The Ghetto Swinger: A Berlin Jazz-Legend Remembers - Tapa blanda

Unusually interesting amidst the plethora of self-serving musician autobiographies. Schumann has a better story to tell ... survival under the hardest conditions, the value of well-placed friends and the vagaries of fortune as well as the impulse to create. The Ghetto Swinger is a r are glimpse into the persistence of nightlife in Berlin (once a wide-open city) under the Nazis. At Theresienstadt, the ostensibly model concentration camp, Schumann entertained the SS guards with his music like his life depended on it-and it did! - David Luhrssen, Shepherd Express Considered the first ever jazz electric guitarist in Germany, [Coco Schumann] played swing for years but was versatile enough to perform in much more commercial settings during the lean periods. He kept his memories of the prison camps mostly to himself for four decades. The Ghetto Swinger has Coco Schumann telling his story honestly, colorfully and with occasional humor. It is a fascinating [book] that is well worth discovering. - Scott Yanow, L.A. Jazz Scene For posterity, [Schumann] left behind a lifetime of music and memories, along with his remarkable autobiography, The Ghetto Swinger. [...] Within its 192 pages - which includes 55 photos and illustrations - Schumann covers most of his life, from his birth in 1924 until about 1990, with wit, intelligence and deep feeling. - JAZZIZ Magazine From his early enthusiasm for American jazz in Berlin cabarets to his membership of Terezin's celebrated Ghetto Swingers and surviving Auschwitz through his music, to post-war appearances with the likes of Dizzy Gillespie, jazz remains a constant in a remarkable life story. [...] Illustrated by a fascinating range of photographs. - Ron Simpson, The Jazz Rag, Manchester The recently published, never-before translated book by "Coco" Schumann traces his journey from Berlin's pre-war nightlife to a band in Auschwitz and back to Berlin -- and doesn't miss a beat. [...] Look for this unusual book. - Israel National News

Jazz in Nazi-era and postwar Germany, as lived by a Jewish prodigy who survived the horrors of Theresienstadt and Auschwitz. "Coco, it's not important what you play. It's important how you play it," said Louis Armstrong to jazz and swing guitarist Coco Schumann during a break between sessions. Recalling this episode Schumann reminds readers that even in the midst of real-world nightmares, music is alive and musicians experience this essential freedom and hope, which they can, in turn, give to their audiences. Throughout his remarkable life, Coco Schumann (b. 1924) would accumulate accolades, including the Order of Merit from the Federal Republic of Germany in 1989 and the prestigious Ehrenpreise Lifetime Achievement Award in 2015, and play with jazz greats Toots Thielemans, Dizzy Gillespie, Louis Armstrong, Ella Fitzgerald, and others. But few knew he relied on composing music and performing for live audiences to ease the burden of his wartime memories. After forty years of silence Schumann's memoir opened a rare window into the previously unknown life of one of Germany's most renowned musicians, who was a member of the vibrant and illegal Berlin club scene, a part of the cultural revival of postwar Berlin, and a survivor of Theresienstadt (Terezin) and the horrors of Auschwitz. Shortlisted for the 2017 A.R.S.C. Awards for Excellence in Historical Research in Jazz. Includes over 50 historical documents and rare photographs.