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<P>THIS BOOK OFFERS AN ORIGINAL NEW CONCEPTION OF VISUAL STORY TELLING, PROPOSING THAT DRAWING, DEPICTIVE DRAWING AND NARRATIVE DRAWING ARE PRODUCED IN AN ENCOMPASSING DIALOGIC SYSTEM OF EMBODIED SOCIAL BEHAVIOR. IT REFIGURES THE EXISTING DESCRIPTIONS OF VISUAL STORY-TELLING THAT PAUSE WITH THEORIZATIONS OF PERCEPTION AND THE ARTICULATION OF FORM. THE BOOK IDENTIFIES AND EXAMINES KEY ISSUES IN THE FIELD, INCLUDING: THE RELATIONSHIPS BETWEEN VISION, VISUALIZATION AND IMAGINATION; THE THEORETICAL REMEDIATION OF LINGUISTIC AND NARRATOLOGICAL CONCEPTS; THE SYSTEMATIZATION OF DISCOURSE; THE PRODUCTION OF THE SUBJECT; IDEA AND INSTITUTION; AND THE SIGNIFICANCE OF RESOURCES OF THE BODY IN DEPICTION, REPRESENTATION AND NARRATIVE. IT THEN TESTS THIS NEW CONCEPTION IN PRACTICE: TWO ORIGINAL VISUAL DEMONSTRATIONS CLARIFY THE PARTICULAR DIALECTIC RELATIONSHIPS BETWEEN SUBJECTS AND MEDIA, IN AN EXAMINATION OF DRAWING STYLE AND GENRE, SOCIAL CONSENSUS AND SELF-CONSCIOUS CONSTRAINT. THE BOOK’S ORIGINALITY DERIVES FROM ITS CLEAR ARTICULATION OF A WIDE RANGE OF SOURCES IN PROPOSING A CONCEPTION OF NARRATIVE DRAWING, AND THE EXTRAPOLATION OF THIS NEW CONCEPTION IN TWO NEW VISUAL DEMONSTRATIONS.<B></B></P>
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Críticas:
“An ambitious contribution to the expanding literature dedicated to theorizing comics and visual storytelling, A Theory of Narrative Drawing is impressive in both approach and depth of research. ... Summing Up: Recommended. ... Graduate students, researchers, faculty.” (S. B. Skelton, Choice, Vol. 55 (8), April, 2018)
“A Theory of Narrattve Drawing delivers what its title promises and will be a rewarding read to students and scholars of both drawing in general and comics in particular, who are interested in considering aspects of the production and reception of drawings beyond its technical aspects.”( Antonia Purk, Closure, closure.uni-kiel.de, Issue 5, November, 2018)
Reseña del editor:
“A Theory of Narrattve Drawing delivers what its title promises and will be a rewarding read to students and scholars of both drawing in general and comics in particular, who are interested in considering aspects of the production and reception of drawings beyond its technical aspects.”( Antonia Purk, Closure, closure.uni-kiel.de, Issue 5, November, 2018)
This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.
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- EditorialPalgrave Macmillan
- Año de publicación2017
- ISBN 10 1137521651
- ISBN 13 9781137521651
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- Número de páginas292
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Theory of Narrative Drawing
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A Theory of Narrative Drawing (Palgrave Studies in Comics and Graphic Novels) by Grennan, Simon [Hardcover ]
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A Theory of Narrative Drawing (Palgrave Studies in Comics and Graphic Novels)
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A Theory of Narrative Drawing (Palgrave Studies in Comics and Graphic Novels)
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Descripción Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. Thebook's originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations. 292 pp. Englisch. Nº de ref. del artículo: 9781137521651
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Descripción Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Introduces a novel approach towards drawing that claims that drawings are produced in a system that embodies social behaviorsProposes a new conception of visual story telling that introduces a new approach to examining comicsDiscusses cruci. Nº de ref. del artículo: 135642250
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Descripción Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. Thebook's originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations. Nº de ref. del artículo: 9781137521651
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