adler, Daniel
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Descripción Taylor Francis Ltd, United Kingdom, 2012. Hardback. Estado de conservación: New. New ed.. 236 x 156 mm. Language: English . Brand New Book. A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known fathers of the discipline - such as Alois Riegl and Heinrich Wolfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history s prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy. Nº de ref. de la librería AA69781409440239

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Frank, Mitchell Benjamin; Adler, Daniel
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Descripción Routledge, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9781409440239_lsuk

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Frank, Mitchell Benjamin; Adler, Daniel
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Descripción Ashgate Pub Co, 2012. Hardcover. Estado de conservación: Brand New. first edition edition. 194 pages. 9.53x6.42x0.63 inches. In Stock. Nº de ref. de la librería __1409440230

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Descripción Ashgate Publishing Company. Estado de conservación: New. pp. 208 28 Illus. Nº de ref. de la librería 58045160

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Descripción Routledge, 2012. HRD. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IP-9781409440239

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Descripción Ashgate Pub Co. Hardcover. Estado de conservación: New. Hardcover. 194 pages. Dimensions: 9.3in. x 6.1in. x 0.7in.A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known fathers of the discipline - such as Alois Riegl and Heinrich Wolfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art historys prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Nº de ref. de la librería 9781409440239

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