'Industries of Architecture invites us to rethink what constitutes the ‘work’ of architecture – in the past, the present, and in the future. In a reversal of the usual emphasis in the humanities on design as the exclusive field of architects’ creative endeavours, Industries of Architecture offers an alternative view – one in which architects’ engagement with labour, with legal systems, with manufacturing practices, and with business organisation are no longer treated as contingent, but as central to what architects do.' - Adrian Forty, Professor Emeritus of Architectural History, Bartlett School of Architecture, UCL
'Industries of Architecture offers intriguing new evidence of the breadth and depth of architecture’s cultural diffusion. Its exploration of myriad aspects of architectural production supplies valuable historical documentation and useful theoretical strategies to shift the focus of architectural history away from the singular presence of architectural objects and toward the conditions and connections that make those objects possible.' - Aggregate Architectural History Collaborative
At a time when the technologies and techniques of producing the built environment are undergoing significant change, this book makes central architecture’s relationship to industry. Contributors turn to historical and theoretical questions, as well as to key contemporary developments, taking a humanities approach to the Industries of Architecture that will be of interest to practitioners and industry professionals, as much as to academic researchers, teachers and students. How has modern architecture responded to mass production? How do we understand the necessarily social nature of production in the architectural office and on the building site? And how is architecture entwined within wider fields of production and reproduction―finance capital, the spaces of regulation, and management techniques? What are the particular effects of techniques and technologies (and above all their inter-relations) on those who labour in architecture, the buildings they produce, and the discursive frameworks we mobilise to understand them?
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